James Walton is The Spectator’s TV critic
Watching BBC1’s Elizabeth Is Missing made one of the more puzzling decisions of recent decades seem more puzzling still. Entirely her call of course, but why on earth did Glenda Jackson give up acting (something she was better at than pretty much everybody else in the world) to become an unremarkable Labour MP (something that
Anybody who watched the opening episode of The Baby Has Landed (BBC2, Wednesday) might have found themselves wondering if the patriarchy is quite as all-powerful as it’s cracked up to be. The programme follows ‘six families over six life-changing weeks’ as they welcome a new member — and on the whole features women who radiate
Some last taboos, it seems, can remain last taboos no matter how frequently they’re confronted. Grief, the menopause, masturbation, mental illness are all routinely described that way whenever they get depicted on television — i.e. quite often. But perhaps the sturdiest last taboo of the lot is that older women can have sexual feelings: something
On the Shoulders of Giants consists of 12 essays that the late Umberto Eco gave as lectures at the annual Milanesiana festival of culture between 2001 and 2015. Judging from the book, seeing him deliver them must have been like going to a concert these days by Van Morrison or Bob Dylan. Sometimes he’s on
Older readers may remember a time when landmark BBC wildlife documentary series were joyous celebrations of the miraculous fecundity of the planet we’re lucky enough to find ourselves living on. Well, not any longer. In our more censorious age, they’ve become another chance to essentially tell us all off. So it was that Seven Worlds,
One of the many great things about The Capture was that we could never be sure whether the British authorities’ capacity for virtually blanket surveillance was a nightmare vision of the future or a nightmare portrait of the present. Celebrity Hunted, though, suggests a third possibility: that virtually blanket surveillance is simply proof of how
It’s possibly not a great sign of a Britain at ease with itself that the historical character most likely to show up in a TV drama now seems to be Oswald Mosley. But the week after his starring role in Peaky Blinders ended, there he was again, right at the beginning of BBC1’s next Sunday-night
As a lifelong Catholic, I’ve often thought that two of the Church’s chief characteristics are a) how weird it is when you think about it; and b) how weird it is that so few people in it think how weird it is when you think about it. Happily, if a little smugly, I have to
How did the police ever solve any crimes before CCTV? That was the question which sprang to mind watching the first episodes of two highly promising new crime dramas this week. It’s also the central question now facing the detective in one of them. Part police officer, part career women, Rachel Carey in The Capture
Professor David Scheel, the presenter of a BBC2 documentary on Thursday, instantly brought to mind that American scientist in The Fast Show: bearded, bespectacled, softly spoken and willing to try an experiment just for the hell of it. A marine biologist in Alaska, Scheel has been studying octopuses (his own preferred plural, incidentally) for 25
BBC2’s How the Middle Classes Ruined Britain (Tuesday) began rather promisingly. ‘I’m a working-class comedian who voted Leave,’ announced presenter Geoff Norcott, ‘and I think it’s about time you lot heard some home truths.’ But then came the programme itself — which turned out to be the TV equivalent of a footballer who, faced with
As the title suggests, 8 Days: To the Moon and Back (BBC2, Wednesday) comprehensively disproved the always questionable idea put forward by Elton John’s ‘Rocket Man’: that being an astronaut is ‘just [a] job five days a week’. More importantly perhaps, by concentrating purely on how Apollo 11’s lunar voyage unfolded over the eight days
ITV’s new drama Beecham House is set in late 18th-century India where the British and French were still battling it out for supremacy. Its opening credits feature the east at its most exotic, with a montage of ceremonial elephants parading, sari-clad women gliding and lotus flowers opening. The hero is John Beecham (Tom Bateman), a
Given that there’s apparently no aspect of American life where culture wars don’t rage, the only surprise about Netflix’s latest controversy is that it hasn’t been going on for at least three years. After all, this is a company whose CEO, Reed Hastings, called for a Hillary landslide in 2016, because ‘Trump would destroy much
Usually, the return of Killing Eve would be pretty much guaranteed to provide the most unconventional, rule-busting TV programme of the week — where genres are mixed so thoroughly as to create a whole new one. This week, though, there were two new series that were even harder to classify. One was ITV’s Wild Bill:
Susannah Stapleton’s erudite but hugely entertaining debut is a true-life detective story about the quest for a true-life detective. A longstanding fan of Golden Age crime fiction, Stapleton is reading a 1930s Gladys Mitchell novel featuring the sleuth Mrs Bradley when she has a sudden thought: were there any non-fictional female sleuths around at the
When you see the opening caption ‘4.6 billion years ago’, it’s a pretty safe bet that you’re watching a programme presented by Professor Brian Cox. And so it proved again this week, as his latest exploration of the solar system began on BBC2, with an episode about Mercury and Venus. Being an officially designated ‘landmark’
These days, a common way of introducing radio news items is with the words ‘How worried should we be about…?’ The trouble with this formula is not just the strange notion that anxiety has apparently become some sort of moral duty — even a badge of honour. It’s also that we generally know what the
Channel 4’s When I Grow Up had an important lesson for middle-class white males everywhere: you’re never too young to be held up as a git. The series, billed as ‘a radical experiment in social mobility’, gets a group of seven- and eight-year-old children from different backgrounds to work together in a real-life office setting
If you’ve ever faced the social embarrassment of having to admit that you’ve never seen Game of Thrones (Sky Atlantic, Monday), then imagine what it’s like when you’re a TV reviewer. The customary excuse of ‘There really isn’t time to keep up with everything on telly’ might work for most series. But now that GoT
