Kate Chisholm

How many digital radios have you bought over the years? How many are still working? Of the four I used to have, only two are now working and those only in certain parts of the house. I wonder, if a nationwide audit were conducted, how many DAB sets would be found that are still up

The fuss may now be over, the last episode of Serial revealed. But if the global success of WBEZ Chicago’s latest weekly podcast is a portent, then the future of radio lies not in static daily programming but in the fleeting pursuit of the latest internet download. No scheduling necessary. Listeners can just choose what

It was a bit of a surprise to hear Jarvis Cocker, the embodiment of cool and former frontman of Pulp, confessing to a love of Singing Together, a BBC programme straight out of the 1940s, with its clipped pronunciation and uptight pronouncements. But in his edition of Archive on 4, broadcast just as the Advent

Each year the Reith Lectures come round as Radio 4’s annual assertion of intellectual authority, fulfilling the BBC’s original aspiration to inform and educate (although not always to also entertain). Each year, though, it’s hard not to feel a certain resistance to Lord Reith’s lofty legacy. Radio might be the perfect format for delivering a

She was the sequinned star of the airwaves back in the 1920s, the first preacher to realise the potential of the wireless, long before Billy Graham and co. But who now has heard of Aimee Semple McPherson, the radio evangelist? Born in 1890 and raised on a farm in Canada, she was converted as a

You might think it a fool’s errand to attempt programmes about art on the wireless. How can you talk about pictures or sculptures or any other visual form without being able to see them? But features on artists and their work can have a surprising resonance on radio precisely because without any images the programme-makers

At six o’clock on 31 May 1916, an Indian soldier who had been captured on the Western Front alongside British troops and held in a German PoW camp stepped up to the microphone and began to speak. Not in Hindi or Urdu, Telugu or Marathi but in perfectly clipped English. He tells his audience, a

What Radio 3 needs is a musical version of Neil MacGregor. The director of the British Museum and now a stalwart of Radio 4 is an intellectual powerhouse but his talks on radio are so clear, so crisp, so deceptively easy to follow that he draws you in and makes you feel that you too

‘Don’t take it for granted,’ she warned. ‘It’s one of the few places where you can hear diverse voices, different points of view; where you can understand that the world is infinitely complex.’ Alana Valentine, an Australian writer, was talking about the BBC World Service with such passion it was inspiring. You might think she

It was when she said how she loved ‘watching the computer do exactly what you wanted it to do’ that I realised how exceptional she must be. To be so young, just 19, and so at home with technology that you can control it rather than be in awe of its complexity. By the age

The new controller of Radio 3 has at last been appointed. Alan Davey (not to be confused with the former bassist from Hawkwind) comes to the BBC from the Arts Council and a career in the Civil Service. This will be his first job in broadcasting, and will be no small challenge. These are tough

‘Did you find it a good read?’ asked Harrriett Gilbert. An incredibly long drawn-out sigh from Mr Paxman. ‘I think it’s really unsatisfactory,’ he at last replied. ‘But Jeremy,’ retorted Professor Beard, ‘I don’t think you’ve read it carefully enough.’ The eminent classicist from Cambridge is not afraid of conflict. She must eat her students

Last week on Front Row (Radio 4) the singer Joyce DiDonato recalled the advice she gave the new graduates of the Juilliard School, just about to embark on their professional careers in music. It’s a hard life. They’re asked to be perfect, which of course is unattainable. She wanted to encourage them to keep going,

‘I don’t know what I think,’ says Lenny Henry, echoing what many of us who were listening were probably also puzzling over. ‘Part of me thinks it’s art by the sheer fact that an artist has decided that something like this should happen for the amusement and intrigue of his fans…’ Henry was at the

A strange coincidence on Saturday night to come back from the cinema, having seen a film about a woman fighting to save her job while suffering from depression and thoughts of putting an end to it all, only to switch on the radio and hear from people who have had suicidal thoughts themselves or who

I’m willing to bet it’s only on the BBC’s Radio 3 that you’ll find yourself listening to a programme quite like Words and Music (Sunday evenings). You might want to disagree. Surely, it’s just a few bits of music stuck together with some poems and other readings on a random theme dreamt up by the

‘Isn’t that charming!’ Carol declares at the height of the great Home Farm cocktail party, after being subjected to Jennifer’s somewhat over-enthusiastic description of her wine storage unit. Just three words but such a lot of meaning. Carol Tregorran’s resurrection in Ambridge after decades of silence is a stroke of genius by The Archers team