Balenciaga and fashion’s child sexualisation problem
From our UK edition
For a long time now, high fashion – with the alibi of being ‘art’ – has tried on rape, self-harm, heroin-chic and of course the simple, timeless classics of anorexia/bulimia as titillating ‘looks’. Anything to keep an enervated haute couture industry (for many years selling mainly in Russia, China and the Middle East, though post-pandemic even these are dropping off) in the headlines. Ambiguous – to say the least – about the beauty of the female body, the mainly gay male world of high fashion has, after a brief period of pretending to embrace ‘diversity’ (anything above a size eight) returned to physiques in which any semblance of female sexual characteristics has been excised.