Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

Corbyn’s PMQs virtue signalling ended badly

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The floods got Jeremy Corbyn into a pickle at PMQs. The Labour leader started off by out-virtuing Boris. The PM had expressed sympathy with the victims of Storms Chiara and Dennis. Corbyn stood up. ‘My thoughts are with those suffering across the world with the corona-virus,’ he said tartly. He accused the PM of responding sluggishly to the inundations. Referring to an earlier crisis, he said, ‘I demanded that a Cobra meeting be called and [the Prime Minister] very reluctantly agreed.’ With the latest floods, Corbyn went on, he had once again ordered Boris to summon Cobra. But the PM had ignored the call. Why? Corbyn had his answer: ‘He doesn’t really care at all because there are no votes on the line at the moment.

Why foreign-language series will always have the edge over American ones

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An office worker stands on the ledge of an open window about to leap. Two colleagues enter, ignoring him completely. They sit at symmetrical desks and read reports about the man’s background while he clings to the window frame, poised between life and death. This is the opening of Samuel Beckett’s Rough for Theatre II, starring Daniel Radcliffe and Alan Cumming. Stewart Laing’s beautiful design places the window centre-stage with the man standing in isolation between his two colleagues, like Christ and the thieves at Calvary. Beckett would have approved. For the first ten minutes of this bizarre play, the Old Vic audience sat in polite silence tittering only at expletives like ‘cunt’, ‘bugger’ and ‘dogshit’.

A brilliant, unrevivable undertaking: Tom Stoppard’s Leopoldstadt reviewed

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History will record Leopoldstadt as Tom Stoppard’s Schindler’s List. His brilliant tragic-comic play opens in the Jewish quarter of Vienna in 1899. We meet a family of intellectuals and businessmen who are celebrating their very first Christmas. The eldest son, Hermann, has married a Catholic and become ‘Christianised’ in order to smooth his path through Austrian society. ‘The Jews know a bargain when they see it.’ The family are amusingly puzzled by the distinction between ‘papist’ and ‘Protestant’ and they’re also keen to honour their ancient traditions. This generates plenty of foreskin gags. (‘Are we on or off with the circumcision?

Rebecca Long-Bailey came off badly in her Newsnight clash with Emily Thornberry

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Labour's leadership candidates were grilled by Newsnight’s Katie Razzall last night. Avuncular Sir Keir Starmer, with his greying thatch and bulky frame, looked like a body-builder gone to seed. He spoke in a bluff, commandeering tone that suggested the leadership is his already – and he knows it. His main rival, Rebecca Long-Bailey, seemed ill at ease. She’s an odd blend of qualities. She might have been named after a Jilly Cooper character but she has a Maoist habit of calling the voters ‘our communities.’ Her complexion is immaculate, her gaze unblinking, her blond hair perfect. ‘Pitiless’ is the only word for her dark, angular spectacles.

Corbyn scored a lasting triumph at PMQs

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Things got pretty tasty at PMQs. Jeremy Corbyn was well prepared and emerged, messily, as the victor. It started badly for the Labour leader. Ironic cheers rang out when his name was called. Up he stood. But instead of building to a joyous climax, the cheers dropped to nothing. Stark silence followed. This seemed amusing and was greeted by facetious guffaws. Poor Jezza. Even his pauses are laughing at him. He brought up the 17 foreign-born criminals deported to Jamaica. A tricky case has emerged. A boy who arrived in Britain aged five, was coerced into peddling drugs and was given a jail-term. But since his release he hasn’t re-offended. ‘Does he deserve to be deported?’ asked Corbyn. ‘Entirely right,’ said the PM. Corbyn gloated.

Nish Kumar turns on ‘right-wing commentators’ who ‘can’t take a joke’

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Nish Kumar was the star turn on Friday at a ‘Brexit and Comedy’ panel discussion in central London. The event was staged by ‘The UK in a Changing Europe’ which describes itself as ‘an independent organisation created to make the findings of academic research easily available.’ Essentially it’s a left-leaning think-tank which behaves like a bereavement circle for distraught Remainers. The host, Professor Anand Menon, asked the three panellists to suggest a joke for Boris. ‘I’d just write him a joke that wasn’t racist. A non-racist knock-knock joke,' replied Kumar The comic Andy Zaltzman, also on the panel, started to improvise. ‘Knock-knock’. Kumar: Who’s there? Zaltzman: The immigration authorities.

