Lloyd Evans

Good Night, Oscar is a biographical play about Oscar Levant, a famous pianist who was also a noted wit and raconteur. The script starts as a dead-safe comedy and it develops into a gripping battle between the forces of anarchy, represented by Oscar, and the controllers of NBC who want to censor his crazy humour.

Edinburgh seems underpopulated this year. The whisky bars are half full and the throngs of tourists who usually crowd the roadways haven’t materialised. There’s a sharp chill in the air too. Anoraks and hats are worn all day, and anyone eating outdoors in the evening is dressed for base camp. Perhaps tourists don’t want to

Make It Happen is a portrait of a bullying control freak, Fred Goodwin, who turned RBS into the largest bank in the world until it came crashing down in 2008. Fred the Shred’s character makes him a tough subject for a drama. His morning meetings were called ‘morning beatings’ by terrified staff. He ordered executives

Every day my inbox fills with stories of panic, madness and despair. The Edinburgh Fringe is upon us and the publicists are firing off emails begging critics to cover their shows. If the festival is a national X-ray, this year’s image is shadowed by emotional frailty and a distinct sense of humour failure. The brochure

The Estate begins with a typical NHS story. An elderly Sikh arrives in A&E after a six-hour wait for an ambulance and he’s asked to collect his own vomit in an NHS bucket. The doctors tell him he’s fine and sends him home where he promptly dies. His only son, Angad, inherits all his property,

The memory of Nye Bevan is being honoured at the National Theatre. Having made his name as a Marxist firebrand, Nye was quick to take advantage of the privileges enjoyed by the governing classes whom he affected to despise. He entered parliament in 1929 and began to hang around the Commons bar plying female MPs

Evita, directed by Jamie Lloyd, is a catwalk version of the Andrew Lloyd Webber musical. The actors perform on the steps of a football stadium where they race through an effortful series of dance routines accompanied by flashy lights and thumping tunes. It’s more a drama-school showcase than an epic human tragedy. There are no

A Moon for the Misbegotten is a dream-like tragedy by Eugene O’Neill set on a barren farm in Connecticut. Phil Hogan and his daughter Josie have worked the rocky soil for 20 years and they’ve come up with a joke. ‘If cows could eat stones this would be a grand dairy farm.’ Phil is a

The Ministry of Lesbian Affairs is a comedy that feels as sweet and comforting as a knickerbocker glory. The show is set in a leaky scout hut where a bunch of lesbians meet to perform choral music. The conductor, Connie, has the bluff, good-natured energy of an RAF squadron leader. ‘Snippety-snap,’ she calls as she

Stereophonic is a slow-burning drama set in an American recording studio in 1976. A collection of hugely successful musicians, loosely based on Fleetwood Mac, are working on a new album which they hope will match the success of their previous number one smash. This is an absolute treat for anyone who appreciates subtle, oblique and

Cul-de-Sac feels like an ersatz sitcom of a kind that’s increasingly common on the fringe. Audiences are eager to see an unpretentious domestic comedy set in a kitchen or a sitting-room where the characters gossip, argue, fall in love, break up and so on. TV broadcasters can’t produce this sort of vernacular entertainment and they

George Bernard Shaw’s provocative play Mrs Warren’s Profession examines the moral hypocrisy of the moneyed classes. It opens with a brilliant young graduate, Vivie Warren, boasting about her dazzling achievements as a mathematician at Newnham College, Cambridge. She explains her future plans to a pair of mild-mannered chaps who clearly adore her. Like most of