James Walton is The Spectator’s TV critic
From our UK edition
Anybody feeling a bit depressed about the shortcomings of humanity could do worse than watch Brian Cox’s new series Human Universe (BBC2, Tuesday) — which, judging from the first episode, is all about how great we are. Early on, Cox was shown hanging out, Attenborough-like, with some gelada baboons in the highlands of Ethiopia. They
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In Colm Tóibín’s much-loved 2009 novel Brooklyn, Eilis Lacy, somewhat to her own surprise, leaves 1950s Enniscorthy (Tóibín’s own home town in County Wexford where several of his books are set) for a new life in the United States. Before that, Eilis had always presumed that she would live in the town all her life,
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Needless to say, it’s not uncommon to hear single British women in their thirties and forties saying that all the good men are married. But in The Men with Many Wives (Channel 4, Wednesday) this came with a twist: it turned out to be precisely the reason why you should marry them too. Polygamy may
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For some of us, the biggest TV question of recent weeks hasn’t been how Newsnight is doing without Jeremy Paxman, British drama’s fightback against American competition or even the treatment of Diana Beard by the editors of The Great British Bake Off. Far more important is whether a small BBC4 quiz show can survive a
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At first sight, J — which has beenshortlisted for the Man Booker Prize — represents a significant departure for Howard Jacobson. It’s set in a future Britain where some sort of apocalypse — known only as ‘WHAT HAPPENED, IF IT HAPPENED’ — has taken place several decades ago. It also contains virtually no jokes. Yet,
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Howard Jacobsen’s J has been shortlisted for the 2014 Booker Prize today: At first sight, J represents a significant departure for Howard Jacobson. It’s set in a future Britain where some sort of apocalypse — known only as ‘WHAT HAPPENED, IF IT HAPPENED’ — has taken place several decades ago. It also contains virtually no jokes. Yet, from within
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Viewers who like their TV journalism hard-hitting should probably avoid Hotel India, a new BBC2 series about the Taj Mahal Palace in Mumbai. The tone of Wednesday’s episode was set immediately when the narrator introduced us to ‘one of the oldest and grandest hotels in the world’, where ‘no detail is too small or demand
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It says something about Kate Bush’s standing in the music world that, perhaps uniquely in the history of long-awaited live comebacks, nobody has suggested — or possibly even thought — that her motives might be financial. After all, this is a woman who’s stuck to her artistic guns ever since, aged 19, she defied EMI
From our UK edition
It says something about Kate Bush’s standing in the music world that, perhaps uniquely in the history of long-awaited live comebacks, nobody has suggested — or possibly even thought — that her motives might be financial. After all, this is a woman who’s stuck to her artistic guns ever since, aged 19, she defied EMI
From our UK edition
Proof that television has changed a bit since 1972 came with an archive clip shown on BBC4 on Sunday. ‘My first guest:’ Michael Parkinson announced matter-of-factly on his Saturday-night chat show, ‘W. H. Auden.’ Auden then made his way gingerly down the stairs, lit a fag and began by discussing the failure of the poetry
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In October 2002, 28-year-old David Stuart MacLean woke up at Hyderabad railway station. He was standing at the time, and had no idea where or who he was. A kindly tourist police officer reassured him that his case wasn’t unusual: plenty of young people came to India, took too many drugs and ended up similarly
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Channel 4’s Kids and Guns (Thursday) began with an American TV advert in which a young boy’s eyes shone with gratitude when his parents gave him a large gun, proudly marketed as ‘My First Rifle’. And just in case that seemed a bit macho, the ad also pointed out that My First Rifle is available
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When Haruki Murakami — Japan’s most successful novelist at home and abroad — was interviewed by the Paris Review in 2004, the questions weren’t always characterised by their pithiness. Many of his novels, the interviewer suggested at one point, are variations on a theme: a man has been abandoned by, or has otherwise lost, the
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A few weeks ago, my eight-year-old son, who’s taken up the guitar, announced that he’d learned something new. He then played a sequence of chords — approximately, Duh-duh-duuh, Duh-duh-da-duuh — that I’ve been hearing from all guitarists since I was about eight myself. ‘It’s called “Smoke on the Water”,’ he informed me, unnecessarily. Of course,
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With Elvis has Left the Building, the longstanding editor of GQ has inexplicably written a book that could serve as a handy, if perhaps overly comprehensive, compendium of bad journalistic habits: from the over-arching flaw of failing to decide what you want to say to such specifics as the excessive use of the phrase ‘American
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BBC2’s The Honourable Woman (Thursday) began with a rather portentous voice-over bringing us the unsurprising news that ‘We all have secrets. We all tell lies just to keep them from each other and …pause to indicate psychological profundity …from ourselves.’ Luckily for the viewer, this was accompanied by the sight of man in a restaurant
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BBC4’s The Girl Who Talked to Dolphins (Tuesday) began with the overstated-sounding claim that it would be tackling ‘perhaps the most remarkable period in the history of animal science’. In fact, though, the longer the programme went on, the more convincing this claim felt — even if the word ‘period’ should possibly have been replaced
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If you wanted a brief epigraph for Linda Grant’s recent fiction, then five words from Dorothy Parker might well do the trick: ‘Time doth flit/ Oh shit.’ Certainly, there aren’t many writers who seem so astonished, even affronted, by life’s tendency (admittedly a strange one) to pass by more quickly than you ever imagined. Her
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The work of John Banville — Booker-winning novelist and impeccably high-minded literary critic — might seem an unlikely source for a primetime crime series. But since 2006, under the telling pseudonym of Benjamin Black, he’s also published a series of Celtic-noir novels set in 1950s Dublin about a pathologist-sleuth known, even to his intimates, only
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According to its executive producer Griff Rhys Jones, A Poet in New York (BBC2, Sunday) sought to rescue Dylan Thomas from the ‘forces of sanctity and hagiography that now hover over his shade’. Instead, we’d be reminded that he was ‘a hollering bohemian roustabout’ — which is presumably Griff’s longhand for ‘a drunk’. By that
