Lloyd Evans is The Spectator's sketch-writer and theatre critic
It can be difficult to remember that Tennessee Williams, the great songster of the Deep South during the 1950s, was still churning out plays when he died in 1983. In the 1960s he was past his peak and he began to experiment with form, perhaps hoping to compete with fashionable youngsters like Tom Stoppard and
Lady Sylvia is a gorgeous aristocrat whose hand is sought by the charming Dorante whom she has never met. To avoid the stiff formalities of courtship, Lady Sylvia swaps places with her maid and observes Dorante from the safety of pretended servitude. But instead of falling for Dorante, she becomes enamoured of his manservant. However,
PMQs is sixty years old. Speaker Hoyle opened the proceedings with a reminder that the weekly cross-examinations began in July 1961. Boris wasn’t there. Well, he was, but via Zoom. A televised shot of his head was beamed from Chequers to a flat-screen screwed to a high gallery. This was unfortunate for Sir Keir Starmer
What shall we destroy next? Romeo & Juliet seems a promising target and the Globe has set out to vandalise Shakespeare’s great romance with a scruffy, rowdy, poorly acted and often incomprehensible modern-dress production. It starts with two lads having a swordfight using curtain poles. Enter the Prince who fires a gun and halts the
Who won the Euros? Race-baiters clearly. Sir Keir Starmer spent most of PMQs trying to label Boris as a bigot. The Labour leader craftily wove several arguments into one. He claimed that by failing to condemn fans who booed the BLM-inspired rite of genuflection, Boris was responsible for the abuse suffered by black players after
Bach & Sons opens with the great composer tinkling away on a harpsichord while a toddler screeches his head off in the nursery. The script becomes a broader portrait of a richly creative and competitive family where everyone is bright, loud, witty, inventive, good-natured and affectionate. Bach teaches the elements of composition to his gifted
Freedom Day on 19 July was the opening issue at PMQs. Boris welcomed the return to normality and the Labour leader offered to support a ‘balanced and reasonable’ end to lockdown. But he accused the government of being ‘reckless’. Hang on, cried Boris, Sir Keir was all in favour of Freedom Day last Monday. Can’t
Jonny Lee Miller is to play John Major in Series Five of the Crown. In the 1990s, when Major was prime minister, Miller got his big break as Sick Boy in Danny Boyle’s iconic film, Trainspotting. So it looks like a counterintuitive piece of casting. The dour and insipid Major will be played by an
Wimbledon is back. The start of the tournament in June marks the opening of the British summer, sending a signal to everyone that it’s time to take it easy: enjoy a glass of fizz, some strawberries and some sporting drama on the grass. And this year, for the first time, we witnessed a roar of
Before the National Theatre produced Dylan Thomas’s Under Milk Wood they had to make a decision. How could they stuff this dazzling, rapturous comic tone-poem with misery and pain? The policy at the NT is that ticket holders must endure a play rather than enjoy it. They had four options. Racism, homophobia, misogyny and mental
Sir Keir Starmer got through the whole of PMQs without telling us that his mum was a nurse and he used to run the Crown Prosecution Service. What a relief. Instead, he gave us a different look-at-me moment. Hailing England’s victory over Germany last night he confided that his pleasure was of a purer and
Jeremy Corbyn’s brand is slipping. Yesterday, supporters of his Peace and Justice movement joined a much larger demo in London organised by the People’s Assembly. About a thousand protestors showed up for an event where the dominant theme was Palestine. When the marchers arrived at Parliament Square they were led by a shrill gang of
Death of a Black Man is a little-known script from the 1970s written by Alfred Fagon who suffered a fatal heart attack in 1986, aged 49. It’s an intriguing but sloppily written play set in 1973 about a pair of black London teenagers who are hustling for cash in the music business and the furniture
At PMQs Sir Keir Starmer led on the tricky subject of rape. He cornered the PM with a precisely worded four-part question about the fact that 98 per cent of reported rapes don’t lead to criminal charges. The PM countered that Labour had recently voted against a bill that toughened up sentences for violent sexual
Godot Is a Woman opens with three tramps standing on a bare stage beneath a solitary upright. This isn’t Samuel Beckett’s famous drama about a pair of vagrants, Vladimir and Estragon, who wait in vain for a mysterious visitor. This is a spoof in which a trio of actors (two female, one non-binary) seek a
Covid changes its identity more often than Grant Shapps. The latest strain emerged with the appealingly exotic name ‘Indian’. Now it’s been given a more military-sounding tag, ‘the Delta variant.’ Today’s PMQs featured a tussle over the date on which this dangerous mutant sneaked through the UK’s borders. Sir Keir Starmer waved a file of
The latest movie to turn into a musical is Amélie, from 2001, about a Parisian do-gooder or ‘godmother of the unloved’. Some rate Amélie as the worst film ever made in France. Some consider it the worst film ever made. Our heroine is a 20-year-old waitress, a sort of proto-Greta, who plays truant from her
What is Prime Ministers’ Questions? Is it a simple contest of ideas? Or is it a judicial roasting in which a lone defendant, governed by strict rules, must face an army of malign inquisitors? Boris thinks it’s an open debate about policy. Speaker Hoyle sees it as a court-hearing over which he presides as judge
Back to the Globe after more than a year. The theatre has zealously maintained its pre–Covid staffing levels. On press night, there were eight sentries patrolling the forecourt where just 42 masked spectators watched a revival of Sean Holmes’s A Midsummer Night’s Dream. The Globe describes his show as ‘raucous’. The action is set in
This was perhaps the most heavily-trailed Kleenex moment in recent TV history. The advance clips of Sir Keir Starmer’s interview with Piers Morgan suggested that the Labour leader would well up on-screen as he recalled his parents’ deaths and the fate of a family pet that was killed in a shed fire. We’re accustomed to
