Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

Stupendously good: Much Ado About Nothing, at the Lyttelton Theatre, reviewed

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Simon Godwin’s Much Ado About Nothing is set in a steamy Italian holiday resort, the Hotel Messina, in the 1920s. A smart move, design-wise. The jazz age was one of those rare moments in history when every member of society, from the lowliest chambermaid to the richest aristocrat, dressed with impeccable style and flair. The show is stupendously good to look at it and it kicks off with a thrilling blast of rumba music from a jazz quartet on the hotel balcony. Even sceptics of jazz need not fear these players. The musical score is a triumph for one simple reason: there are no jazz solos. https://www.youtube.com/watch?

An entertaining display, clearly destined for Netflix: Patriots, at Almeida Theatre, reviewed

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Patriots, by Peter Morgan, is a drama documentary about recent Russian history. And though it’s a topical show it’s not entirely up to date. The central character, Boris Berezovsky (1946-2013), was a schoolboy maths wizard who went into academia and published 16 books before entering politics. His Jewish background excluded him from the leadership of Russia so he became king-maker to Boris Yeltsin. An early contact, the deputy mayor of St Petersburg, asked for Berezovsky’s help. The rising youngster seemed to be harmless, malleable, and rather needy so Berezovsky installed him as a tame prime minister. Thus Vladimir Putin’s career began. Berezovsky owned a TV station that criticised the handling of the Kursk submarine disaster in 2000. And Putin was incensed.

The unedifying spectacle of Boris’s last PMQs

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Today Boris gave his last performance at Prime Minister’s Questions. But was it his last? He left the House hanging at the end. Speaker Hoyle began the historic session with a soggy little homily praising Boris for seeing us through ‘dark times during the pandemic’. Then, laughably, he told MPs to adopt a ‘respectful manner’ and to stick to ‘issues not personalities’. And he wasn’t finished there. He quoted Erskine May’s advice that ‘good temper and moderation’ are the hallmark of a distinguished parliamentarian. Do we really need this micromanager filing the chamber with his lugubrious dronings? Hoyle sounds like a control-freak park keeper who deflates the bouncy castle ‘due to excessive sunshine.

The real winner from last night’s debate

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Last night Channel 4 held a 90-minute live event starring Rishi, Liz, Tom, Penny and Kemi. Not a manufactured pop-band but the candidates for the Tory leadership. The first question was easy-peasy. ‘Is Boris Johnson honest?’ ‘No,’ the obvious answer, was beyond them. They ducked and weaved and dodged and fudged. Except for Tom Tugendhat. ‘Honest?’ He bowed his head and shook it gravely. Massive applause. Major Tom is known as a bit of a heartthrob among ladies of a certain age (over 90) and his manner is to bark out terse and meaningless soundbites, parade-ground style. ‘Clean break!... Ready to lead!… Government only works when it works for you!… Fresh start!... Ready to serve!

Hytner hits the bull’s eye: The Southbury Child, at the Bridge Theatre, reviewed

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The Southbury Child is a comedy drama set in east Devon featuring a distressed vicar, Fr David, with a complex addiction history. Alex Jennings stars with his habitual urbane charm. Is there perhaps a credibility gap there? Jennings seems far too decent, clever and friendly to be a problem drinker who likes nothing better than a fling with a randy wench. And, more crucially, he doesn’t face the fallout from his days of boozing and bedhopping. His dramatic task is unconnected to his personal flaws. https://www.youtube.com/watch?v=z8Nei2P9xeA A little girl has died in controversial circumstances and her parents want balloons at her funeral. No way, says the vicar. The family fight back.

Boris is finally free

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A curious atmosphere in the Commons today. Relaxed. Jovial. Almost like a party. There was a bit of aggro at the start when two MPs were ‘named’, that is thrown out, for the crime of defying the authority of the chair. Boris seemed perfectly stoical about everything. He obviously couldn’t care less anymore and he decided to give Sir Keir Starmer, (‘Captain Hindsight’), a new nickname. He’s now ‘Captain Crasher-Roony Snooze-Fest.’ After years of jousting with him in the chamber, Boris offered a backhanded tribute. ‘I want to thank him for the style in which he’s conducted himself. And he’s been considerably less lethal than many other members of this house.

Bleak, vapid and banal: why are the Tory leadership videos so awful?

