Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

If this play is correct, the Foreign Office is a joke

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Safe Haven is a history play by Chris Bowers who worked for the Foreign Office and later for the UN as a human-rights activist. The two careers seem to be interchangeable. His drama follows an idealistic and oversensitive Oxford graduate, Catherine, who joins the diplomatic service during the first Gulf War in 1991. Catherine believes

Why is this low-grade Ayckbourn play in the West End?

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Woman in Mind is a dyspeptic sitcom set in 1986 starring Sheridan Smith as Susan, a moaning Home Counties housewife who slips into a Yorkshire accent when she gets cross. Susan sunbathes in her leafy garden sipping coffee and carping about everyone close to her. She loathes her scowling sister-in-law, Muriel. She can’t bear her

The rebellion will have a craft stall

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A new party has entered UK politics. Take Back Power seeks to ‘tax the rich and fix Britain’ and they’re planning a revolution that will replace parliament with ‘a house of the people’. Once the regime has been overthrown, Take Back Power will divide the country’s wealth in favour of the poor. About 300 supporters showed up

Oh, Mary!’s climax is an inspirational bit of comedy

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High Noon, directed by Thea Sharrock, is a perfectly decent version of a trusty western which celebrates its 74th birthday this year. An elderly sheriff, Will Kane, marries a priggish beauty, Amy, on the day of his retirement but his marital plans are overturned by news that a dangerous convict, Frank Miller, has been released

My advice to the next generation

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Everyone went to the same school as someone famous. In my case it’s Spider-Man, Tom Holland, who joined my former school about 30 years after I left. Back in the mid-1970s, the most famous old boy was another superhero, Major Pat Reid, who’d been captured by the Germans during the war and briefly imprisoned in

Why has the National got it in for Oirish peasants?

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The Playboy of the Western World is like the state opening of parliament. Worth seeing once. Director Caitriona McLaughlin delivers a faithful production of John Millington Synge’s grand satire about dim-witted Oirish peasants and, perhaps unwisely, she spreads the show across the entire length of the vast Lyttelton stage. It looks as if it’s being

The bitter truth about New Year’s Eve

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New Year’s Eve is the party we don’t need but can’t get rid of. The location varies according to geography. City-dwellers gather in public squares and cheer at midnight as the skyrockets explode overhead and add more fumes to the blanket of urban smog. In the countryside, revellers meet in freezing farmhouse kitchens and drink

One for hardcore Stoppard fans: Indian Ink reviewed

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Unusual. After the press night of Indian Ink by Tom Stoppard, no one leapt up and cheered. The crowd applauded politely at the amusing dialogue and the marvellous acting in Jonathan Kent’s handsome three-hour production but there was no standing ovation. The script feels like a literary novel overstuffed with detail. Flora Crewe is a

Until Truss faces her enemies, she remains an irrelevance

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Liz Truss is back. The ex-prime minister hosted a new current affairs show last night on Just The News, a multi-platform outlet. She’s not the first ex-PM to try her hand as a TV star. After Harold Wilson resigned, he briefly compered Friday Night, Saturday Morning, a BBC chat-show, which was considered a failure. Liz’s

What’s the greatest artwork of the century so far?

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15 min listen

For this week’s Spectator Out Loud, we include a compilation of submissions by our writers for their greatest artwork of the 21st century so far. Following our arts editor Igor Toronyi-Lalic, you can hear from: Graeme Thomson, Lloyd Evans, Slavoj Zizek, Damian Thompson, Richard Bratby, Liz Anderson, Deborah Ross, Calvin Po, Tanjil Rashid, James Walton,

Paddington – The Musical is sensational

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Who doesn’t love Paddington? The winsome marmalade junkie has arrived at the Savoy Theatre in a musical version of the 2014 movie. First of all, the show is sensational. Absolute box-office gold, full of joy, mirth and spectacle. It’s also quite pricey but never mind. Sceptics who feel indifferent to children’s fiction will be relieved

Ivo van Hove tries and fails to destroy Arthur Miller

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All My Sons, set in an American suburb in the summer of 1947, examines the downfall of Joe Keller, a wealthy and patriotic arms manufacturer. During the war he was falsely accused of selling wonky parts to the US military which caused the deaths of 21 airmen. He blamed his partner for the blunder but

A sack of bilge: End, at the Dorfman Theatre, reviewed

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End is the title chosen by David Eldridge for his new relationship drama. Clive Owen and Saskia Reeves star as Alfie and Julie, a pair of wildly successful creative types who live in a mansion near Highgate. Both are 59. Alfie is a retired DJ who made a fortune touring the world at the height

The babyishness of Hunger Games on Stage

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The Hunger Games is based on a 2008 novel  about a despotic regime where brainwashed citizens are entertained with televised duels between teenagers. Not a bad idea. We go behind the scenes and watch Katniss (Mia Carragher) being selected to fight Peeta (Euan Garrett) who secretly adores her. As soon as the plot starts, it

The art of having no friends

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Apparently it’s easy to make money on YouTube by teaching a course in your specialism. Mine is having no friends. And I share my aversion to humanity with a number of very distinguished names. Isaac Newton, Charles Darwin, Emily Dickinson and Howard Hughes were all solitary creatures who didn’t allow social frippery to dilute the

This Othello is almost flawless

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Othello directed by Tom Morris opens with a stately display of scarlet costumes and gilded doorways arranged against a backdrop of black nothingness. This is Venice at night with no hint of sea or sunshine. Crimson-robed senators gather to discuss Othello’s alleged abduction of Brabantio’s daughter. And here he comes, David Harewood as the Moor,

One of the best plays about the 1980s ever staged

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Alan Hollinghurst’s The Line of Beauty has been turned into a stage show directed by Michael Grandage. We’re in the early 1980s and Nick has just left Oxford with a literature degree. He lodges with his wealthy friend, Toby Fedden, in their family home and he offers to keep an eye on Toby’s troubled sister,

Perfection: Hampstead Theatre’s The Assembled Parties reviewed

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The Assembled Parties, by Richard Greenberg, is a rich, warm family comedy that received three Tony nominations in 2013 following its New York première. Hampstead has taken a slight risk with this revival. The cryptic title doesn’t suggest an easygoing drama full of excellent jokes. The Yiddish slang may be unfamiliar to English ears, and

Dominic Cummings: why the elites keep getting politics wrong

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Last night, Dominic Cummings was interviewed at the O2 by the activist start-up, Looking for Growth. Cummings walked on stage in his trademark T-shirt and baseball cap and made a series of predictions about UK politics. A general election is unlikely before 2029, he said. ‘It won’t be earlier. The MPs will postpone the nightmare

Why was the 19th century so full of bigots and weirdos? 

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Da Vinci’s Laundry is based on an art world rumour. In 2017, Leonardo’s ‘Salvator Mundi’ sold at Christie’s for $450 million but some experts claimed that the attribution was inaccurate. Could the world’s costliest artwork be a fake? Writer, Keelan Kember, considers the provenance of a fictional Leonardo owned by a thuggish oligarch, Boris, who