Years ago, as a penniless young musician, I sometimes played the organ at weddings and learned a bitter lesson: the congregation hadn’t come for the music. I was used to concert audiences who listened attentively and rewarded pleasure received with appreciation given, and it came as a shock to discover that wedding congregations chattered or
For a working musician like me – I compose and conduct – the run-up to Christmas is one of the busiest times of the year. I generally find myself writing some last-minute carols, then come the garage-sandwich weeks: endless travel to far-flung rehearsals in freezing churches and halls in preparation for the annual round of
‘Musician’ is how I described myself to the nice Latvian lady interviewing me the other week for an ONS survey connected with the coronavirus, but that didn’t tell the government much. In economic terms, our profession embraces everyone from Sir Paul McCartney to the struggling garage band that may or may not be allowed back
So, Christmas carols — they haven’t really gone away, but we don’t sing them as much as we used to. We aren’t, in general, much good at massed singing these days. Look around you at a church wedding when it’s time for a hymn and watch the congregation standing in mute embarrassment, the only sound
Rod Liddle may or may not be right that certain illnesses become fashionable once given a name and are illusory, as he wrote last week. But ME — myalgic encephalomyelitis, alias post-viral fatigue syndrome or yuppie flu, is not one of them. It’s an unpleasant physical illness: it ruined seven years of my life. It probably
