Lloyd Evans is The Spectator's sketch-writer and theatre critic
Last night Channel 4 held a 90-minute live event starring Rishi, Liz, Tom, Penny and Kemi. Not a manufactured pop-band but the candidates for the Tory leadership. The first question was easy-peasy. ‘Is Boris Johnson honest?’ ‘No,’ the obvious answer, was beyond them. They ducked and weaved and dodged and fudged. Except for Tom Tugendhat.
The Southbury Child is a comedy drama set in east Devon featuring a distressed vicar, Fr David, with a complex addiction history. Alex Jennings stars with his habitual urbane charm. Is there perhaps a credibility gap there? Jennings seems far too decent, clever and friendly to be a problem drinker who likes nothing better than
A curious atmosphere in the Commons today. Relaxed. Jovial. Almost like a party. There was a bit of aggro at the start when two MPs were ‘named’, that is thrown out, for the crime of defying the authority of the chair. Boris seemed perfectly stoical about everything. He obviously couldn’t care less anymore and he
The Tory candidates have released a set of videos presenting their claim to become Britain’s next prime minister. Frontrunner Rishi Sunak has dubbed his pitch, ‘Ready for Rishi’, which sounds, unfortunately, like the cheapest option at a Hounslow massage parlour. His movie centres on his unstoppable rise to world domination. His mum was a penniless
There was no bitterness. And the blame was issued in coded terms. Boris’s resignation speech began with a reference to his most notable achievement: the ‘incredible mandate’ he secured in 2019 and which gave the Tories their largest majority since 1987 and their biggest share of the vote since 1979. He spelled that out explicitly.
Roy Williams’s new play is a wonky beast. It has two dense and cumbersome storylines that aren’t properly developed. Dawn is a mother grieving for her eldest son who was murdered by a gang of white boys. Her younger lad is dating a white girl who used to hang out with the killers. It’s a
A brutal encounter at the Liaison Committee this afternoon. Boris was grilled for two hours by a gang of aggressive MPs, (many of them Tories), who were drooling and panting for him to quit. But it wasn’t until the final moments that the session caught fire. Darren Jones took the first chunk out of the
Knife crime beset PMQs. It was a horrific blue-on-blue bloodbath as Tory backstabbers queued up to play the role of Brutus and hack Caesar to death. David Davis shoved in his stiletto and claimed that the PM’s lack of integrity would ‘paralyse proper government.’ Mind you, he said that six months ago. ‘I thank him very
Tony Blair was the headline act at his day-long talking-shop in London yesterday. The crowds attending the Future of Britain Conference had to sit through hours of speeches and panel discussions before the old groover himself popped up at 4pm for a 30-minute chat with Jon Sopel. ‘I’m so grateful to everyone for hanging about
The mayor of London, Sadiq Khan, and his four deputies submitted themselves to a public grilling last Tuesday. The State of London debate was chaired by James O’Brien and broadcast live on LBC. ‘I will endeavour to speak as little as possible,’ quipped the garrulous radio host who maintained his line of larky, locker-room banter
The Glass Menagerie directed by Jeremy Herrin is a bit of an eyeball-scrambler. The action takes place on a huge black platform flanked by 1930s antiques: a typewriter, a broken piano, a reel-to-reel tape recorder and a smattering of Anglepoise lamps. This cryptic setting suggests that the play is being developed in a Museum of
A tasty duel at PMQs today. The party leaders were absent and their understudies, Dominic Raab and Angela Rayner, traded insults across the dispatch box. Their styles are polar opposites. Raab is laconically deadly. Rayner is brashly entertaining. And their sartorial choices reflect their different approaches. She wore a chic white frock offset with black
The Old Vic’s new show, Jitney, has a mystifying YouTube advert which gives no information about the play or the characters. If the producers paid for the marketing themselves, they’d do a better job. The advert fails even to mention that ‘Jitney’ is Pittsburgh slang for ‘taxi’ and that the action is set in a
In the theatre, to boo is taboo. There was an exception last week when Andrew Lloyd Webber’s name was booed by the crowd at the final performance of his musical Cinderella after a letter written by him to the cast, in which he called the show a ‘costly mistake’, was read out on stage. But
It’s tomorrow, isn’t it? The deadly hammer blow that ends Boris’s career will be delivered by voters in the crucial Yorkshire and Devon by-elections. But hang on. The deadly hammer blow was supposed to fall two weeks ago when he narrowly survived the no-confidence vote. Then again, the hammer blow was due to knock him
Harry Hill’s latest musical traces Tony Blair’s bizarre career from student pacifist to war-mongering plaything of the United States. With co-writer Steve Brown, Hill has created a ramshackle, hasty-looking production that deliberately conceals the slickness and concentrated energy of its witty lyrics, superb visuals and terrific music. The last thing it wants to seem is
Last week, Sir Keir was monstered by his critics after a feeble performance at PMQs saw him he fail to trouble a wounded Boris. Even his closest allies were in despair. ‘Put some more welly into it,’ advised his deputy Angela Rayner. Today we saw Sir Keir transformed and unleashed. He was flinging wellies in
Dictating to the Estate is a piece of community theatre that explains why Grenfell Tower went up in flames on 14 June 2017. The abandoned block stands, like a cenotaph, a few minutes’ walk from the social club where the show is presented. The local council never cared much for Grenfell’s 120 families. Plans to
PMQs started with a bump. The Speaker called Dame Angela Eagle whose tone was acidic but quietly conversational. ‘This week’s events demonstrated just how loathed this Prime Minister is,’ said the dame. ‘And that’s only in his own party.’ A decent gag that won big laughs – and not just from the opposition. But Boris
Shakespeare’s Globe has a new wheeze to popularise its shows. The latest production, Henry VIII, is supported by a seminar about racism in this late play which the Bard co-wrote with John Fletcher. The online event, hosted by the Globe’s Dr Will Tosh, features dramatist-in-residence, Hannah Khalil, and Mira Kafantaris, a critical race theorist from
