Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

I wish someone would kill or eat useless Totoro 

My Neighbour Totoro is a hugely successful show based on a Japanese movie made in 1988. The setting is a haunted house occupied by two little girls who encounter various creatures rendered on stage by puppets. The story has no action, danger or jeopardy so it’s likely to bore small boys and their dads. Perhaps

Reeves’s Spring Statement just doesn’t add up

Is Rachel Reeves toast? Not according to her. The Chancellor delivered an aggressively self-confident statement about Labour’s spending plans this afternoon. Soberly dressed in maroon, she rattled through her speech like a garden shredder grinding up branches and reducing them to pale little woodchips. Anyone would think she was pondering a leadership bid. After listing

The Zoom call that confirmed my fears about Just Stop Oil

Just Stop Oil are their own worst enemies. I support their aims and I do my best to minimise my carbon footprint. I haven’t flown since 1993, I don’t own a car and I have eleven solar panels on my roof, but I’m losing patience with the movement. Meeting the JSO activists who disrupted a

Irresistible: Clueless, at the Trafalgar Theatre, reviewed

Cher Horowitz, the central character in Clueless, is one of the most irritating heroines in the history of movies. She’s a rich, slim, beautiful Beverly Hills princess obsessed with parties, boys and clothing brands. According to her, the world’s problems can easily be settled by using the solutions she applied to the seating plan at

Starmer looked scared of Badenoch at PMQs

At PMQs this week, Sir Keir Starmer got a proper grilling for a change. Kemi Badenoch used smarter tactics: short questions sharply focused; half-truths instantly rebutted. The Tory leader abandoned her normal habit of covering the entire spectrum of Labour’s shortcomings. She focused on their worst error: economic stagnation caused by the tax-grab Budget. Why,

Is Kemi Badenoch getting better at PMQs?

If Kemi Badenoch has a plan, she’s keeping it hidden. At PMQs she used her scattergun approach to complain about unemployment, farming, winter fuel payments, council tax, increases in NI, business closures, food-aid for underfed kids and the murder of David Amess. Eventually, she reached the chancellor’s awkward ‘spring statement’ which would have made a

Let men do the housework!

Why are women still allowed to do housework? The question used to bother me during the years of my marriage when housework became a running sore between us. Perhaps the friction was inevitable. I was born in revolutionary times, the 1960s, and my mother taught me and my siblings to cook, clean and wash up

Brian Cox’s Bach has to be heading for Broadway

The Score is a fine example of meat-and-potatoes theatre. Simple plotting, big characters, terrific speeches and a happy ending. The protagonist, J.S. Bach, receives a mysterious summons from Frederick the Great of Prussia. The long first act takes us through Bach’s professional woes and his physical infirmities. His weak vision is being treated by an

Lloyd Evans

My brush with a rabid monkey

India A crowded bus station. A lady monkey with a baby clinging to its neck sidled past me, eyeing the banana I was eating. I barely noticed them. A moment later, claws dug into my back. A skeletal hand darted forward to grab my banana. The baby monkey was on my shoulder. I leapt up and

PMQs was a façade

A bit of a stitch-up at PMQs, or so it seemed. The ‘opposition’ leader, Kemi Badenoch, ignored her duty to voters and spent ten minutes feeding softball questions to Sir Keir Starmer about President Zelensky. At issue was Donald Trump’s decision on Monday to withdraw military aid from Ukraine. Kemi meekly asked Sir Keir if

Lloyd Evans

How Armando Iannucci lost his edge

The BBC celebrated one of its own on Monday night. Armando Iannucci was treated to a fawning retrospective by Alan Yentob, and it opened with a crass piece of TV trickery. ‘Armando Iannucci is not an easy man to pin down,’ said Yentob, as if his quarry were a master criminal or an international terrorist.

We saw the real Keir Starmer at PMQs – and it was ugly

Strange atmosphere at PMQs. Our MPs seemed to believe that the Commons debate was a vital briefing session for Sir Keir Starmer as he prepares to meet President Trump in Washington. Everyone advised the PM how to handle himself. But it’s far too late. Sir Keir has already grovelled to his new master by pledging

Tedious and threadbare: Unicorn, at the Garrick Theatre, reviewed

Unicorn, Mike Bartlett’s new play, involves some characters in chairs discussing a sexual threesome. That’s the entire show. Polly (Nicola Walker) is a drunken crosspatch who wants to spice up her loveless marriage to Dr Nick (Stephen Mangan) by bringing a blonde lesbian into the bedroom. Nick, a dithering twerp, doesn’t care if it happens

Kemi is starting to sound like Sir Keir

Kemi Badenoch has made PMQs her own. Her own what? Her own select committee. That’s how she runs it. She asks long rambling questions that exhibit her knowledge of the subject. Then she hands over to Sir Keir who rambles back at her, taking his time, feeling no pressure to answer. Not much drama or

Kemi finally has a good PMQs

Genuinely, a historic day at PMQs. The plates are shifting. Labour whips spotted that Nigel Farage’s name was on the order paper so they got a house-trained pipsqueak, John Slinger, to give Sir Keir Starmer a chance to launch a pre-emptive strike. Slinger was called first and he asked about Farage’s remark that Reform is