Graeme Thomson

Christmas songs that will reduce your gas bills

It’s unlikely that Irving Berlin was pondering the energy price cap when he composed the seasonal standard ‘I’ve Got My Love To Keep Me Warm’ in 1937. ‘I can’t remember a worse December, just watch those icicles form,’ he wrote, a sentiment many of us can surely relate to right now – but wait! ‘What

Spectator Out Loud: Jade McGlynn, Lucy Dunn and Graeme Thomson

20 min listen

On this week’s episode, Jade McGlynn reads her article on the Russian mothers and wives turning against Putin, because of their sons and husbands missing in the war (00:55). Lucy Dunn, a former junior doctor, asks whether pharmacists aren’t part of the solution to the crisis in the NHS (09:45). And Graeme Thompson reads his

The art of protest songs

The extraordinarily brave anti-CCP protestors have been striking up ‘Do You Hear the People Sing?’ from Les Misérables in the streets of many cities. A song written in 1980 for a musical adaptation of Victor Hugo’s 1862 novel has become an unlikely rallying cry in present-day China.  Like all the most effective protest songs, ‘Do

Isabel Hardman, Matthew Parris, Graeme Thomson and Caroline Moore

21 min listen

This week: Isabel Hardman asks how Ed Miliband is the power behind Kier Starmer’s Labour (00:57), Matthew Parris says we’ve lost interest in our dependencies (05:03), Graeme Thomson mourns the loss of the B-side (11:57), and Caroline Moore reads her Notes on... war memorials (16:51).  Produced and presented by Oscar Edmondson.

The joy of B-sides

Paul Weller releasing a collection of solo B-sides is cause for mild celebration. After all, the Jam were one of the great B-side bands. ‘Tales From The Riverbank’, ‘The Butterfly Collector’, ‘Liza Radley’ – all A-list songs, relegated to the subs’ bench. Remember the B-side? That bijou, creative safe space which didn’t merely permit but

Sensational: Herbie Hancock, at the Edinburgh Festival, reviewed

‘Human beings are in trouble these days,’ says Herbie Hancock, chatting to us between songs. ‘And do you know who can fix it?’ ‘Herbie!’ comes the instant reply, shouted from somewhere in the stalls. Hancock might be a jazz legend, but he’s not quite the Saviour. Kicking off this year’s excellent contemporary music programme at

The power of cultural reclamation

‘Version’ is an old reggae term I’ve always loved. It refers to a stripped-down, rhythm-heavy instrumental mix of a song, traditionally dubbed onto the B-side of a single. On paper the concept sounds throwaway, and often it was. Over time, however, using reverb and a fair degree of ingrained madness, pioneering Jamaican producers such as

In praise of seasonal chart fodder

Christmas: the most vulnerable time of the year. I heard ‘A Winter’s Tale’ by David Essex on the radio the other day and, oh boy. It was Noël Coward who wrote, in Private Lives, that smart little line about the strange potency of cheap music. It is a truism never more apparent than at Christmas,