Lloyd Evans is The Spectator's sketch-writer and theatre critic
Is Corbo working for the Tories? The Labour leader was such a pushover today that Cameron turned what should have been a televised monstering into a party political broadcast on behalf of left-wing Conservatism. Corbyn raised tax-avoidance, the minimum wage, and short-term contracts — three of Cameron’s strongest issues. The PM boasted that prosecutions of
Out come the stars in Kenneth Branagh’s Romeo and Juliet. He musters a well-drilled, celebrity-ridden crew but they can’t quite get the rocket off the launchpad. The stylish setting evokes Italy in the early 1950s. The girls wear New Look frocks and the boys sport tight slacks and shirtsleeves. Christopher Oram’s muted set has bland
If there were an Eddie the Eagle award for theatre — to recognise large reputations built on minuscule achievements — it would go to the Royal Court. Sixty years ago the English Stage Company arrived at ‘the Court’ determined to amaze the world with a new generation of thrusting young geniuses. It won instant notoriety
Blue/Orange by Joe Penhall enjoys the dubious status of a modern classic. A black mental-health patient, Christopher, is about to be freed from a clinic but his cautious young shrink, Bruce, wants to keep him under observation. His senior colleague, Robert, thinks a dose of the big bad world will help to cure the nervy,
The only MP who doesn’t want Angela Eagle to be the next Jeremy Corbyn is Jeremy Corbyn. He was away today — thank Gawd! — leaving Eagle to take on George Osborne who replaced the PM. Eagle is quality. Her low stature, her kindly, nunnish face and her merry eyes give her a huge advantage
The Globe’s new chatelaine, Emma Rice, has certainly shaken the old place up. It’s almost unrecognisable. Huge white plastic orbs dangle overhead amid plunging green chutes like rainforest vines. The back wall is smothered in a blinding rampart of explosively coloured saffron petals. Up top, partially concealed by pillars, lurks a rock band togged up
T.E. Lawrence is like the gap-year student from hell. He visits a country full of exotic barbarians and after a busy few months rescuing them from their spiritual frailties, and helping them emulate their Western superiors, he returns home and never stops boring on about it. ‘How much I learned from them,’ he gushes, when
The ugly mug of international sleaze reared up at PMQs today. Mike Kane got things going by calling Nigeria ‘fantastically corrupt’. This was his diplomatic welcome to the West Africans arriving for tomorrow’s ‘Anti-Corruption Summit 2016.’ The purpose of the jamboree is to confirm London’s position as the epicentre of dirty money by holding an honesty
Great excitement for play-goers as a rare version of a theological masterpiece arrives in the West End. Doctor Faustus stars Kit Harington, a handsome, bearded bantamweight with round glasses and rock-star curls. We first meet him wearing a grey hoodie and lounging in a bedsit surrounded by cheap Catholic statuary. The druggy clothes and the
Cameron hi-jacked today’s PMQs with a show of calculated brutality masked as high dudgeon. Feeble, whey-haired Corbyn obeyed the commands of his unwanted passenger and meekly drove him wherever he wished to go. Cameron’s destination was ‘extremist Labour’. Corbyn strives constantly to outdo himself in uselessness and today’s rambling, ill-structured assault was typical. Early on
Down and Out in Paris and London is a brilliant specimen from a disreputable branch of writing: the chav safari, the underclass minibreak, the sojourn on the scrapheap that inspires a literary monument. Orwell’s first book was turned down by Faber boss T.S. Eliot, who received the script under its original title, Confessions of a
PMQs kicked off with a big fuss about improvements to our world-beating education system. To academise or not to academise? Corbo wants to let good-or-outstanding schools be good-or-outstanding. Cameron says good-or-outstanding schools can become even more good-or-outstanding. Both leaders prefer to ignore Ofsted’s lower grades, ‘inadequate’, and ‘requires improvement’. Rightly so. No one else recognises
Corbyn the Musical feels like it comes from the heart. Did the writers live through the 1970s when the hard-left was full of hope and confidence? Socialists then genuinely believed they could see off capitalism (which seemed in its death throes anyway) and replace it with a happier and more equal world. The show takes
[audioplayer src=”http://feeds.soundcloud.com/stream/260046943-the-spectator-podcast-obamas-eu-intervention-the-pms.mp3″ title=”Lloyd Evans and Dr Daniel Swift discuss how Shakespeare died” startat=1008] Listen [/audioplayer]How did the Bard kick the bucket? The 400th anniversary of Shakespeare’s death reignites interest in a great literary mystery. All we know for sure is that he was buried on 25 April 1616 in Holy Trinity Church, Stratford, and it’s
Does Cameron care any more? Insouciance is a more attractive quality than earnestness in a leader but Cameron is taking his demob-happiness to extremes. He dismisses every crisis with a bored eye-roll and a wave of the hand. Doctors strike? No big deal. Backbench revolt over education? Been there before. Dodgy dossier on Brexit? All
Les Blancs had a troubled birth. In 1965 several unfinished drafts of the play were entrusted by its dying author, Lorraine Hansberry, to her ex-husband, Robert Nemiroff, who mounted a debut production in New York in 1970. Nemiroff has created a fresh version with the help of a ‘dramaturg’ (or ‘colleague’, in English) named Drew
A vandal smashing a window and calling it air conditioning. A mother marrying her son and declaring it a lesson in advanced sexual morality. A shoplifter caught with a chicken up his jumper and congratulating the store detectives on their commitment to property rights. That’s how David Cameron ducked the tax-abuse row at PMQs today.
Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War that attracts fresh generations of dreamy youths in search of conquest and treasure. The lead characters have retired from battle, wounded. Joe Gillis, like Odysseus, is a vagrant warrior ensnared in the island-mansion of Norma
Sunset Boulevard Coliseum, in rep until 7 May Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War that attracts fresh generations of dreamy youths in search of conquest and treasure. The lead characters have retired from battle, wounded. Joe Gillis, like Odysseus, is a
Sir Ken’s excellent West End residency continues with a sugar-rich confection. Sean Foley has adapted and updated an elderly French farce about an assassin who befriends a needy depressive. Hitman Ralph rents a hotel suite overlooking a courtroom where his target is due to make an appearance. The neighbouring room is occupied by a mopey Welshman,
