James Delingpole

James Delingpole

James Delingpole reviews television for The Spectator.

Enthralling: BBC4’s Colosseum reviewed

In the year 2023, the Neo-Roman Empire was at the height of its powers. A potentially restive populace was kept in check using a time-honoured technique known as ‘Bread and Circuses’. The ‘Circuses’ part consisted of a remarkable piece of technology in which spectacles could be beamed directly into the homes of the citizenry, filling

University Challenge deserves Amol Rajan

I wish I could say that Bamber Gascoigne would be turning in his grave at what has happened to University Challenge. But unfortunately, I understand from people who knew the Eton, Cambridge, Yale and Grenadier Guards historian, playwright, critic, polymath millionaire and scion of the upper classes that he chose to compensate for his privilege

Welcome to the jungle: how Malaysia won me over

It’s approaching 6 p.m. at the Datai on Langkawi island, the tropical sun is still warm but no longer burny, and through my binoculars from my poolside lounger I’m watching the hornbills swooping down from the tall tree opposite and the sunbirds delving their long curved beaks in to some sort of exotic, colourful flora.

Netflix has struck gold: Tour de France: Unchained reviewed

I’m ideologically opposed to bicycles for all the obvious reasons: they don’t have lovely big nostrils which you can blow across gently or stroke inside to feel the soft, delicate skin; they can’t jump hedges; and the kit you’re expected to wear on them is quite hideous – not a smart, black, 18th-century-looking coat but

Purest fantasy but you’ll love it: Tetris reviewed

Tetris is a righteously entertaining movie about the stampede to secure the rights from within the Soviet Union to what would become the world’s bestselling video game. The question you’re going to be asking yourself time and again – especially during the Lada-ZiL chase scene through the streets of Moscow in which our heroes try

In defence of the fabrications of reality TV

My new favourite tennis player, just ahead of Novak Djokovic, is Nick Kyrgios. Up until recently I’d barely heard of him and what little I knew – his massive, sweary, on-court tantrums – did not inspire much enthusiasm. But then I watched Break Point and realised that here was exactly the kind of man I’d

The Spectator’s best TV shows of the year

The Offer (Paramount Plus) Even when you know the ending, this ten-part drama about the making of The Godfather, seen from the perspective of novice producer Albert S. Ruddy (Miles Teller), is outrageously gripping, gorgeously evocative of louche, cocktail-drenched late 1960s Hollywood, wittily scripted and superbly acted. Matthew Goode is especially watchable as superproducer Robert