Kate Chisholm

Cruel cuts

You might be forgiven for thinking that the cuts to broadcasting have already been implemented, with nothing but Mozart on Radio 3 and the Bible on Radio 4 on Sunday. Meanwhile, we’ve discovered that the actor who played the unfortunate Nigel Pargetter in The Archers, Graham Seed, has lost 75 per cent of his income,

Single vision

There’s been much grumbling in the shires about Radio 3’s 12-day Mozart marathon. There’s been much grumbling in the shires about Radio 3’s 12-day Mozart marathon. Why burden us with so much baroque? Where do you go if you can’t abide all those notes? But actually there’s something wonderfully cleansing about knowing that what you’re

Everyday surprises

It’s so unnerving, knowing there are going to be two big surprises tomorrow night (2 January) on The Archers, but having no idea what’s in store. It’s so unnerving, knowing there are going to be two big surprises tomorrow night (2 January) on The Archers, but having no idea what’s in store. Experience warns me

Unsung poets

We might actually be glad of the time difference over in Australia this Christmas, so that we can switch on to Aggers and co. and listen in peace long after Aunt Maud has been safely tucked up with her mug of Horlicks and hot-water bottle. The Fourth Test in Melbourne promises to be the best

Speech impediment

It’s the juxtaposition of ‘u’ on ‘u’ that did for Jim. According to scientific study, a sequence of words with the same vowels in the same place can trip us up, as poor Jim Naughtie discovered on Monday morning. It’s the juxtaposition of ‘u’ on ‘u’ that did for Jim. According to scientific study, a

Watching and waiting

Phew! We’ve just had a narrow escape, if reports are true that the Today programme has been ‘in talks with’ Katie Price, aka Jordan. Phew! We’ve just had a narrow escape, if reports are true that the Today programme has been ‘in talks with’ Katie Price, aka Jordan. In talks with? Is international-style diplomacy really

Plain speaking

Thank heavens for radio, and its ability to survive the depredations of new technology (even the botched introduction of DAB). Channel Four’s much-hyped adaptation of William Boyd’s novel, Any Human Heart, is just so lazy, letting the images do all the work, without bothering to create a coherent or dramatic script. A radio dramatisation of

Ray of sunshine

Could there be subtle changes taking place at Radio 4 HQ? Late last Friday night, A Good Read was dropped in favour of a repeat of a half-hour profile of the extraordinary Burmese campaigner Aung San Suu Kyi. Maybe the new Controller of Radio 4, Gwyneth Williams, who has spent much of her BBC career

Dramatic moments

Two dramas, two very different plots and personnel. One was political, the other intensely personal. Both were new, commissioned for radio, and defiantly worth paying the licence fee for. This was theatre at its riveting and thought-provoking best, and for which we as listeners didn’t have to leave the house or pay the price of

Moments of magic

The talk is that we’ve yet to experience the cuts that will have to be implemented to balance the nation’s books, but on the quiet, in suburban backstreets, behind closed doors, along cultural throughways and byways not often visited we know that they’re already happening, big time. The talk is that we’ve yet to experience

Finding a voice

It’s one of the most haunting sounds I’ve ever heard — the plangent wail of a female Sufi singer from Afghanistan. It’s one of the most haunting sounds I’ve ever heard — the plangent wail of a female Sufi singer from Afghanistan. Her song, ‘Gar konad saheb-e-man’, which translates as ‘If my eyes meet the

Revolting listeners

A rare but threatened species, in dire need of a campaign to save it from extinction, could be heard on Saturday night. Stages of Independence, showcasing the work of ten African playwrights, is likely to be one of the last-ever original World Service productions when the threatened cut to its budget goes through. Twenty-six BBC

Women of substance

Jude Kelly missed a trick when she set off in search of that very British creation, the battleaxe, for this week’s Archive on 4. Jude Kelly missed a trick when she set off in search of that very British creation, the battleaxe, for this week’s Archive on 4. The stage director and now head of

Memory’s weird ways

‘She goes off to the Maldives. That’s all I can remember about her,’ laughed Alan Bennett as he struggled to recall the name of the Australian physiotherapist he’d invented for his TV play about Miss Fozzard and her feet. ‘She goes off to the Maldives. That’s all I can remember about her,’ laughed Alan Bennett

Anti-depressant

‘Get inside the creative mind,’ urges the website of Studio 360, an innovative radio programme based in New York. ‘Get inside the creative mind,’ urges the website of Studio 360, an innovative radio programme based in New York. Set up by Kurt Andersen (of Spy magazine), it offers a weekly magazine programme about the arts,

Liberation day

‘We’re women, not ladies,’ the Women’s Libber, still in campaigning mode after 40 years, reminded us sharply. ‘We’re women, not ladies,’ the Women’s Libber, still in campaigning mode after 40 years, reminded us sharply. She was for the first time in the same room as Peter Jolley, who had helped to organise the notorious 1970

Pick up a Penguin

What must it have been like for Allen Lane to wander into a bookshop in the 1940s and see the serried ranks of pale-blue, cerise, green, yellow, dark-blue and grey Penguins on display, knowing that he was responsible for all of them? His genius idea had in less than a decade transformed not just bookselling

No easy answers

An unsettling interview with Moazzam Begg, the British Muslim held prisoner in Guantanamo Bay for three years, and with his father Azmat, began with the haunting cry of the muezzin as it rang out across a cityscape, unnamed and unidentifiable, and the clashing of heavy iron gates being shut. Two sounds that perhaps sum up

Lights out

It’s not always a good idea to revisit poems or stories once loved as children. It’s not always a good idea to revisit poems or stories once loved as children. The magic and mystery can dissolve all too rapidly when refracted through adult eyes. Late on Saturday night, the poet Kenneth Steven did for me

Unsung talent

So why are we all becoming radio addicts, listening to an ever-greater variety of stations for more minutes each day? Could it be a yearning for something simpler, more direct, less tricksy than the constant visual stimuli that persist in assaulting us wherever we are, via the internet, TV, DVD and cinema? It’s the immediacy