A terrific two-hander that belongs at the National: RSC’s Kunene and the King reviewed

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The Gift is three plays in one. It opens in a blindingly white Victorian parlour where a posh lady, Sarah, is teaching her clumsy maid to serve tea correctly. Both characters are black. Sarah’s prosperous husband, also black, arrives home and the scene continues as the gauche skivvy (Donna Berlin, brilliant) makes more and more hilarious blunders. What is this play? Perhaps a neglected Victorian comedy revived with colour-blind casting. In fact, the script is inspired by a historical character, Sarah Forbes Bonetta, a Yoruba princess born in Nigeria in the 19th century, who was adopted by Queen Victoria and raised as an English gentlewoman.

Corbyn’s aggressive pessimism was on display again at PMQS

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Climate change dogged PMQs today. ‘We are at the eleventh hour to save the planet,’ announced Jeremy Corbyn grimly. The experts who warn of disaster have clearly caught the Labour leader’s ear. ‘Coastal flooding and crop failures could threaten political chaos,’ said Noel Brown, director of the UN Environment Programme. He added that a polar thaw could lift sea-levels by three feet within ten years. Mind you, he was speaking in 1989 so today’s crisis may not be as serious as some like to claim. Corbyn moaned about the upcoming climate change conference in Glasgow which is suddenly leaderless. Ex-minister, Claire Perry, has stepped aside from her role as conference president.

‘We will never return, there is no going back’: the Brexit Day party, as it happened

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Remainers were there too. The first people I met at the Brexit Day festivities were opposed to the whole idea. I found them on Westminster Bridge, a man and his wife, posing with an EU flag. When the man spoke his voice faltered as if his pet spaniel had just died. ‘I married a German woman. I’ve been brought up to tolerate other cultures and lifestyles.’ I asked which of the many crises outlined by Project Fear would strike us first. ‘Economic slump,’ he said. Will Britain ever re-join? ‘Maybe in two generations.’ A couple with a toddler spotted the EU flag and joined us for a chat. They’d planned to enlist in a Remain Fightback Demo and were dismayed by the poor turnout.

Strong performances in a slightly wonky production: Uncle Vanya reviewed

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Uncle Vanya opens with a puzzle. Is the action set in the early 20th century or right now? The furnishings might be modern purchases or inherited antiques, and the costumes are also styled ambiguously. It soon becomes clear from Conor McPherson’s script, which uses colloquialisms like ‘wanging on’, that this is a contemporary version. It’s always a risk to update Chekhov and the director Ian Rickson pulls it off. Never once did I wonder why these chattering idlers didn’t have broadband or mobile phones. But the casting is awry. Vanya is a middle-aged Hamlet, a thinker, an observer, whose dreams are smashed to pieces in the course of the action.

PMQs: Boris relishes his new-found power

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Jeremy Corbyn has stopped asking questions at PMQs. The lecture-circuit now looms for the Labour leader, so he uses the Wednesday sessions to practise the Grand Orations he will soon be making to drowsy socialists in overheated conference-halls around the world. He’s unlikely to match the fees commanded by the world’s top lecture-stars, Tony Blair and Barack Obama. His performance lacks bounce or crackle. He’s incapable channelling either passion or excitement and he simply recites his bullet-points like a sleep-deprived Bingo-caller. And his jokes misfire. Today he opened with a gag about the presenter of Just A Minute who died yesterday, aged 96. ‘Mr Speaker,’ said Corbyn, ‘can we take a minute to pay tribute to Nicholas Parsons.

Sweeping, sod-you comedy – irresistible: Billionaire Boy reviewed

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Falling In Love Again features two of the 20th century’s best-known sex athletes. Ron Elisha’s drama covers a long drunken night spent by Marlene Dietrich and Edward VIII at Fort Belvedere, near Windsor, on the eve of Edward’s abdication in December 1936. It sounds like a contrived premise for a play but Elisha, who researches his material thoroughly, says this encounter actually took place. Marlene (played by Ramona von Pusch as an enigmatic adventuress in green lipstick) claims to have fled the Savoy where Rudolf Hess is bombarding her with flowers in the hope of luring her home to make films for the Third Reich. Marlene refuses because she can’t stand Hitler.

Blackford’s bid to skewer Boris falls flat at PMQs

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PMQs began with a tussle over Universal Credit. Jeremy Corbyn’s team of wordsmiths and brainstormers had spent the morning ransacking a thesaurus for words meaning ‘destructive’. They found ‘broken, damaging, dangerous, callous, cruel, punitive and vicious.’ They added ‘very cruel’ for good measure. These were the labels Corbyn applied to Universal Credit. ‘It should go,’ he urged. As for ‘very cruel’, he spoke of ‘the very cruel and callous two-child limit which caps benefits for larger families.’ Now that Britain’s parents have received this warning, they can avoid the ‘very cruel’ cap by capping their fecundity.

