Lloyd Evans is The Spectator's sketch-writer and theatre critic
Sir Keir’s approach to PMQs is so brilliant it might be rather foolish. He shows up each Wednesday as if he were attending a particularly complicated fraud trial, full of unique and intriguing features, which will one day furnish material for a lecture at Inner Temple. It’s super-technical. It makes your brain itch. And anyone
When Kwame Kwei-Armah took over the Young Vic a ‘Black Lives Matter’ sign was strapped to the front of the building. One of BLM’s aims is the overthrow of capitalism and it’s widely assumed in theatreland that Kwame, who is great fun to meet, has embraced this goal by adjusting the Young Vic’s pay structures so that
Well that was different. Boris arrived at PMQs as if he were modelling for one of his cartoons. The strands of his famous hairdo were standing up like the quills of a cornered hedgehog. Had he just placed his thumb in a power-socket to get an energy boost? Sir Keir was waiting for him, inscrutable,
The season of Alan Bennett’s Talking Heads continues at the Bridge. In The Hand of God we meet Celia, a posh antiques dealer, who befriends old maids in the hope of acquiring their valuables cheaply. Like everyone in her trade she uses play-acting and mind games to give her the advantage while haggling. If her
It was another ‘worst week ever’ for Boris. The highlight being his successful bid to make mincemeat of himself by garbling his own lockdown rules at a press conference. At PMQs, he presented an open target and the Labour leader struck early with a highly specific question: Why has Luton emerged from lockdown when other
The anti-lockdown rally at Trafalgar Square was organised by Save Our Rights UK. This embryonic organisation is so new that its website only has a single page. And it seems inexperienced at staging large demos. The amplification on a windy day needed to be cranked up to the max but the sound was inaudible from
The Old Vic refuses to reopen. Director Matthew Warchus says the social distancing rules make it impossible for him to reach the 70 per cent capacity he needs to break even. That was true in the old days when the Vic had to put on lavish fare and tempt audiences away from the opulent variety
Martial law was declared yesterday. And today Boris was expected to arrive at PMQs dressed in jackboots, an olive tunic and wraparound shades, with a Glock 18 machine-pistol tucked into his holster. Instead he wore a plain business suit. Perhaps he wanted to give his people a friendlier impression of their overlord. He seemed unusually jovial and upbeat
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On this week’s episode, Swedish journalist Paulina Neuding talks about Sweden’s crime surge; Toby Young on why he has given up on Boris; and Lloyd Evans on going to the theatre in the age of Covid.
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up illuminated boards. ‘PLEASE WEAR A FACE COVERING.’ Inside, the seating had been rearranged into clumps of twos and threes with the odd single perch sticking out like a toadstool. Nicholas Hytner offered us a pair
Sir Keir Starmer did a Greta at PMQs today. Without their leader, Labour invited Angela Rayner to duff up Boris in public. On her feet she announced that this would be ‘the Battle of Britain’. And she believed that ‘the whole country’ would be watching. It was more like a game of hop-scotch between two flirtatious teenagers. The air
Was the Oxford vaccine trial paused? Mine wasn’t. I signed up for it last week, in the 55 to 69-year-old category, and I was told on Friday that I should continue posting my swabs and attending follow-up appointments. My friends were keen to tell me I was ‘utterly mad’ to join a trial. But I
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin with low flint walls, a banked rampart and a single stone column. Historians estimate that the circular space, measuring about 40 yards in diameter, would have enabled 7,000 spectators to watch plays, gladiatorial contests and
After last week’s shambles, Boris could barely have performed worse at PMQs today. Sir Keir Starmer began with a horror-story endured by two parents in London. They needed an urgent Covid test for a feverish toddler but were told that nothing was available in the capital. Go to Romford, was the advice. Then they were
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On this week’s podcast, Lloyd Evans argues that the state should stop subsidising the National Theatre and start funding bingo halls (00:41). Then Lionel Shriver explains the trouble of taking back control (08:15). And finally, Will Heaven explores the dissolution of the Downside monastery (16:48).
For nearly six months our subsidised playhouses, notably the National Theatre, have been dark. What have we missed? Not much. Some would say nothing at all. And this has come as a surprise to those of us who were led to believe that the subsidised theatre is critical to ‘the national conversation’. It turns out
It was woeful. It was ugly to behold. It was beyond gruesome. Even Boris’s most faithful supporters had to watch PMQs from behind the sofa. Sir Keir Starmer, who turns 58 today, got a fabulous birthday present – a stunningly inept performance from the Prime Minister. Sir Keir demanded a ‘straight answer to a straight
There was plastic aplenty at today’s Extinction Rebellion rally in Parliament Square. Plastic shoes, plastic badges, plastic sunglasses, plastic phone covers. A woman offered me a sticker peeled from a strip. ‘Are they plastic?’ ‘I don’t know,’ she shrugged. ‘Someone gave them to me.’ XR is starting a week of demos and civil disobedience. I arrived just as
The rise of the political satirist Nish Kumar baffles many. If you Google ‘Nish Kumar quotes’ you find a list of the ten witticisms most widely shared by his fans. ‘My parents wanted me to be a lawyer.’ ‘I have a strange nose: it’s big and weird.’ ‘When I am on stage I am often
The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The international festival has been reduced to one filmed theatre commission and a handful of videoed musical offerings. The Fringe has survived but in a horribly mutilated form. Two of its most prestigious brands, the Pleasance
