Graeme Thomson

Heartfelt but bland: Ed Sheeran’s – (Subtract) reviewed

Whether by accident or design, the mathematical theme of Ed Sheeran’s previous album titles (+, ×, ÷ and = respectively) resolves rather neatly with – (Subtract). I interviewed Sheeran around the time of × and found him likeable enough but a bit out of reach. Multiplication did indeed seem to be foremost on his mind.

Why can’t I let go of my records?

I’m not a natural lender. I’m a reasonably soft touch when it comes to money, but regarding the important things in life – books, music, pens – I loan with a gently thrumming underscore of anxiety. While I’ve weaned myself off my mother’s habit of writing her name in every book she buys, I still

Katy Balls, Lisa Haseldine and Graeme Thomson

20 min listen

This week: Katy Balls discusses why Humza Yousaf is the Union’s best hope (01:00), Lisa Haseldine reads her interview with former Georgian defence minister David Kezerashvili (07:00), and Graeme Thomson asks whether supergroups are really that super (13:54).  Produced and presented by Oscar Edmondson.

Why supergroups nearly always suck

Recently in these pages, ruminating on the ghastly Rock and Roll Hall of Fame, I wrote that music does not conform to any equation. I should have added: except, of course, for the occasions when it does. One tried-and-true formulation is that ‘super-groups’, those bespoke vehicles bringing together artists best known either for working alone

Down with the Rock and Roll Hall of Fame!

There is footage on the internet of Robert Smith, lead singer in the Cure, being interviewed on the occasion of his band being inducted into the Rock and Roll Hall of Fame in 2019. At high pitch and tremendous volume, the host yells up a storm about the incredible honour being bestowed upon the group,

Christmas songs that will reduce your gas bills

It’s unlikely that Irving Berlin was pondering the energy price cap when he composed the seasonal standard ‘I’ve Got My Love To Keep Me Warm’ in 1937. ‘I can’t remember a worse December, just watch those icicles form,’ he wrote, a sentiment many of us can surely relate to right now – but wait! ‘What

Spectator Out Loud: Jade McGlynn, Lucy Dunn and Graeme Thomson

20 min listen

On this week’s episode, Jade McGlynn reads her article on the Russian mothers and wives turning against Putin, because of their sons and husbands missing in the war (00:55). Lucy Dunn, a former junior doctor, asks whether pharmacists aren’t part of the solution to the crisis in the NHS (09:45). And Graeme Thompson reads his

The art of protest songs

The extraordinarily brave anti-CCP protestors have been striking up ‘Do You Hear the People Sing?’ from Les Misérables in the streets of many cities. A song written in 1980 for a musical adaptation of Victor Hugo’s 1862 novel has become an unlikely rallying cry in present-day China.  Like all the most effective protest songs, ‘Do

Isabel Hardman, Matthew Parris, Graeme Thomson and Caroline Moore

21 min listen

This week: Isabel Hardman asks how Ed Miliband is the power behind Kier Starmer’s Labour (00:57), Matthew Parris says we’ve lost interest in our dependencies (05:03), Graeme Thomson mourns the loss of the B-side (11:57), and Caroline Moore reads her Notes on... war memorials (16:51).  Produced and presented by Oscar Edmondson.

The joy of B-sides

Paul Weller releasing a collection of solo B-sides is cause for mild celebration. After all, the Jam were one of the great B-side bands. ‘Tales From The Riverbank’, ‘The Butterfly Collector’, ‘Liza Radley’ – all A-list songs, relegated to the subs’ bench. Remember the B-side? That bijou, creative safe space which didn’t merely permit but