Lloyd Evans is The Spectator's sketch-writer and theatre critic
Before the budget, the TV pundits like to tell us about divisions between the PM and his next-door neighbour. The story is that boom-and-bust Boris can’t wait to splurge cash on a set of mega-projects that would put a Persian emperor to shame. Build a bridge. Burrow a tunnel. Concrete over an estuary and plonk
The Almeida is fighting back against lockdown with a sprawling family drama about two long-lost siblings. Adrian Lester plays Gilbert Jones, a successful entrepreneur, who runs a clothing business and a stationery shop in London. At his dad’s funeral he meets his half-brother, Benny (Danny Sapani), who was brought up in care but is now
Sir Keir is having a wobble. That’s obvious. The Labour leader holds an equestrian title, so he naturally feels at home on his high horse. Today at PMQs he loftily commanded Boris not to raise taxes in the budget. That was hilarious. A Labour leader begging a Tory Prime Minister not to implement Labour policy.
The One Day In the Year is an Australian drama about the annual commemoration of the Gallipoli campaign in 1915. It was written in 1958 but it could have been dashed off last week. What makes it thrillingly topical is that the personality of Churchill and the truth about Britain’s colonial past are central to
Bryan Fogel seems to have done it all. It’s hard to think of a showbiz figure with a more varied career. He began as a stand-up and moved to play-writing and then to directing movies. In 2013, he reinvented himself as the producer of hard-hitting documentaries that focus on international scandals and cover-ups. He talks
Good Grief is a new drama starring Sian Clifford who shot to fame as the older sister in Fleabag. The script by Lorien Haynes is described by the producers as ‘sharp, funny, brutal, irreverent and quintessentially British’. The action begins after a funeral where a handsome young Asian guy named Adam, chats to a fellow
Sir Keir has changed his tactics. At long last. Today marks a year since the first Covid measures were introduced to parliament and the Labour leader has finally realised that the pandemic doesn’t work for him. Even the most brilliant ambush will be dismissed as opportunistic and unpatriotic. So he dropped the superbug altogether. And
It’s a different game at PMQs. With fewer than 40 members present, the debates feel more like a committee meeting than a full-throated parliamentary session. It’s bad for democracy if the highlight of the parliamentary week looks so static and uninspiring. When the weather cheers up they should move to a secure location outdoors, (like
The Fabulist Fox Sister is a one-man show about the three American women who are credited with inventing the trade of spiritualism. It all happened by accident. A younger sister discovered that by cracking her toe joints on the floorboards she could generate noises that scared her parents. Kate Fox, the eldest, claimed the sounds
Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and Jordan Paul Clarke, remember the far-off days when Facebook was just a harmless supplement to ordinary social interactions. How did it turn into a freedom-gobbling corporate monster? We meet the Zuckerbergs, Mark and Priscilla, as
It was a day of awful numbers. And even more gruesome cliches. The Labour leader started it. ‘Yesterday we passed the tragic milestone of 100,000 deaths,’ said Sir Keir Starmer. Then he informed us that, ‘this is not just a statistic.’ He explained that each dead person has connections to other individuals who remain alive.
Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A set of model boxes containing stick figures and colourful landscapes slides past the seated viewer while a voiceover reads the narrative. No thesps are required, which may be a relief to producers and directors but
Parliament, 0. Computer Bugs 1. That was the score at PMQs today after a software glitch turned the debate into a cyber-shambles. The disaster unfolded as Ian Blackford asked his two questions. The SNP member, wearing a smart three-piece suit, joined the chamber from his sumptuously appointed country seat in the Hebrides. Blackford is known
Jeremy Corbyn launched his ‘Project for Peace and Justice’ on Sunday with a Zoom conference featuring a starry panel of left-wing activists. The online format is a weak and feeble beast compared with a live rally. You miss the crackle and excitement in the air. You long for the cheers and whoops of a properly
Where to begin? That was one of most absorbing PMQs of recent times. Three top moments: the Speaker rebuked the PM for improper language. The Labour leader was humiliated by one of his own backbenchers. And Ian Blackford asked a good question. That’s right. It finally happened. The SNP leader in the House of Commons
Love Letters by A.R. Gurney began life as an epistolary novella about two childhood friends, Andy and Melissa, whose on-off romance is traced through an exchange of letters lasting 50 years. In 1988, the script was turned down by the New Yorker magazine: ‘We don’t publish plays.’ Gurney hired an actress, Holland Taylor, and together
Potted Panto is a 70-minute parody presented by two burlesque comedians. Jeff is a tall, playful bungler and his colleague, Dan, is a squat, dour authoritarian who likes to see everything done efficiently. They leap on stage and declare their plan to present a compendium of the best-known Christmas shows. ‘All six of them,’ says
The Speaker was busy at PMQs. He jumped in at the start and told Michael Fabricant, the orange-haired member for Lichfield, to stop rambling and get to the point. He admonished an SNP member for addressing the Prime Minister as ‘you.’ Convention dictates that ‘you’ in the Commons means the Speaker himself. ‘You keep saying
He’s back. A year after losing a second general election in a row, Jeremy Corbyn has launched his ‘Project for Peace and Justice’ with a video on YouTube. He appears in a natty off-white jacket, with a tinge of blue, like a referee at the Henley Regatta. Speaking in a low, measured voice, as if
The Flying Lovers of Vitebsk begins with a phone conversation between a pretentious art critic and a man called Marc. This turns out to be Marc Chagall, the expressionist painter, who was born in Vitebsk in Belarus in 1887. It would have been helpful to include his name in the title. Emma Rice, the director,
