Cultural appropriation has killed modern music
It’s a rule of life that adults shouldn’t understand young people’s music, ever since Little Richard made the old folk fume with his incessant and enigmatic cries of ‘A-wop-bop-a-loo-bop-a-lop-bam-boom!’ I bitterly recall when during my adolescence my father – a highly respectable Communist factory-hand who would rather have voted Tory than sworn in front of