Lloyd Evans is The Spectator's sketch-writer and theatre critic
Yann Martel’s novel Life of Pi is a complicated organism. The action starts in southern India where we meet a precocious teenager, Piscine, who tells his parents that he wants to be known as Pi. The family own a failing zoo and they buy a Bengal tiger to attract fresh customers. The new arrival promptly
The bombshell at bay. That’s how Boris looked at today’s PMQs. Deflated, cornered, winded and lifeless. Gone were the chuckles and the mischievous jests, the punning quips and the poetic asides. He kicked off with a scripted apology that had two objectives: to neutralise public fury and to wrong-foot Sir Keir Starmer. It did neither.
Last night Nigel Farage delivered the shortest hour-long interview in TV history. GB News had cleared 60 minutes of the schedules for Donald Trump’s bombshell appearance, but viewers soon realised that Farage had spent relatively little facetime with the former president. Did he get half an hour to record their interview? It may have been
Somewhere in the wilds of England a stately home is collapsing. Rising floodwaters threaten the foundations. Storms break over the leaking roofs. Inside, an argument rages between a snooty moron, Lady Diana, and her drunken Marxist husband who used to be rock star. This is the chaotic opening of Moira Buffini’s country-house drama Manor. The
At PMQs Sir Keir attacked Boris for breaking social distancing rules. But not recently. A year ago, alleged the Labour leader, the guidelines had been ignored at a Downing Street Christmas party. Boris was evasive. ‘No rules were broken.’ That’s all he would say. Sir Keir claimed this as an admission of guilt. Not much
What’s up with Kirsten Dunst and Benedict Cumberbatch? It’s rumoured that the pair refused to speak to each other on the set of their new movie, The Power of the Dog, because Cumberbatch had embraced ‘method acting’ and his character hated her character. To protect the truth of his interpretation, he deliberately snubbed his co-star
World-class sex bomb Janie Dee stars in a fabulously silly revival of the American comedy Vanya and Sonia and Masha and Spike. She plays a movie diva, Masha, who loves to flaunt her wealth in front of her mousy sister and bookish brother. Striding into the family home with her long hair flying and her
‘You’re inside an incinerator. The cockpit is on fire. You are burning. You can see bits of your body melting off. And you are struggling to get out.’ This is Andrew Doyle, the creator of Titania McGrath, describing to me the experience of an RAF pilot trying to escape from a stricken plane during the
No prime minister since Tony Blair enjoys being in power as much as Boris. The notion that he might be kicked out by a nameless gang of cabinet lightweights is fanciful. But it makes for grabby headlines. Labour’s Sir Keir Starmer can sense that his star is on the rise. And he’s improving. At PMQs
Mike Leigh’s classic, Abigail’s Party, has been revived under the direction of Vivienne Garnett. The script is a guilty secret for middle-class types who like to sneer at those beneath them but who can’t express their shameful feelings openly so they watch Mike Leigh instead. The only sympathetic character, Susan, is a well-bred gal who
What a crazy muddle that was. Boris has spent two weeks digging a hole for himself and Sir Keir Starmer’s job at PMQs was to give him a shove and watch him disappear. The Labour leader pointed out that some in the cabinet have apologised for backing Owen Paterson but the PM has failed to
17 min listen
On this week’s episode, we’ll hear from Mary Wakefield about the pattern of misandry in modern media. (00:48) Then Lloyd Evans on the British tradition of the pub theatre. (07:19) And finally, Tanya Gold on getting drunk on tiramisu. (13:55) Produced and presented by Sam Holmes Subscribe to The Spectator today and get a £20
Let’s be honest. Jane Austen is popular because War and Peace doesn’t fit inside a handbag. Austen’s best-loved novel, Pride and Prejudice, has been updated in a fetching new production that treats the sacred text as a screwball comedy. The fun starts before curtain-up with the cast of five girls messing about on stage and
Which is the oldest pub theatre in London? The King’s Head in Islington claims that its American founder, Dan Crawford, established the trend back in 1970. But a rival venue, Pentameters, above the Horseshoe in Hampstead, maintains that its proprietor, Leonie Scott-Matthews, set it up as a fringe theatre in August 1968. The dispute rumbles
’night, Mother is a two-hander that opens like a comedy sketch. ‘I’m going to kill myself, Mama,’ says Jessie. She’s cleaning a pistol and loading it with bullets. ‘I’ll shoot myself in a couple of hours.’ The pair live together in a lonely farmhouse, and Jessie wants to make sure her mother will be able
Angela Rayner is formidable. Until today, that adjective never suited Labour’s deputy leader. She can be combative, authentic, eye-catching and crowd-pleasing — and quite annoying. Clearly she’s as tough as a vintage Land Rover. But at PMQs, she added statesmanship to her roster of qualities. The session was sparsely attended. The press are in Glasgow
Scenes from the Grenfell Inquiry is a gripping, horrifying drama. Nicolas Kent and Richard Norton-Taylor have sifted through the public hearings and dramatised the most arresting exchanges. Ron Cook, often miscast as a comedian, is superb as the frosty and occasionally irascible inquisitor, Richard Millett. Early on, he asks the witnesses ‘not to indulge in
Well done, Joanna Lumley. The 75-year-old actress has solved the climate crisis. She proposes a return to wartime rationing when shoppers had to surrender government coupons whenever they bought meat, sugar, petrol, bread and even soap. ‘You’re given a certain amount of points,’ she told the Radio Times, ‘and it’s up to you how to
It was a tale of two chancellors at today’s high-spending Budget. Rishi Sunak began by embracing the big-state profligacy pursued by Cameron and May, and maintained by their successors, Boris and Carrie. The Chancellor reeled off stacks of figures indicating that the economy is roaring back to life. ‘Growth up! Wages up! Employment up!’ he
Yaël Farber’s Macbeth sets out to be a great work of art. The director crams the Almeida’s stage with suggestive props, glass panels, microphones, a wheelbarrow full of jackboots. The witches are not the usual vagrants or carbuncled mystics. These grim-looking ladies have expensive hairdos and nicely ironed shirts — like a panel of disgruntled
