James Delingpole reviews television for The Spectator.
My favourite The Crown blooper so far was the one recently spotted by a Telegraph reader: ‘As Head of the Armed Forces and Colonel-in-Chief of four Scottish regiments, the Queen would not choose The Atholl Highlanders with which to pipe her guests into dinner […] It is inconceivable that the Queen’s Piper would play any
‘We have to stop it now!’ says Princess Margaret (Helena Bonham Carter), smoking another cigarette, obviously. She’s talking about the impending royal wedding between her nephew Charles and a pretty but gauche young thing called Lady Diana Spencer. Spoiler alert: none of the family will listen. Yes, The Crown is back on Netflix for its
Thank you, Spitting Image, for the nostalgia trip! Your new series on BritBox has rekindled with almost Proustian fidelity those feelings I used to get every single time I watched the show back in my lost 1980s youth: the bathos; the disappointment; the frustration; the despair; the perpetual astonishment that puppet caricatures full of such
If you love Fauda — and of course you do — you’re in for a long wait for season four, which isn’t due to arrive on Netflix till 2022. That’s why I had such high hopes for Tehran, which is written by one of Fauda’s co-authors Moshe Zonder. What, after all, could there possibly be
There’s a delicious scene in the new season of Amazon’s superheroes-gone-bad series The Boys. The chief superhero Homelander (Antony Starr) is introduced by a minion to a potential new member of his elite superhero group, the Seven. Homelander watches this bright new talent performing wonders in a gym-style training zone: the young man is agile,
‘Art is dead,’ declared Mark Steyn recently. He was referring to the new rules — copied from the Baftas — whereby to qualify for the Oscars your movie must have the correct quota of gay/ethnic minority/transgender/etc people. This, he argued, will lead to the kind of leaden, politicised, phoney art we associate with communist regimes
Few things better capture the crazed cognitive dissonance of our age than this: that while we cower behind masks for fear of a virus so harmless in most cases that you don’t even know you’ve got it, we watch shows like World’s Toughest Race: Eco-Challenge Fiji and think: ‘That looks fun. Wouldn’t mind having a
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While the government’s U-turn on A-level and GCSE results has been widely welcomed, universities are still in a dire state – why? (00:55) Plus, has Boris Johnson got the right approach in his war on fat? (15:00) And finally, are illegal raves during the pandemic socially irresponsible, or just young people sticking it to The
Every time I read that Britain’s anti-coronavirus measures are being jeopardised by a ‘small minority of senseless individuals’ holding illegal raves, my heart soars. Maybe there’s hope for the youth after all! I’d been beginning to wonder. In my experience, kids of about university age have been priggish and obedient about the government’s rules during
‘By the way, my name is Max. I take care of them, which ain’t easy, because their hobby is murder.’ Back in the early 1980s, when everything was lovelier, we were all so innocent that our idea of a brilliant and original new detective formula went like this: they’re sleuths — but they’re also rich
Soon, very soon now — even sooner than I imagined, if A Suitable Boy turns out to be as lacklustre as some critics are saying — the only things left worth watching on the BBC will be old repeats and foreign buy-ins like The Last Wave. A bit like The Returned (Les Revenants), The Last
There’s a scene in the French espionage series The Bureau — about the DGSE, France’s equivalent of the CIA or MI6 —where one of the characters loses a limb while on active service. ‘Excellent,’ jokes the station boss on his return. ‘This will greatly improve our diversity quota for disabled employees.’ This is why I
Jaws, Amazon (To rent or buy) Nothing says ‘Murica’ quite like insisting the beaches stay open – killer shark or no – because it’s the 4th July weekend. It’s why – during his brief libertarian phase – Boris Johnson once declared that Larry Vaughn, the Mayor of Amity, was the movie’s true hero. Apart from
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On this week’s episode, former police officer Kevin Hurley reads his piece on how top police officers get disillusioned in the job; Alicia Munckton talks about the private-state divide in education during this lockdown; and James Delingpole reviews Alan Bennett’s new Talking Heads, and explains why he’s not a fan.
The big mistake people make with Alan Bennett is to conflate him with his fellow Yorkshireman David Hockney. But whereas Hockney’s art is generous, warm, bright, life-affirming, Bennett’s is crabbed, catty, dingy, insinuating. The fact that the BBC-led establishment keeps telling us he’s a National Treasure tells us more about the BBC-led establishment than it
Avatar (2009) Can you a cancel a film that’s all but forgotten? I challenge you to name one character besides Sully (the protagonist, whom you’ve probably forgotten as well). Yet when the woke charge comes, it’ll take Avatar in its wake. After all, what is it but a colonial guilt fantasy with a white saviour
Did Jeffrey Epstein kill himself or was he murdered — and frankly who cares? Actually, having watched the four-part Netflix series — Jeffrey Epstein: Filthy Rich — about his secretive, sordid life, I care very much. Sure, his squalid death in jail, apparently from suicide while awaiting trial for numerous sex crimes, was thoroughly deserved.
If I could live my life over again my plan used to be that I’d make my fortune very early, spend my winters fox hunting through the season and my summers taking loads of ecstasy in Ibiza and having meaningless sex with beautiful strangers. But having seen the first two episodes of White Lines I’m
Sweden is now properly celebrated as the Land that Called Coronavirus Correctly. But in the distant past, those with long memories may recall, it had a less flattering reputation as the Land Absolutely Ruddy Swarming With Jihadists. Caliphate — an eight part Swedish-made drama on Netflix — takes you back there in vivid and compelling
When I lived briefly in Stamford Hill I was mesmerised by the huge fur hats (shtreimel) worn by the local Hasidic Jews, and the wigs worn by their wives, and the almost tubercular pallor of their children. I often wondered how such a remote, aloof and archaic sect could possibly relate to 21st-century London. The