Why John Bercow blames Jo Swinson for thwarting the plot to stop Brexit

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What’s John Bercow up to these days? The ex-Speaker is enjoying the limelight, of course, but he isn’t necessarily cashing in. Last Friday, he did a solo gig at a community centre in Holland Park where his appearance raised thousands of pounds for a local charity. He charged no fee. And he spent time before and after his speech chatting happily to anyone who approached him. But then Bercow has always liked to talk. His parents, who noticed their son’s verbosity, said: ‘John, generally speaking, is generally speaking.’ He made this joke against himself during his hour-long speech. It wasn’t his only essay in self-mockery: ‘We may be short,’ he said, on behalf of smaller people everywhere, ‘but we’re environmentally friendly.

People expecting punishment won’t be disappointed: Almeida’s Duchess of Malfi reviewed

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The Duchess of Malfi is one of those classics that everyone knows by name but not many have witnessed on stage. So a production is likely to attract theatre-goers who feel they ‘ought to’ see it rather than ‘want to’. This may have affected the Almeida’s version which is opaque and almost impossible to follow. Yet audience members who are expecting punishment rather than entertainment will not be disappointed. The play by John Webster was first presented in London in 1613 (or possibly a year later), and it relies on events that occurred in Italy more than a century earlier between 1508 and 1513. So even the original London audience would have had to work hard to follow the unfamiliar plot which traces the elopement of an Italian duchess with her steward.

Jeremy Corbyn cuts a sorry figure at PMQs

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Jeremy Corbyn now cuts the sorriest figure in Westminster. The crackle has gone out of his cornflakes. The chain is rusty, the tyres are flat, the mechanism can barely move. Like Big Ben itself, this old bell has lost its clapper. The Labour leader still inspires a vocal greeting at PMQs but it’s the sort of semi-ironic ovation that might greet a fat schoolkid as he completes the 100m in just under two minutes. When Corbyn speaks he recites his questions in a zestless drone. And yet a great opportunity is being missed. Labour’s leadership candidates should take turns to spar with Boris as part of the contest. But no. We’re stuck with a man who wouldn’t even pass an audition to play himself.

Corbyn’s Stop the War protest speech was his worst yet

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About a hundred Stop the War activists gathered outside BBC Broadcasting House on Saturday to protest against a possible conflict with Iran. They were the usual ragbag of idlers, dreamers, misfits and malcontents. Many of these people are unable to grasp the illogicality of their political positions. A chap selling the Socialist declined to give me a copy for free. ‘In future everything will be shared,’ I said, ‘so start with this paper.’ ‘I’ll share it with you,’ he smiled, ‘after you’ve shared your pound with me.’ I paid up and pointed out that the transaction had merely strengthened capitalism. ‘No, it’s building a system that will overthrow capitalism.

Redneck twaddle: Young Vic’s Fairview reviewed

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Fairview by Jackie Sibblies Drury won last year’s Pulitzer Prize. It deserves additional awards for promoting racial disharmony and entrenching false, divisive and outdated stereotypes. The title is a pun. ‘Fair’ means ‘white’ and ‘view’ means ‘world outlook’ or ‘prejudice’. Really it ought to be called Honky Bias. The script declares its fascination with antique hatreds in its opening line which is a stage direction: ‘Lights up on a negro.’ No one talks like that any more. I attended the December press night where the play began as a moderately amusing TV-level comedy about a rich black family preparing for a birthday. This opening scene was followed by 30 minutes of confusing absurdity.

Lindsay Hoyle was a breath of fresh air at PMQs

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New year. New parliament. New speaker of the House of Commons. The change was palpable immediately. Former speaker John Bercow found it impossible to say nothing even when he had nothing to say, which was most of the time. His successor Lindsay Hoyle has the contrary virtue of terseness. He got through the session without uttering a word, other than to state the name of each MP as he called them. Jeremy Corbyn, newly elected member for Tehran South, fretted about the legality of Qassem Soleimani’s assassination. ‘Not our operation,’ said Boris. He noted that Corbyn had failed to condemn any of Soleimani’s military operations, even though ‘that man had the blood of British troops on his hands.

Lily Allen to Newsnight: The 41 most annoying things in 2019

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Lily Allen. Lights! Camera! Hanky! It’s been a vintage year for Twitter’s comedy genius. The needy pub-bore grumblings of Tony Blair. Ditto John Major. Ant and Dec. Even after the drunken prang it’s impossible to tell them apart. The panicky new jargon of weather forecasters, (old version in brackets). Flood warning. (Drizzle). Drought warning. (Drizzle clearing). Zero visibility. (Overcast). Threat to life. (Hail). Hypothermia alert. (Frost). Blizzards expected with a wind-chill of minus 50. (Easterly breezes). Susanna Reid. Why does she let the bloke with the big head do all the talking? The minor Johnsons. One is acceptable but do we need the others?