Lloyd Evans is The Spectator's sketch-writer and theatre critic
LBC broadcaster Iain Dale has transformed his Edinburgh festival shows into a series of Zoom-casts. First up, David Davis. The former Brexit secretary had arranged his web-cam in a study lined with scarlet law-books. A few hours earlier, he said, he’d completed a seven-mile jog. He’s 71. Davis began by criticising the government over the corona-shambles.
So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first press night since March took place at a monumental Victorian building in Wandsworth where concerts are staged in an open-air courtyard. The entry process was less fussy than I’d expected. I didn’t need my phone
Back to the West End at last. After a four- month lay-off, I grabbed the first available chance to catch a show in central London. I joined 20 enthusiasts at the ‘West End Musical — Silent Disco Walking Tour’, which convened outside a Fitzrovia pub. We were given a pink bracelet and a set of
‘Give us a date, mate!’ That was the sound of Andrew Lloyd Webber begging Boris Johnson to announce when the West End can return to normal. He made his plea at the London Palladium on 23 July, where he was testing a new set of Covid-compliant measures during a one-hour solo show by Beverley Knight.
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade is God.’ The RSC, which staged the show in 2015, calls it ‘a thrilling, contemporary interpretation’. Each element in Polly Findlay’s production looks fine. Jacob Fortune-Lloyd and Patsy Ferran (Bassanio and Portia) are as cute
There was an urgent question about jobs at PMQs today. One job in particular. The questioner, Maria Miller, was concerned that she hadn’t yet been hired to head a government department. She made her bid for promotion by strewing petals and scented bouquets at Boris’s feet. She reminded us that on Friday, 24 July, the
There’s talk of reparations in the air. Lobbyists from around the world are demanding sin-payments from former colonial powers. Let me add my voice to the clamour on behalf of this island’s indigenous Celtic people. My family are from Llanelli in Carmarthenshire and I believe that my compatriots have an excellent case to make against
Let’s face it. Theatre via the internet is barely theatre. It takes a huge amount of creativity and inventiveness to make anything remotely like a theatrical drama in the digital sphere. The BBC’s Culture in Quarantine team have invited some talented writers and actors to try and crack it. Unprecedented begins with ‘Viral’, by James
Keir-mania. Is it possible? Can we imagine it? Stadiums full of besotted voters chanting his name in frenzies of adoration. ‘Star-Muh! Star-Muh!’ No. Never going to happen. Sir Keir tinkled his way through his six questions at PMQs hoping to trip up the PM. Instead he put his own weaknesses in the spotlight. Far from
The Black Lives Matter movement has put racial sensitivity at the top of the agenda. A new atmosphere of moral rectitude has taken hold, and anyone who makes a tactless or unwelcome statement about race is likely to be fired. That’s what happened to Jack Hepple after a ‘White Lives Matter’ stunt over Man City’s
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even if the location is not established with absolute clarity. The date is Christmas 1918 and we’re in a stately home that has been converted into a billet, or a hospital, for returning soldiers. The prickly
Rishi Sunak made his summer statement this afternoon. The chancellor is never less than immaculately turned out. Skinny blue suit, coiffed hair, silver-grey tie gathered in a discreet knot, a white shirt that glowed like a snow-capped peak at noon. And he oozed board-room competence. One half expected the lights in the Commons to fall
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and Oliver Chris, with menacing swagger, brings a note of palpable sadism to the role of Theseus. Then things relax as the ‘mechanicals’ in modern boiler suits prepare to rehearse the play. Hammed Animashaun (Bottom) dominates
Today the prime minister tried out his ‘spoonful of sugar’ routine. Boris has decided that no political problem exists that can’t be solved with a dose of bonhomie, a chorus of ‘build, build, build’, and a £600 billion bung to rocket-boost the economy. This ramshackle strategy was all he brought to PMQs. Against him Sir
The Beeb has released Simon Godwin’s Hamlet staged by the RSC in 2016. The director makes one major change and leaves it at that. Elsinore is transposed to a present-day African republic where members of the ruling clan are jockeying for power after the dictator’s death. This chimes with our understanding of geopolitics and lends
Barristers say there are two types of performers in court. The rhinos use brash, crude, overpowering blows. The snakes are subtle, unpredictable and deadly. Today at PMQs, the two beasts met. Boris came out of the jungle at full charge. ‘I think the honourable gentleman has been stunned by the success of the test and
The longest interval in theatre history continues. Last week the National Theatre livestreamed a 2018 version of The Madness of George III produced by Nottingham Playhouse with Mark Gatiss in the title role. The script, written by Alan Bennett as a response to King Lear, is much easier to like than the original. An engaging
A testy, ill-tempered PMQs. Sir Keir Starmer began by welcoming the anti-viral breakthrough achieved by British scientists. He got an instant slap-down. ‘I’m glad he’s finally paying tribute to the efforts of this country in tackling the coronavirus,’ said Boris, finding Sir Keir guilty of anti-British sentiment. The PM was road-testing a new jingoistic approach
What are the new rules on race and performance? In the world of TV, everyone is busy apologising, self-censoring and denouncing their previous work. Ant and Dec have deleted routines in which they imitated Japanese girls and people of colour. The comedian Leigh Francis has expressed contrition for satirising Craig David in Bo’ Selecta! (which was
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play is not a favourite. The story concerns a victorious Roman general who accepts the role of consul but when his political career falters he takes revenge by befriending his defeated enemy, Aufidius, and marching on
