Lara Prendergast

Lara Prendergast

Lara Prendergast is executive editor of The Spectator. She hosts two Spectator podcasts, The Edition and Table Talk, and edits The Spectator’s food and drink coverage.

An earthquake with a Baroque legacy in Sicily

Syracuse is a handsome place, steeped in a rich historical broth. At the tip sits Ortygia, an island offshoot, which has been the backdrop to many Mediterranean sagas: Hellenic, Christian, Medieval, Renaissance, Baroque — take your pick. By day, Via de Benedictis is filled with local men selling sea urchins, milky balls of ricotta and

The orthodoxy of safety

Props to Goldsmiths Students’ Union, for taking the ‘safe space’ concept to absurd new levels. Last week, one faction of the union hosted a screening of the film Dear White People and advertised it as being ‘for BME students’. BME stands for ‘black and minority ethnic’ – and the poster specifies that this screening is for

Boko Haram is using girls as bombs

Could there be anything more offensive to feminists than the use of young girls as suicide bombers? I doubt it. And I imagine that’s exactly why the militant Islamist group Boko Haram has adopted it as the latest technique in its campaign to overthrow the Nigerian government and create an Islamic state. In April last year, when Boko

Low life’s Limpopo legend

‘You’ve got a lot to live up to,’ said the ranger. ‘The last Spectator journalist who stayed here was Jeremy Clarke. He made quite the impression.’ Like some sort of Zulu legend, our ‘Low life’ columnist’s time at Shambala game reserve is now talked about around the campfire — or braai as it is known in

Does Allen Jones deserve a retrospective at the Royal Academy?

It has been a vintage season for mannequins. At the Fitzwilliam Museum in Cambridge, an exhibition called Silent Partners looks at the relationship between artist and mannequin, from function to fetish. In London, the Royal Academy is hosting a retrospective of the work of British artist and Academician Allen Jones. Jones, who is now 77,

White Dee: I might back Ukip instead of Labour

Back in February, Benefits Street star ‘White Dee’ promised to give David Cameron a ‘run for his money’. In her Spectator diary, she described how ‘Ladbrokes has made me 50-1 to be the next MP for Birmingham Ladywood, and until I read that patronising nonsense I wasn’t going to stand. Now, I think I will.

Jennifer Lawrence’s leaked photos highlight feminism’s next frontier: cyberspace

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_4_Sept_2014_v4.mp3″ title=”Isabel Hardman, Emma Barnett and Jamie Bartlett discuss the leaked photos” startat=1312] Listen [/audioplayer]Nobody wants naked photos of themselves leaked across the internet so a global network of creeps can beat off to them. But celebs and plebs alike are increasingly confronted by this unsavoury reality. Whether it’s anonymous hackers or enraged ex-boyfriends

Leader of Rotherham Council resigns over child abuse scandal

The leader of Rotherham Council has resigned following the results of a report which found that at least 1,400 children were victims of ‘appalling’ sexual exploitation in the town during a sixteen year period. The report details the ‘blatant’ collective failures during most of Roger Stone’s leadership. Professor Alexis Jay, a former senior social worker

Vice News and Isis have formed a bizarre symbiotic relationship

If you haven’t watched Vice News’s five-part documentary about Isis yet, I’d highly recommend it. They’ve gone where no other media company has managed: into the heart of the Islamic State. As a result, Isis and Vice have formed a bizarre symbiotic relationship. Both are youth-focused, both have global ambitions and both have a pioneering spirit. Even

Scoops, snark and jihad – this is Vice News’s war

War can reshape the medium of television. The First Gulf War was a landmark moment in broadcasting: CNN had reporters in Baghdad when the first bombs fell, no one else did, America was riveted and the concept of 24-hour news (accompanied by thousands of graphics) suddenly took off. And now, just as a third conflict

Lara Prendergast

Less cuddly, more creepy: The Human Factor at the Hayward Gallery

Jeff Koons’s ‘Bear and Policeman’ has been used to advertise the Hayward Gallery’s latest show The Human Factor (until 7 September). But don’t be fooled; this exploration of the human figure is neither cute nor cuddly. It includes photos of rotting corpses, mannequins made from animal guts and live bees. It’s more creepy than kitsch.