The rise of the ‘misery memoir’ describing abusive childhoods, followed by the I-was-a-teenage-druggie-alkie-gangbanger-tick-as-appropriate memoir, pushed into the shadows an older tradition, the memoir of childhood pleasure, of charm and humour. Some of the greats — Gwen Raverat’s Period Piece, Diana Holman-Hunt’s My Grandmothers and I — continue to be enjoyed; others every bit as good
Of the making of books about the Pre-Raphaelites, it appears, there is no end. Like the Bloomsberries, most of the PRB are more interesting to read about than the study of their work would suggest: a few towering talents stalk the mountaintops, while many lesser ones lurk in valleys and foothills. George Boyce was one
The actor-biographer Simon Callow has played Dickens, and has created Dickensian characters, in monologues and in a solo bravura rendition of A Christmas Carol. Now he suggests that the theatricality of Dickens’s own life is a subject worthy of exploration in book form. So it is, and if Callow had done so, it might have
Carola Hicks was an acclaimed art historian, and, as she phrased it, a biographer of objects, exploring the ‘lives’ of art-historical subjects from the Bayeux tapestry to the stained-glass windows of King’s College Chapel, and now Jan van Eyck’s ‘Arnolfini Wedding Portrait’, deftly weaving together the history of the times in which the objects were
Last year, with William Ryan’s The Holy Thief, detective-fiction aficionados welcomed the thrillingly horrific first instalment in a new series set in 1930s Moscow. Last year, with William Ryan’s The Holy Thief, detective-fiction aficionados welcomed the thrillingly horrific first instalment in a new series set in 1930s Moscow. In his first outing, Alexei Dmitrievich Korolev,
The story of Harry the Valet is the stuff of fiction. He was a dazzlingly adept, smooth, glamorous jewel thief, who never stooped to petty crime but carried off the kind of robberies more commonly found in novels and films: huge ruby necklaces, diamonds and pearls all poured out, pirate-treasure fashion, into his waiting hands.
‘La justice flétrit, la prison corrompt et la société a les criminels qu’elle mérite’ — Justice withers, prison corrupts, and society gets the criminals it deserves. ‘La justice flétrit, la prison corrompt et la société a les criminels qu’elle mérite’ — Justice withers, prison corrupts, and society gets the criminals it deserves. With that terrifying
There’s nothing like a really good wallow in nostalgia. There’s nothing like a really good wallow in nostalgia. And if it can be arranged so that the nostalgia is for a time that never was, that’s even better. So it is hardly surprising that when, after the horrors of the first world war, Princess Marie
One’s past life is, usually, comfortably past. One’s past life is, usually, comfortably past. Susan Morrow’s first husband, Edward, is so firmly in her past that his second wife even sends her Christmas cards, signed ‘love’. Apart from that once-a-year token, she hasn’t heard from Edward in two decades. Their early marriage had been brief,
Angela Thirlwell’s previous book was a double biography of William Rossetti (brother to the more famous Dante Gabriel) and his wife Lucy (daughter of the more famous Ford Madox Brown). Angela Thirlwell’s previous book was a double biography of William Rossetti (brother to the more famous Dante Gabriel) and his wife Lucy (daughter of the
Many attempts have been made to portray the ‘Roaring Twenties’, or the ‘Gilded Nineties’, or the something-or-other sometime-else, but in truth the 1930s is one of the few decades that fits neatly into a nice round summary, with the Great Depression at one end, the second world war at the other. Many attempts have been
‘Servants’ and ‘service’ have not always meant ‘servility’. ‘Servants’ and ‘service’ have not always meant ‘servility’. From the Middle Ages right through to the 16th century, everyone was servant to someone: a lord was servant to the king, a lesser lord to a greater. Children likewise served in the households of their parents’ equals: service
Wrath of God: the Great Lisbon Earthquake of 1755, by Edward Paice Portugal in the 18th century was at once a mystery and deeply familiar to the British. Deeply familiar, as one of Britain’s most enriching trading partners, providing Brazilian gold in exchange for British textiles and other manufactured goods. A mystery, because Portugal appeared
Stranger in the House: Women’s Stories of Men Returning from the Second World War, by Julie Summers The second world war is big business. Television, film, novels — whole industries have evolved to bring home to us the images of a ‘just’ war. Then there are the thousands of books, on politics, economics, Hitler and
Judith Flanders reviews Stephen Galloway’s novel about the siege of Sarajevo Many novels about war deal with the horrors of the front line, of the terrors of battle. Steven Galloway, in this accomplished, gripping book, instead explores what happens to people who are caught up between warring factions. What happens when you wake up one morning
J. Robert Oppenheimer, ‘the father of the atomic bomb’, remembered that when he saw the first mushroom cloud rise in its terrifying beauty above the test site in New Mexico, a line from the Bhagavad-Gita came into his head: ‘Now I am become death, the destroyer of worlds.’ According to a colleague, however, what he
It would take a heart of stone to contemplate St Pancras station and its appended Midland Grand Hotel without laughing, such is the brio, the swagger, the sheer in-your-faceness of its high Victorian Gothic. Yet it has not always been so appreciated. In the 1950s the distinguished architectural historian Sir John Summerson confided to Sir
Lee Jackson is the creator of that cornucopia of Victorian delight, the Victorian London website (www.victorianlondon.org). From Mogg’s Strangers’ Guide to London, Exhibiting All The Various Alterations & Improvements Complete to the Present Time, produced in 1834, to mortality rates in various parishes in London in 1894 (26.8 per thousand in the overcrowded slums behind
‘The past is a foreign country: they do things differently there.’ L. P. Hartley’s famous opening is used by Gilda O’Neill as an epigraph to her delightful foray through 19th-century murder and mayhem, but in truth, as she shows in The Good Old Days, the past is our native country. Things were not different then:
Relationships between mothers and daughters are sometimes harmonious, often troubled, and always contradictory. Daughters want to break away, be independent, yet have the approval and advice of their mothers; their mothers, in turn, want to protect and defend their daughters, while willing them to stand on their own feet. This push-me-pull-you dynamic frequently remains unresolved.