James Walton

James Walton is The Spectator’s TV critic

Old stamping ground

If I tell you that on Monday there was an hour-long documentary about the history of stamp-collecting, then you probably don’t need this column’s usual bit in brackets saying which channel it was on. Indeed, at times Timeshift: Penny Blacks and Twopenny Blues seemed determined to be the most BBC4-like programme in the history of

Losing heart | 3 November 2016

In 2015, the first series of Humans (Sunday) was apparently Channel 4’s most watched home grown drama since The Camomile Lawn: a programme broadcast when Neil Kinnock was still the Labour leader and given a obvious ratings boost by the tabloid outrage about its many nude scenes (and by its many nude scenes). In the

Digging for the truth

The discovery of Tutankhamun’s tomb may well be one of the 20th century’s great stories — but naturally that doesn’t mean a television drama won’t want to jazz it up a bit. Or, in the case of ITV’s lavishly produced but distinctly corny Tutankhamun, quite a lot. The programme gives us a Howard Carter younger

Too good to be true

The McNulty family in the novels of Sebastian Barry have a definite claim to be one of the unluckiest in all fiction. After serving with the Brits in the first world war, the main character in The Where-abouts of Eneas McNulty is branded a traitor to Ireland, and spends the rest of his days in

Question time | 6 October 2016

At my wife’s first 12-week scan, I was expecting — and duly got — that much-documented sense of thrilled wonder at the grey blobby thing on the screen. What came as a genuine shock, though, was realising the scan also had the entirely undisguised aim of calculating the baby’s chances of Down’s syndrome, on the

Cautionary tale

The closing credits of National Treasure (Channel 4, Tuesday) contain the usual disclaimer that any resemblance between its characters and real people is merely coincidental. Well, coincidental maybe, but also entirely inevitable — because this is a drama based on Operation Yewtree. With its choice of subject matter, a cast including Robbie Coltrane and Julie

Time to change the record

Back in the high optimism of the 2008 presidential campaign, one of Barack Obama’s more extravagant hopes was that ‘the psychodrama of the baby boom generation’ would finally be left behind: that no longer would the kind of radical late-Sixties politics ‘hatched on a handful of college campuses long ago’ be seen by both its

Fashion shoot

With documentary-makers these days, it can be hard to tell the difference between faux-naivety and the real thing. (Personally, I blame Louis Theroux.) Take BBC2’s Absolutely Fashion: Inside British Vogue (Thursday), directed and narrated by Richard Macer, who often seems suspiciously dazzled by whatever he sees: the editor’s office! The editor’s chair! He also has

All the way to Memphis

The bad news for old rock’n’rollers is that there’s not much time left to stay at Heartbreak Hotel — these days located not at the end of Lonely Street, but on Elvis Presley Boulevard, Memphis. In October it will close, to be replaced by the demurely named Guest House at Graceland: in reality a swanky

The decade of Delia

Proof that someone has really made it as a TV historian comes, I would suggest, when they join the likes of David Starkey and Simon Schama by getting their name into the programme’s title. So it is that Dominic Sandbrook’s The 70s, from 2012, has now been followed by The 80s with Dominic Sandbrook (BBC2,

1966 and all that

In the song ‘All the Young Dudes’, David Bowie gamely tried to reassure the youth of the Seventies that, despite what their Sixties elders were always telling them, they hadn’t been born too late after all. On the contrary: it was the ‘brother back at home with his Beatles and his Stones’ who was missing

The prodigy

On Tuesday night on Channel 4, a stern male figure peered over his glasses (as equipped with one of those cords favoured by themiddle-aged specs-wearer) and offered us his robust views on how government benefits encourage laziness. Which might not sound that unusual — except that the male figure in question was 12. His name,

MPs and DTs

In 1964, a newly elected Labour MP was put in charge of the House of Commons kitchen committee. (An unpromising start to a review, I appreciate, but bear with me.) His idea of selling off the House’s rather splendid wine cellar duly appalled some MPs, but was accepted as a useful money-making scheme. Only later

The big chill | 30 June 2016

It’s sadly possible to imagine that The Living and the Dead was sold to BBC1’s commissioning editors as ‘Poldark meets The Exorcist’. Yet, while that wouldn’t be a completely inaccurate summary, the overall result is a lot more coherent, clever and ambitious than that. At heart, in fact, Tuesday’s first episode was a nifty twist

My big fat Gypsy fortune

In his latest documentary for the This World series, the Romanian film-maker Liviu Tipurita could have been forgiven for treading carefully — and not just because it meant him entering the world of organised crime. After all, his previous film in the series, the uncompromisingly titled Gypsy Child Thieves, was ferociously denounced by Roma groups

War on want

Radiohead have been at the top of the musical tree for so long now that it’s easy to forget what an irreducibly strange band they are. Last Thursday, during the first of their three hugely anticipated gigs at the Roundhouse, they uncharacteristically played three popular favourites on the run — in their defence, it was

Impure thoughts

Spoiler alerts aren’t normally required for reviews of Shakespeare — but perhaps I’d better issue one before saying that in BBC1’s A Midsummer Night’s Dream (Monday) Theseus dies near the end. Not only that, but Hippolyta and Titania fly off on butterfly wings to become lovers, and the mechanicals’ play goes down a storm. Personally,

Animal attraction

Let me start this week with an admittedly hard quiz question: in 1954, how did the sudden illness of Jack Lester, head of London Zoo’s reptile house, transform British television? The answer is that his reluctant stand-in as the presenter of BBC’s Zoo Quest was the show’s director, David Attenborough. Offhand, it’s not easy to

… and sense and sensibility

Book reviews, John Updike once wrote, ‘perform a clear and desired social service: they excuse us from reading the books themselves’. It’s a theory, I’m afraid, that doesn’t apply to this review — but it certainly does to this book: an impeccably wide-ranging collection of Ferdinand Mount’s own non-fiction reviews, including for The Spectator, over

That’s entertainment | 5 May 2016

The big returning show of the week began with servants laying out the silverware at a large country house in 1924. But rather than a shock comeback for Downton Abbey, this was — perhaps even more unexpectedly — Tommy Shelby’s new home in Peaky Blinders (BBC2, Thursday). Which explains why so many of the guests