Sir James MacMillan CBE is a Scottish composer and conductor. He was Composer-Conductor of the BBC Philharmonic from 2000-2009 and of the Netherlands Radio Chamber Philharmonie from 2009-2013.
32 min listen
This week: composer James MacMillan reads his diary on the beautiful music of football (01:11); Sebastian Morello tells us about the deep connection between hunting and Christianity (07:17); Amy Wilentz explains how Vodou fuels Haiti’s gang culture (16:14); The Spectator’s literary editor Sam Leith reviews The Virago Book of Friendship (22:38); and – from the arts pages – The Spectator’s theatre
One group delighted with the papacy of Benedict XVI was musicians. He was one of us. He had a grand piano in his apartment in the Vatican and played (mostly his beloved Mozart) regularly. His love of music was not restricted to music for the liturgy. He saw the numinous dimension to music in its
I was in Sweden a few weeks ago, where my music was presented in Stockholm in the most recent International Composer Festival. One of the orchestral works performed was my football-themed ‘Eleven’ (11 players, melodies of 11 notes, chords of 11 pitches and various football chants woven into the fabric of the score). I’m not
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Welcome to a special festive episode of The Edition podcast, where we will be taking you through the pages of The Spectator’s Christmas triple issue. Up first: our review of the year – and what a year it has been. At the start of 2024, the outcome of the US election looked very different, the UK had a
Summer study courses for young composers have been popular for a few generations. After the second world war, up-and-coming experimental composers started flocking to places like Darmstadt in Germany for the Internationale Ferienkursen für Neue Musik. Olivier Messiaen taught there in the late 1940s and 1950s, when among his students were Stockhausen and Boulez. Attending
‘Has this been the happiest year of my life?’ I found myself asking recently. It has certainly been topped with the arrival of a third granddaughter last month. (My first, little Sara Maria, died a few years ago.) The birth of Rosie Elisabeth has taken our joy to cosmic levels, but 2023 has been a
There were two world premieres during the Queen’s funeral on Monday. One was a beautiful setting of some verses from Psalm 42 by Judith Weir, the Master of the King’s Music, and the other was an anthem by me, a setting of a passage from Romans 8, ‘Who Shall Separate Us From The Love of
The stark simplicity of the music performed at Prince Philip’s funeral service will have made a gentle but huge impact on the mourners, inside St George’s Chapel Windsor and on the millions watching on television around the world. Those of us who have some involvement in the world of choral music were mightily impressed at
Music is a universal language. The style that has enraptured me since childhood, classical music, has always had an international dimension, and has taken me around the world in the decades since. But even in those early boyhood encounters I became aware of music and musicians from many different lands and eras. Apart from the
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It’s the 250th anniversary of the birth of Ludwig van Beethoven – in my opinion, the greatest creative genius in history and a man of extraordinary moral courage. In this episode of Holy Smoke, I’m joined by his fellow composer Sir James MacMillan to discuss a side of Beethoven that the postmodern artistic establishment prefers
Music likes to tell the same story over and over again. This is part of its tradition but even individual composers can be drawn back to the same models in attempts to reclothe and reinterpret musical forms and structures and settings of classic texts. This is especially the case with the Crucifixion narrative. Bach is
In England and other places there can still be surprise when discussion of football in Scotland segues too smoothly into the discussion of religion. And vice versa. It can also get entangled with toxic politics too. The sectarian divide between Celtic and Rangers doesn’t need to be rehearsed, but the tribal hinterlands behind this ancient
Many years ago an arts spokesperson for the SNP launched an extraordinary attack on Scottish Opera, saying, ‘If push comes to shove, if I were arts minister and had to choose between the survival of Gaelic music and Scottish Opera, I would say rich people could always go to Salzburg for lieder and Sydney for
James MacMillan explains why he hates the assumption that he is a liberal left-winger In my travels I see myself frequently described in foreign media as a ‘left-wing and Scottish nationalist’ composer. The latter label is ludicrous, and I just put it down to a foreigner’s ignorance and justifiable disinterest in the parish-pump tedium of