Lloyd Evans is The Spectator's sketch-writer and theatre critic
A Russian Doll is a monologue about Putin’s campaign to swing the Brexit vote in his favour. It stars Rachel Redford whose Borat accent becomes grating after a little. She plays Masha, a computer wizard and language expert, who works for a firm of hackers appointed to spread fake news ahead of the referendum. Masha
Here it was. At long last. Dominic Cummings in the flesh at the parliamentary select committee. He was dressed in the same immaculate white cotton shirt that he sported for his ‘agony in the garden’ appearance in Downing Street a year ago. But this time he wasn’t in the dock. He was like a school
Lockdown is about to end but some theatres are gripped by cabin fever and want to explore the two new formats created by the pandemic. One is the Zoom play with multiple actors, the other is the sequence of filmed soliloquys linked by a theme or storyline. Tim Crouch has directed a Zoom version of
The great thing about being trashed in the polls is that the tiniest improvement looks like a triumphant comeback. At PMQs the Labour leader, Sir Keir Starmer, needed to do some minor damage to Boris’s armour. The teeniest dent could be spun as a glorious revival. But Sir Keir was defeated by his own strategy.
A new work by Alan Bennett features in Still Life, a medley of five ‘untold stories’ from Nottingham Playhouse. The dramas were filmed during lockdown. Before the Bennett première, there’s a monologue by a wittering granny complaining about the price of cereal in a deserted food bank. Then, a banality-crammed slice of jabber between two
Money is a new internet play about financial corruption starring Mel Giedroyc. She appears on-screen for less time than it takes to eat a Malteser. Giedroyc plays the boss of a palm-oil firm that wipes out orangutan habitats in Asia and wants to launder its reputation by donating cash to a London charity. A million
The Bush Theatre’s new strand, 2036, opens with a monologue, Pawn, which takes its name from the most downtrodden piece on the chessboard. The speaker, Jordan, is an amiable dimwit of mixed Trinidadian and South African heritage whose mother explains his background to him like a condescending anthropologist: ‘Trinidad and South Africa are countries with
He blew his stack. His mop almost came loose from his scalp. He wasn’t just jabbing his forefinger and tossing his arms around, he was throwing combinations and swinging at punch-bags. He almost did the Ali shuffle. At PMQs Boris delivered an amazingly combative performance. Last week he smouldered like Etna. This week the summit
Hats off to the Orange Tree Theatre in Richmond. They’ve discovered a new form of racism. Some people say we have enough ethnic division already but in south-west London they’re gagging for more apparently. A new play, Prodigal, examines the prejudice endured by a Ugandan chap whose mother moved to London when he was a
Oh dear. Those texts. A bit awkward isn’t it? At PMQs, Sir Keir quizzed Boris about the exchanges between James Dyson and the PM which have been leaked by a saboteur. Boris was rattled. The texts reveal a side of his nature that he wants kept secret. The smug and rather puerile grandee luxuriating in
How will the theatre look after lockdown? A clue emerges in a statement made by Guy Jones, the literary associate of the Orange Tree in Richmond. ‘The victims of this year are many. Homelessness is on the rise, loneliness is deadly, the monster of racism lurks in every-day interactions… and many of the inequalities we
General Secretary is a new drama with a dull title and an off-putting poster. A pair of angry women in sombre clothing glare into the middle distance. But the satirical premise is intriguing. What if two young females with no experience took over the world? Georgie and Cassie are working from home when they receive
‘Keir today, gone tomorrow.’ The whisper before Easter was that Labour’s troubled leader might not survive until the next election but the spectre of Tory sleaze – which felled John Major’s government – has come to the rescue. Sir Keir started PMQs by alluding to David Cameron’s freelance activities for Greensill Capital. ‘Are the current
Everyone knows Helen of Troy. The feckless sex popsicle betrayed her husband, Menelaus, and ran off with the dashing Paris, which triggered the ten-year Trojan war. The Greeks were victorious but after sacking the city they went straight home again. So what was the point? Euripides’s play Helen takes a radically different approach in this
Jina and the STEM Sisters is a blatant act of propaganda. And its intentions are excellent. This is a musical puppet show that sets out to encourage girls of eight and older to take up careers in science where women remain under-represented. The heroine, Jina, is a schoolgirl who embarks on a hike through a
BKLYN — The Musical gives itself a headache for no reason. What does ‘BKLYN’ mean? Perhaps it’s a random jumble of letters caused by a muffin landing on the keyboard. A punter who sees the title once and later looks it up online is unlikely to recall the precise order of the letters, and his
Sir Keir Starmer will want to forget today’s PMQs. And fast. The Labour leader began with a strategic error. Instead of hounding the Prime Minister on a single issue he chose three unrelated topics: Covid, army numbers and steel production. Typical Sir Keir. Why use effective tactics when useless ones are available? To be fair,
Copycat Hamiltons are everywhere. Lin-Manuel Miranda led the way by turning an unexamined corner of history into a smash-hit show. The latest antique subject to become a musical is the Gunpowder Plot of 1605. The script, by Ricky Allan and Kieran Lynn, ought to include those words in the title because they give vital data
It’s bizarre to see political enemies laying claim to the purest of motives when they’re fighting like dogs to extract political advantage from the week’s hottest issue. At PMQs were treated to the unseemly spectacle of party leaders using the appalling death of Sarah Everard for personal gain. Sir Keir Starmer called it, ‘a tragedy
Jeremy Corbyn is hitting the comeback trail. The former Labour leader made the keynote speech at this week’s Media Democracy Festival organised by the Media Reform Coalition. He began by citing his own journalistic credentials. ‘I produced 500 columns for the Morning Star.’ Then he turned to India where 250 million strikers are protesting against
