Lloyd Evans is The Spectator's sketch-writer and theatre critic
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play is not a favourite. The story concerns a victorious Roman general who accepts the role of consul but when his political career falters he takes revenge by befriending his defeated enemy, Aufidius, and marching on
It’s official. The Labour party now has two leaders. Both are knights. But it’s hard to say which is the real Sir Keir Starmer. Not even Sir Keir Starmer seems to know. Good Sir Keir is the kindly, decent comrade who wants to aid his fellow man at a time of crisis. Wicked Sir Keir
Three faces peered out of the screen. At noon, last Saturday, Facebook hosted a digital debate between a trio of grandees from the Stop the War Coalition. Former Labour leader, Jeremy Corbyn, appeared in a plain white room that matched his open-necked shirt. The novelist Arundhati Roy spoke from Delhi. And the veteran activist, Tariq Ali, began
Sea Wall, by Simon Stephens, is a half-hour monologue about grief performed by Andrew Scott. The YouTube clip has been viewed more than 250,000 times. The habitual quirks and irritants of Stephens’s writing are all here: the inept jokes, the laddish swearing, the fascination with 1970s pop, the preference for males over females and the
A testy, ill-tempered PMQs. Sir Keir Starmer accused Boris of presiding over a corona-shambles. The PM fired back and asked the Labour leader to show ‘signs of co-operation’ with the government’s efforts. Sir Keir was able to cite a ‘sign of co-operation’. A letter written to the PM two weeks ago about helping to reopen
Hats off to the Lawrence Batley Theatre for producing a brand-new full-length show on-line. Stephen Fry, with avuncular fruitiness, narrates a dramatisation of David Nicholls’s novel The Understudy, published in 2005. It’s a back-stage comedy about a newly written sex romp inspired by the life of Lord Byron. The show, predictably enough, is entitled, Mad,
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from a Shakespearean adaptation because film-goers want to be entertained, not anointed with the chrism of high art. Macbeth is one of the texts that frequently attracts directors. Justin Kurzel’s 2015 version (Amazon Prime) didn’t triumph
It has come down to a classroom contest. The swot versus the wag. The smart Alec against the rugger captain. The chemistry nerd who wants to join the cool kids behind the bike-sheds. Sir Keir has been praised for his ‘forensic’ attacks on Boris at PMQs. What is ‘forensic’? ‘Forum’ means a market-place and later
The National’s bizarre livestreaming service continues. On 7 May, for one week only, it released a modern-dress version of Antony and Cleopatra set in a series of strategy rooms, conference centres and five-star hotel suites. The lovestruck Roman was played by a louche, gruff, brooding Ralph Fiennes. Why is this man so watchable? He lacks
Keir Starmer is a very rum package. His body and his manner seem to belong to different organisms. His physique is martial, sturdy, invincible. The square jaw, the trunk-like neck, the unsettlingly symmetrical face, the blue but eerily lifeless eyes. But his personality has no trace of manliness at all. He seems grannyish, nervy, over-delicate,
A TV play by Tom Stoppard, A Separate Peace, was broadcast live on Zoom last Saturday. I watched as my screen divided itself into four cubes in which appeared the actors, performing from home. The play was written in 1964 and it’s well suited to the split-split screen format because no physical contact occurs between
PMQs began with a tribute from Speaker Hoyle who seemed thrilled to see Boris back at work and in Bunterish good health. ‘The whole country is delighted at his recovery,’ he added. A quick trawl thorough Twitter would disprove that optimistic claim. Sir Keir Starmer, in his debut against Boris, asked how the government could
‘Enjoy world-class theatre online for free,’ announces the National Theatre. Every Thursday at 7 p.m. a play from the archive is livestreamed. I watched Twelfth Night, from 2017, starring Tamsin Greig as a female Malvolio. What a handsome, absorbing and brilliantly staged production this is. Greig’s comically petulant Malvolia won the plaudits, rightly, while the
‘Such happy news amid such uncertainty’. The Speaker began PMQs with this tribute to Carrie and Boris’s baby. But his talk of ‘happy news amid such uncertainty’ might have referred to MPs tuning in via webcam whose living areas have been denuded of clutter. Last week, viewers got an eyeful of their MPs’ soft furnishings
Comedy is booming during lockdown. The clubs may be closed, indefinitely it seems, but the internet has come into its own. And the backlash against the liberal consensus is gathering pace. Here are seven of the best unwoke comedians. All are available on YouTube. The snag is that each clip is preceded by an advert
Not looking great, is it? Until we all get jabbed, theatres may have to stay closed. And even the optimists say a reliable vaccine is unlikely to arrive before Christmas. As the darkness persists, here’s a round-up of my leading experiences over nearly two decades as a reviewer. There’s been a surge of output. More
That wasn’t PMQs. That was World Of Interiors. With members scattered across the country, the session took place in a sparse, hushed Chamber. Dominic Raab stood in for the Prime Minister and Keir Starmer made his first appearance as opposition leader. But this historic debut was eclipsed by MPs at home asking questions online. This
Bernard-Henri Lévy is a haunted man. The French philosopher, speaking to me from Paris, told me that when he was 20 years old, in 1968, a flu pandemic broke out across the world which killed an estimated one million people. ‘It was at least as serious as the pandemic of today but without the same
High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the Time of Corona, made up of five filmed reflections on self-isolation. ‘Rainbows’ by Morgan Lloyd Malcolm is narrated by a woman on the edge teaching her kids to decorate the windows with coloured paints. ‘Child
Theatres have taken to the internet like never before. Recorded performances are being made available over the web, many for free. Getting Better Slowly is about a dancer, Adam Pownall, who spent two years fighting Guillain-Barré syndrome. This lucid and enjoyable show (recorded at Lincoln Drill Hall) now looks horribly topical. A young artist, paralysed
