Lloyd Evans is The Spectator's sketch-writer and theatre critic
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Sir Keir Starmer had two goals at PMQs. He wanted to convince us that life is dreadful and it’s all Rishi Sunak’s fault. And he showcased a new phrase that he’d like us to spout whenever interest rates are mentioned: ‘Tory mortgage penalty.’ He used it several times which suggests that he authored it himself.
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When Winston Went to War with the Wireless is the clumsy and misleading title of a new play about John Reith’s stewardship of the BBC during the 1926 general strike. Churchill, chancellor at the time, has a minor role as an irascible plodder who makes jokes without a punchline. His role is intended to foreshadow
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Honours dominated the exchanges at PMQs. Sir Keir asked why the Tories have spent an entire week bickering about which Conservative deserves ennoblement. Rishi claimed that he followed ‘established convention’ in approving Boris’s lavender-list. A bit of a whopper. He clearly didn’t support the candidacy of Nadine Dorries who complained in frothing prose about the ‘sinister
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One of the earliest jukebox musicals has returned to the West End. When the show opened in 2002 the author, Ben Elton, plugged his production on TV chat shows with a wisecracking slogan: ‘We Will Rock You isn’t just a title… it’s a promise.’ The easy-listening storyline draws inspiration from the Old Testament and from
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Throwing money away. That was the big topic at PMQs today. Rishi Sunak has flown to Washington for talks with Joe Biden, (which is probably the President’s only scheduled appointment this month.) The deputies slugged it out in the Commons. Angela Rayner brought up an admission by the Public Accounts Committee that a fortune in
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A puzzle at Hampstead Theatre. Literally, a brain teaser. Its new production, Re-member Me, is a one-man show written and performed by Dickie Beau, whose name is a punning allusion to a bow tie. The oddly spelled word, ‘re-member’ refers to the process of reassembling the separated limbs of a dramatic character during the rehearsal
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Mrs Doubtfire is a social comedy about divorce. We meet Miranda, a talentless, bitter mother, who tires of her caring but imperfect husband, Daniel, and kicks him out of the house on some footling pretext. When Miranda later discovers that Daniel’s loyalty to their children is an asset of inestimable value she invites him back.
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London is killing us. That’s the conclusion of Sadiq Khan’s alarming new book, Breathe: Tackling the Climate Emergency, which he publicised last night at a 90-minute event held in the Royal Festival Hall. The sales pitch for Khan’s book was disturbed by hecklers and protestors who blew whistles and shouted constant abuse at the mayor.
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Strange tactics by Sir Keir at PMQs. He raised the issue of broken promises on immigration, which gave Rishi Sunak a chance to sound tougher than Labour. ‘How many work visas were issued to foreign nationals last year?’ asked Sir Keir. Rishi dodged the question and blamed the unexpectedly large influx on the Ukraine war.
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Brokeback Mountain, a play with music, opens in a scruffy bedroom where a snowy-haired tramp finds a lumberjack’s shirt and places it over his nose. Then he inhales. Who is this elderly vagrant? And why is he absorbing the scent of an abandoned garment? Two hours later, at the play’s close, we finally learn that
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The party leaders were absent today so the understudies stepped in. Angela Rayner filled the vacuum that is Sir Keir Starmer, while Oliver Dowden performed for Rishi Sunak. Rayner had prepared for the encounter by spending the entire morning in hair and make-up. Result, a sharp off-white jacket and matching slacks. And her famous ginger
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A new play, The Misandrist, looks at modern dating habits. Rachel is a smart, self-confident woman whose partner is a timid desperado named Nick. Both accept that Rachel must make all the important decisions in their lives and she orders Nick to submit to ‘pegging’. After some perfunctory resistance, Nick obeys. ‘Lube me up,’ he
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Sir Keir’s gag-writers were on good form at PMQs. Last week, the Tories lowered expectations by predicting a loss of 1,000 seats at the local election. And this worst-case scenario came true. ‘At last,’ crowed Sir Keir, ‘a Tory promise they haven’t actually broken.’ He also took aim at Rishi’s democratic illegitimacy. In last year’s
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The Motive and the Cue breaches the inviolable sanctity of the rehearsal room. The play, set in New York in 1964, follows John Gielgud’s efforts to direct the world’s biggest film star, Richard Burton, in Shakespeare’s most demanding play, Hamlet. A member of Gielgud’s company, Richard L. Sterne, recorded the process and his notes form
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Powerful stuff from Sir Keir Starmer at PMQs. He tackled Rishi Sunak on his favourite battleground – statistics. He began by pinning the PM down on a very specific question. How many mortgage-holders have to pay more each month because the Tories ‘crashed the economy last autumn’? Rishi didn’t know. Sir Keir gave him the
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Deborah Bruce’s new play Dixon and Daughters is a family drama that opens on a note of sour mistrust. We’re in a working-class home in Yorkshire where a vituperative old crosspatch, Mary, has just returned from prison. Rather than accepting her daughters’ friendly welcome she treats them all with open hostility. Had Ibsen been in
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Grievance fever gripped the house at Prime Minister’s Questions. The grudge-mongers were out in force. Sir Keir Starmer led the charge and asked Rishi Sunak why he refused to scrap non-dom status. The Labour leader answered his own question by explaining that the tax exemption enriches Rishi’s ‘family’. (By ‘family’ he meant ‘wife’, of course, and
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Snowflakes, an excellent title, rehashes The Dumb Waiter by Harold Pinter. A guest in a hotel room is visited by two intruders posing as staff. The intruders are hired assassins who accuse the guest of committing a half-explained hate crime on social media. His punishment, execution, will be livestreamed as a warning to other hate
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‘Sir Softie.’ That’s Rishi’s new nickname for Sir Keir Starmer. ‘Sir Softie,’ he called out twice at PMQs. ‘He’s soft on crime!’ The insult works because it’s easy to remember and pleasantly alliterative. And it builds on an existing perception of Sir Keir as a criminal-hugging lawyer. Sir Keir set out to overturn that impression
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War has broken out in theatreland. Managements are increasingly at odds with the audiences who fund their livelihoods. A recent stand-off involved James Norton’s new show, A Little Life, which contains a couple of scenes in which the actor removes his clothes. A punter at a preview in Richmond secretly photographed the moments of nudity