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The Tory candidates have released a set of videos presenting their claim to become Britain’s next prime minister. Frontrunner Rishi Sunak has dubbed his pitch, ‘Ready for Rishi’, which sounds, unfortunately, like the cheapest option at a Hounslow massage parlour. His movie centres on his unstoppable rise to world domination. His mum was a penniless immigrant who passed her exams and worked at a chemist’s shop in Southampton. His Dad was a humble NHS doctor. Scratchy old Kodak photos show us the ‘Sunak Pharmacy’ in all its faded grandeur. He omits his public school days and his City whizz-kid career. And he says nothing about his mega-rich wife. https://twitter.com/RishiSunak/status/1545426650032111616?

Boris is right, this is a putsch

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There was no bitterness. And the blame was issued in coded terms. Boris’s resignation speech began with a reference to his most notable achievement: the ‘incredible mandate’ he secured in 2019 and which gave the Tories their largest majority since 1987 and their biggest share of the vote since 1979. He spelled that out explicitly. And he left it hanging in the air. He outlined his main successes in office: completing Brexit, beating the pandemic, overseeing the vaccine rollout, and ‘leading the West in standing up to Putin’s aggression.’ ‘Our future together is golden,’ he said, with typically groundless optimism He accepted full responsibility for the chaos of the last few days.

Right play, wrong place: The Fellowship, at Hampstead Theatre, reviewed

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Roy Williams’s new play is a wonky beast. It has two dense and cumbersome storylines that aren’t properly developed. Dawn is a mother grieving for her eldest son who was murdered by a gang of white boys. Her younger lad is dating a white girl who used to hang out with the killers. It’s a heavy start. But Williams doesn’t explore this web of bereavement and forbidden romance and turns instead to Dawn’s sister, Marcia, a barrister, who is dating a white MP. ‘Giles is one reshuffle away from being a cabinet minister.’ Dawn claims that all white people are die-hard racists who pine for the old days when the N-word was in regular use. She pours scorn on Marcia’s blossoming affair with Giles.

Boris skewered – for one last time?

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A brutal encounter at the Liaison Committee this afternoon. Boris was grilled for two hours by a gang of aggressive MPs, (many of them Tories), who were drooling and panting for him to quit. But it wasn’t until the final moments that the session caught fire. Darren Jones took the first chunk out of the PM.  ‘How’s your week going?’ asked the Labour MP mildly. ‘Terrific, like many other weeks.’ ‘Did Michael Gove come in and tell you to resign today?’ ‘I’m here to talk about what the government is doing.’ Boris brushed off a similar attack from the SNP’s Angus MacNeil. ‘The game’s up. Will you still be prime minister tomorrow?

PMQs was a blue-on-blue bloodbath

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Knife crime beset PMQs. It was a horrific blue-on-blue bloodbath as Tory backstabbers queued up to play the role of Brutus and hack Caesar to death. David Davis shoved in his stiletto and claimed that the PM’s lack of integrity would ‘paralyse proper government.’ Mind you, he said that six months ago. ‘I thank him very much for the point he has made again,’ said Boris. Super-sulky Tim Loughton asked, ‘does he think there are any circumstances in which he should resign?’ ‘Being a good father, husband, son and citizen is enough for me,’ claimed the arch-plotter Boris fought back. ‘The job of a prime minister in difficult circumstances, when he’s been handed a colossal mandate, is to keep going.

Tony Blair is too good for British politics

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Tony Blair was the headline act at his day-long talking-shop in London yesterday. The crowds attending the Future of Britain Conference had to sit through hours of speeches and panel discussions before the old groover himself popped up at 4pm for a 30-minute chat with Jon Sopel. ‘I’m so grateful to everyone for hanging about to wait for me,’ he quipped. And he admitted that he’d suffered a wobble the previous night: ‘There was a time in the early hours when I thought, God, another of your bright ideas.’  Blair showed little appetite for a personal return to Westminster. He seems to be enjoying himself too much Who did he mean by God? Not himself, surely.

What Sadiq Khan and the SNP have in common

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The mayor of London, Sadiq Khan, and his four deputies submitted themselves to a public grilling last Tuesday. The State of London debate was chaired by James O’Brien and broadcast live on LBC. ‘I will endeavour to speak as little as possible,’ quipped the garrulous radio host who maintained his line of larky, locker-room banter throughout. ‘Sadiq Khan and the deputies,’ he said, ‘It sounds like the most rubbish band of all time.’ And he ribbed the mayor for ‘dancing like a crazy man’ at the premiere of Abba Voyage in the East End. Clearly a tight and cosy friendship there. Khan opened with a sermon about how ‘humbled’ he felt by his re-election as mayor last year.

