Lloyd Evans is The Spectator's sketch-writer and theatre critic
Jina and the STEM Sisters is a blatant act of propaganda. And its intentions are excellent. This is a musical puppet show that sets out to encourage girls of eight and older to take up careers in science where women remain under-represented. The heroine, Jina, is a schoolgirl who embarks on a hike through a
BKLYN — The Musical gives itself a headache for no reason. What does ‘BKLYN’ mean? Perhaps it’s a random jumble of letters caused by a muffin landing on the keyboard. A punter who sees the title once and later looks it up online is unlikely to recall the precise order of the letters, and his
Sir Keir Starmer will want to forget today’s PMQs. And fast. The Labour leader began with a strategic error. Instead of hounding the Prime Minister on a single issue he chose three unrelated topics: Covid, army numbers and steel production. Typical Sir Keir. Why use effective tactics when useless ones are available? To be fair,
Copycat Hamiltons are everywhere. Lin-Manuel Miranda led the way by turning an unexamined corner of history into a smash-hit show. The latest antique subject to become a musical is the Gunpowder Plot of 1605. The script, by Ricky Allan and Kieran Lynn, ought to include those words in the title because they give vital data
It’s bizarre to see political enemies laying claim to the purest of motives when they’re fighting like dogs to extract political advantage from the week’s hottest issue. At PMQs were treated to the unseemly spectacle of party leaders using the appalling death of Sarah Everard for personal gain. Sir Keir Starmer called it, ‘a tragedy
Jeremy Corbyn is hitting the comeback trail. The former Labour leader made the keynote speech at this week’s Media Democracy Festival organised by the Media Reform Coalition. He began by citing his own journalistic credentials. ‘I produced 500 columns for the Morning Star.’ Then he turned to India where 250 million strikers are protesting against
The Finborough’s new show is a love story with the male partner absent. Two women, one Irish and one American, explain their feelings for a London businessman, aged 45, who seems to be connected with the fashion trade. The women, known as ‘I’ and ‘A’, have different functions. ‘I’ is a young Irish model and
A glimpse of normality returned to PMQs today. For once the pandemic didn’t dominate. And Sir Keir tried a new tactic. He hammered Boris on a single issue. Nurse’s pay. Finally he’s realised that he should look for a nasty bruise and punch it again and again. Boris had memorised a counter-attack which bristled with
The sacking of Gina Carano is still creating waves in Hollywood. The martial artist turned movie actress was dropped from the Star Wars spin-off, The Mandalorian, after blocking BLM supporters on Twitter and stating that being a Republican in Hollywood was like being a Jew during the Holocaust. She compounded her sins by suggesting that
The Sorcerer’s Apprentice is a musical fantasy set in a Nordic town near the Arctic circle. Johan is a magician whose healing powers have won him the respect of his neighbours. But his rebellious daughter, Eva, has been expelled from school for scrawling ‘down with the patriarchy’ on a mirror. She’s also suspected of trying
Before the budget, the TV pundits like to tell us about divisions between the PM and his next-door neighbour. The story is that boom-and-bust Boris can’t wait to splurge cash on a set of mega-projects that would put a Persian emperor to shame. Build a bridge. Burrow a tunnel. Concrete over an estuary and plonk
The Almeida is fighting back against lockdown with a sprawling family drama about two long-lost siblings. Adrian Lester plays Gilbert Jones, a successful entrepreneur, who runs a clothing business and a stationery shop in London. At his dad’s funeral he meets his half-brother, Benny (Danny Sapani), who was brought up in care but is now
Sir Keir is having a wobble. That’s obvious. The Labour leader holds an equestrian title, so he naturally feels at home on his high horse. Today at PMQs he loftily commanded Boris not to raise taxes in the budget. That was hilarious. A Labour leader begging a Tory Prime Minister not to implement Labour policy.
The One Day In the Year is an Australian drama about the annual commemoration of the Gallipoli campaign in 1915. It was written in 1958 but it could have been dashed off last week. What makes it thrillingly topical is that the personality of Churchill and the truth about Britain’s colonial past are central to
Bryan Fogel seems to have done it all. It’s hard to think of a showbiz figure with a more varied career. He began as a stand-up and moved to play-writing and then to directing movies. In 2013, he reinvented himself as the producer of hard-hitting documentaries that focus on international scandals and cover-ups. He talks
Good Grief is a new drama starring Sian Clifford who shot to fame as the older sister in Fleabag. The script by Lorien Haynes is described by the producers as ‘sharp, funny, brutal, irreverent and quintessentially British’. The action begins after a funeral where a handsome young Asian guy named Adam, chats to a fellow
Sir Keir has changed his tactics. At long last. Today marks a year since the first Covid measures were introduced to parliament and the Labour leader has finally realised that the pandemic doesn’t work for him. Even the most brilliant ambush will be dismissed as opportunistic and unpatriotic. So he dropped the superbug altogether. And
It’s a different game at PMQs. With fewer than 40 members present, the debates feel more like a committee meeting than a full-throated parliamentary session. It’s bad for democracy if the highlight of the parliamentary week looks so static and uninspiring. When the weather cheers up they should move to a secure location outdoors, (like
The Fabulist Fox Sister is a one-man show about the three American women who are credited with inventing the trade of spiritualism. It all happened by accident. A younger sister discovered that by cracking her toe joints on the floorboards she could generate noises that scared her parents. Kate Fox, the eldest, claimed the sounds
Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and Jordan Paul Clarke, remember the far-off days when Facebook was just a harmless supplement to ordinary social interactions. How did it turn into a freedom-gobbling corporate monster? We meet the Zuckerbergs, Mark and Priscilla, as
