Lloyd Evans is The Spectator's sketch-writer and theatre critic
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Where to begin? That was one of most absorbing PMQs of recent times. Three top moments: the Speaker rebuked the PM for improper language. The Labour leader was humiliated by one of his own backbenchers. And Ian Blackford asked a good question. That’s right. It finally happened. The SNP leader in the House of Commons
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Love Letters by A.R. Gurney began life as an epistolary novella about two childhood friends, Andy and Melissa, whose on-off romance is traced through an exchange of letters lasting 50 years. In 1988, the script was turned down by the New Yorker magazine: ‘We don’t publish plays.’ Gurney hired an actress, Holland Taylor, and together
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Potted Panto is a 70-minute parody presented by two burlesque comedians. Jeff is a tall, playful bungler and his colleague, Dan, is a squat, dour authoritarian who likes to see everything done efficiently. They leap on stage and declare their plan to present a compendium of the best-known Christmas shows. ‘All six of them,’ says
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The Speaker was busy at PMQs. He jumped in at the start and told Michael Fabricant, the orange-haired member for Lichfield, to stop rambling and get to the point. He admonished an SNP member for addressing the Prime Minister as ‘you.’ Convention dictates that ‘you’ in the Commons means the Speaker himself. ‘You keep saying
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He’s back. A year after losing a second general election in a row, Jeremy Corbyn has launched his ‘Project for Peace and Justice’ with a video on YouTube. He appears in a natty off-white jacket, with a tinge of blue, like a referee at the Henley Regatta. Speaking in a low, measured voice, as if
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The Flying Lovers of Vitebsk begins with a phone conversation between a pretentious art critic and a man called Marc. This turns out to be Marc Chagall, the expressionist painter, who was born in Vitebsk in Belarus in 1887. It would have been helpful to include his name in the title. Emma Rice, the director,
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It really is crunch time. The international game of Texas Hold’em is reaching its climax. The lesser players have folded. Only two high-rollers remain at the table. Beads of sweat are appearing on their brows. Each is feeling for a lucky charm discreetly held in a side-pocket, and each is scouring the other’s eyes for
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Blackeyed Theatre is another victim of the virus. Its production of Jane Eyre was midway through a UK tour, and due to visit China for a month, when the pandemic shot its plans to bits. Last month the show was revived on stage and committed to film. Kelsey Short (Jane) leads a team of just
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That was risky. The PM came to the House for today’s session with nothing at all in his briefing folder. Not a fact. Not a statistic. Not a single detail to rebuff his opponents. Usually he tosses out figures in all directions to create the impression of authority and control. Today he had nothing more
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Sasha is angry. He’s a gay artist on his way to his niece’s birthday party and he keeps popping codeine pills to get him through the dull ceremony ahead. His devoted boyfriend, Chet, hasn’t realised that Sasha’s drug habit is a full-blown addiction but Sasha is highly secretive. He shows us two sides of his
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The House welcomed the Chancellor, Rishi Sunak, as he announced his spending commitments for the coming year. Rish the Dish delivered all kinds of goals and priorities for the UK but he left his personal plans in obscurity. Or did he? The Chancellor’s naked ambition may be sheathed in a Jermyn Street suit but his
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Here’s what happened. Last year, a young actress, Seyi Omooba, was cast as Celie in a musical version of The Color Purple at Leicester’s Curve Theatre. Celie is a victim of sexual abuse who later finds comfort in a lesbian tryst with a nightclub singer. In the 1985 film, directed by Steven Spielberg, the role
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Emilia is a period piece about Emilia Bassano who may have been the ‘dark lady’ of Shakespeare’s sonnets. The writer, Morgan Lloyd Malcolm, declines to turn the subject into a history play and instead creates a larky sketch show with snippets of literary gossip. Our heroine enters as a frightened teenager contemplating the horrors of
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That looked pretty weird. The self-isolating PM attended parliament today from a remote location. His advisers had blundered badly. They might have created a warm, friendly look by seating Boris in a big leather armchair, lit by honey-coloured lamps, and surrounded by portraits of his latest children. Instead they’d emptied out a cubby-hole in a
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Death of England: Delroy is a companion piece to Death of England, which ran in February at the NT and examined the white working classes. Here the focus is on a successful black Briton, Delroy, who votes Tory and feels at home in multicultural society. The charismatic Michael Balogun plays him as a complex, shrewd
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America loomed large at PMQs. The Labour leader, Sir Keir Starmer, blundered immediately. None of his advisers seem to know that Americans are highly sensitive to putdowns from snooty Brits. And Sir Keir – who is not just a posh Englishman but a Knight of the Bath as well – reinforced the stereotype by smearing
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It’s touch and go whether the theatre will survive this latest assault. Some venues have pushed back their entire programme by four weeks, which is chaotic but manageable. Theatres mounting a panto are in a trickier position because they can’t trust Gove and Johnson not to extend the curfew into the festive season. November is
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He was winging it. Definitely. The PM almost certainly spent half the night watching the electoral quagmire in America. And at today’s PMQs he seemed flaccid and repetitive, full of diverting orotundities. Usually, he readies himself with facts and figures to spew out. But he’d done no homework, and he committed an unforced blunder from
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Theatres can open if they want to. That’s the current position. The only factor keeping a playhouse dark is a lack of guts or imagination on the part of its leadership. A small pub in Vauxhall, The Eagle, is mounting new plays in its garden space to raise everyone’s morale. Punters must wear masks and
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In Bad Taste is a slapstick comedy about five female terrorists who murder the governor of the Bank of England. They chop him to pieces, cook him in a casserole and devour the lot. Their plan is to ‘eat the rich’, literally, and to trigger a worldwide revolution. After this grimly hilarious opening the script
