Keith Miller

A friendly admonition for the thwarted or struggling writer in your life: that tempting little job at the local bookshop might not be the best way to keep the show on the road until the Muse comes through. Would-be actors who take a front-of-house gig at the National Theatre aren’t constantly buttonholed by strangers raving

Jonathan Meades is, you might say, a baroque artist in a mannerist age. Whereas today’s younger and more widely feted writers think small – a Brooklyn sublet, a Camden Town love nest, the cracked mirror of the self – Meades goes big. And not just in physical terms (Empty Wigs tips the scales at nearly

The case of the retired major Herbert Rowse Armstrong, a Hay-on-Wye solicitor hanged in 1922 for killing his wife Katharine with arsenic, is one of nine examined in George Orwell’s 1946 Tribune essay ‘The Decline of the English Murder’ as having enthralled the public. ‘A little man of the professional class’, living an ‘intensely respectable

On a winter’s night an artist of moderately exalted reputation and in lateish middle age journeys across London, away from the stuccoed comforts of what was until recently home towards a studio in the East End, where a much younger lover lies waiting. Observations, generally of a caustic nature, about the comédie humaine encountered along

Here come three novels marketed as debuts but written by authors with some sort of previous, be it in short stories, journalism, theatre, television or a combination of the above. The Alarming Palsy of James Orr by Tom Lee (Granta, £12.99) takes a fable and transplants it into real life — in this case bourgeois

Constellation by Adrien Bosc (Serpent’s Tail, £12.99) picks nimbly along the divide between fiction and non-fiction. It’s really a speculative group biography, telling the story of a Air France plane crash in the Azores in 1949, and the lives of the plane’s passengers, mostly (except for a quintet of migrating Basque shepherds) of an appropriately

At the beginning of this year I underwent a complete literary detox: an absolute, cold-turkey abstention from cutting-edge fiction of every stripe. I subsisted on police procedurals and grown-up Ladybird books, and watched a lot of TV. It was tough, but you’ve got to defrag the old hard drive once in a while. And it

Finders Keepers is a sort-of sequel to last year’s Mr Mercedes, Stephen King’s first foray into what he called ‘hard-boiled detective fiction’. The new book is not so much hard-boiled as slowly poached, Heston Blumenthal style, in a sous-vide water oven, then finished on a violently hot grill. King has the popular novelist’s gifts in

I’m not sure I know what the mark of merit is in a first novel, any more than in a fourth or a 14th. If nothing else, though, it’s surely an opportunity to make a new friend, to lock eyes with a stranger across a crowded room. So it was, one enchanted evening in February,