If you see this show you’ll want to see it again – directed properly: The Glass Menagerie, at the Duke of York’s Theatre, reviewed

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The Glass Menagerie directed by Jeremy Herrin is a bit of an eyeball-scrambler. The action takes place on a huge black platform flanked by 1930s antiques: a typewriter, a broken piano, a reel-to-reel tape recorder and a smattering of Anglepoise lamps. This cryptic setting suggests that the play is being developed in a Museum of the Great Depression, and the show we are seeing is the latest rehearsal. It’s not clear what purpose is served by this fiddly imposture. And although the act of sabotage doesn’t quite destroy the show, it’s touch and go during the opening 20 minutes. Herrin has shared the role of Tom between two actors. Tom Glynn-Carney is a character who participates in the action and Paul Hilton is a narrator who explains the drama to us.

PMQs: The pure panto of Rayner vs Raab

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A tasty duel at PMQs today. The party leaders were absent and their understudies, Dominic Raab and Angela Rayner, traded insults across the dispatch box. Their styles are polar opposites. Raab is laconically deadly. Rayner is brashly entertaining. And their sartorial choices reflect their different approaches. She wore a chic white frock offset with black side panels – quietly fetching. He was in a dull, slush-grey suit – a ruthless advocate reporting for duty.  Battle commenced. Rayner claimed that Boris’s overseas trip was proof that he had ‘fled the country’. And she mocked his promise to remain in office for years on end. ‘Limping on until 2030. Will the cabinet prop him for this long?

Bloated waffle: Jitney at the Old Vic reviewed

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The Old Vic’s new show, Jitney, has a mystifying YouTube advert which gives no information about the play or the characters. If the producers paid for the marketing themselves, they’d do a better job. https://www.youtube.com/watch?v=4AZK_C3lqsM The advert fails even to mention that ‘Jitney’ is Pittsburgh slang for ‘taxi’ and that the action is set in a cab firm in the 1970s. The boss, Becker, is a growling despot who dominates his crew of uppity young drivers by glaring at them psychotically. The prattling cabbies hang around the office gossiping about casual sex and petty crime. Or they ogle porno magazines. Or they show off their bedroom technique by thrusting their pelvises towards the viewers in row A.

Three cheers for booing in the theatre

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In the theatre, to boo is taboo. There was an exception last week when Andrew Lloyd Webber’s name was booed by the crowd at the final performance of his musical Cinderella after a letter written by him to the cast, in which he called the show a ‘costly mistake’, was read out on stage. But that’s rare. Outside of panto season, the West End generally prefers a play to be received in a sepulchral hush. It’s curious that booing is absent from modern theatre, because it’s as old as European drama. The earliest reports of audience booing were recorded at the annual festival of Dionysus in Athens where playwrights competed to win prizes for their efforts.

PMQs: Starmer fluffed his chance to land a deadly blow on Boris

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It’s tomorrow, isn’t it? The deadly hammer blow that ends Boris’s career will be delivered by voters in the crucial Yorkshire and Devon by-elections. But hang on. The deadly hammer blow was supposed to fall two weeks ago when he narrowly survived the no-confidence vote. Then again, the hammer blow was due to knock him dead when Plod gave him a fine for toasting his staff during lockdown. And that’s after he survived the deadly hammer blow that struck as soon as the cops began probing criminality at Number 10. Spare a thought for the poor guy wielding the deadly hammer. Soon he’ll die of exhaustion. The Commons has tired of the never-ending Boris-on-the-brink story.

Joyously liberating: Tony! [The Tony Blair Rock Opera] reviewed

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Harry Hill’s latest musical traces Tony Blair’s bizarre career from student pacifist to war-mongering plaything of the United States. With co-writer Steve Brown, Hill has created a ramshackle, hasty-looking production that deliberately conceals the slickness and concentrated energy of its witty lyrics, superb visuals and terrific music. The last thing it wants to seem is sophisticated and it starts off with a parade of New Labour grandees, all grotesquely overblown. John Prescott is a violent northern drunkard who wants to punch everyone in the face – including the Scots because ‘they’re too far north to be proper north’. Robin Cook is a cerebral sex maniac.

Starmer certainly put more welly into it at PMQs

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Last week, Sir Keir was monstered by his critics after a feeble performance at PMQs saw him he fail to trouble a wounded Boris. Even his closest allies were in despair. ‘Put some more welly into it,’ advised his deputy Angela Rayner. Today we saw Sir Keir transformed and unleashed. He was flinging wellies in all directions. The search for his inner populist began with a reference to a film released 45 years ago. ‘The prime minister thinks he can perform Jedi mind-tricks on the country …. The force isn’t with him any more … He’s Jabba the Hut.’ He called Boris ‘the ostrich’ and said he was busy massaging the figures to pretend that our flat-lining economy is surging ahead on magical rocket boosters.