Kate Maltby

Kate Maltby

Kate Maltby writes about the intersection of culture, politics and history. She is a theatre critic for The Times and is conducting academic research on the intellectual life of Elizabeth I.

Why I’m not sorry to see FHM go

So, farewell then, FHM. As Adrian Mole, 13 3/4 (years, not inches) and perhaps their target market, might have put it. Finally cowed, not by feminist protest, but by the big beast of the teen consumer market: internet pornography. Yesterday, the soft-core ‘lifestyle’ magazine announced that it was shutting up shop, along with fellow wank-bank

The Tories can’t allow Corbyn a monopoly on morality

Amber Rudd will be keeping a low profile this weekend. The sight of a working mother on Question Time, tearfully confronting the Energy Secretary over cuts to working tax credits, won’t have made easy viewing for the Tory press machine. Earlier this month, at Conservative Party Conference, George Osborne reiterated again and again that core

Will Michael Gove dare to bring Christianity into his prison reform plans?

This April, Michael Gove wrote in The Spectator: ‘To call yourself a Christian in contemporary Britain is to invite pity, condescension or cool dismissal.’ Certainly, the titters it provoked in the more left-wing corners of Twitter rather proved his point (a white man? complaining of prejudice?). On faith, as in everything else, Britain today erodes into

In defence of doping

Apparently, I’m supposed to be shocked by doping. This weekend, the Sunday Times published files from the International Association of Athletics Federations, suggesting that hundreds of athletes had been awarded medals at top events, despite receiving suspicious blood test results. It seems that if you’re groomed from childhood in an ultra-competitive, winner-takes-all fight for glory,

Since when was the hijab a feminist statement?

Over ten years ago, the satirical American magazine the Onion published an article under the headline: Women Now Empowered By Everything A Woman Does. If you’ve ever heard someone insist that pole dancing is empowering, the Onion predicted it. In a take-down of the lazy gluttony of ‘choice-feminism’, it told us: ‘Whereas early feminists campaigned tirelessly

Why feminists like me are addicted to Game of Thrones

This post contains spoilers and discussion of the Season 5 Finale. My name is Kate Maltby, I’m a feminist, and I’m addicted to Game of Thrones. I’ve known I’ve had a problem for some time, really.  It all started at the end of Season 3. Languidly cat-sitting for a friend (this is what all feminists do on our weekends),

Labour should be embarrassed about holding a sex-segregated rally

Labour MPs who spoke at Satruday’s sex-segregated rally in Birmingham don’t seem too keen on explaining themselves to The Spectator.  Siôn Simon, now a Labour MEP for the West Midlands, proudly tweeted a picture of a Labour rally in Hodge Hill, in which seven Labour representatives spoke at a packed Islamic community centre. Only problem? The

Learn from Elizabeth I, Cameron: a named successor is a shroud

As Fraser Nelson says on this morning’s Spectator podcast, David Cameron will likely be regretting yesterday’s announcement for the rest of his premiership. He’s not a ripe watermelon; highlighting that he has a best before date won’t encourage anyone to eat him now, before he grows mould. Worse, he’s announced a shortlist of three possible successors:

Wolf Hall, BBC Two, review: ‘actually rather good’

It starts in darkness. And no, it’s not a metaphor for the crooked timber of the human heart, it’s just bad lighting. Stanley Kubrick sourced his cameras from NASA in order to capture candlelight in his eighteenth-century epic Barry Lyndon; director Peter Kosminsky’s techniques in Tudor drama Wolf Hall seem decidedly sublunary by comparison. And it’s not just

This opera is simplistic and dangerous. So is banning it

My father’s house was razed In 1948 When the Israelis passed over our street I’ve never forgotten the opening lines to John Adam’s 1991 opera, The Death of Klinghoffer. Crisp, elegiac, this  ‘Chorus of Exiled Palestinians’ rises up to a moment of anguished dissonance as it spits out the word ‘Israelis’. It’s beautiful. It’s also the most egregious