20 min listen
This week on Spectator Out Loud, Oliver Basciano warns that we should brace ourselves for a coup in Brazil (00:53). Then, is three – or more – a crowd? Mary Wakefield discuses this in her Spectator column (08:41), before Fiona Mountford tells us about the sad demise of church pews (14:55). Produced and presented by Oscar Edmondson.
Imagine a child’s drawing of the interior of a traditional English church and the elements the picture is likely to contain. There will be colourful stained-glass windows, an altar and, almost certainly, rows of sturdy wooden pews. Yet the sad truth is that in parish after parish, the pews – which are often centuries old
‘What did the rampant chimp have to do with any of it?’ I squawked in bewildered disappointment to a friend at the end of Nope, the long-awaited third film from Oscar-winning writer-director Jordan Peele. I had hastened in great excitement to see Nope on the first day of its cinema release, hoping for a work
I am not naturally a spontaneous person. I relish neatly laying out projects and plans in my Moleskine diary. It was out of character, then, when on the second Monday of the Wimbledon fortnight I decided on the spur of the moment to head to the All England Club and join the queue for a
I would be the first to admit that the NHS has done a lot for my mother this year. It gave her the emergency blood transfusion that undoubtedly saved her life, followed by several iron infusions and umpteen scans and tests. It has treated a series of infected leg ulcers and provided consultations with senior
For a number of years now, as the streaming revolution ramps up and our watching habits become ever more fragmented, the Oscars have been locked in a desperate struggle against plummeting viewing figures and waning public interest. This is obviously a situation that Will Smith wanted to try and remedy – and not simply by
39 min listen
In this week’s episode: could President Erdogan broker a peace deal between Putin and the West? For this week’s cover piece, Owen Matthews has written about how Turkey’s President Erdogan became a key powerbroker between Vladimir Putin and the Western alliance. On the podcast, Owen is joined by Ece Temelkuran, a political thinker, author, and
After the two oddest years in the history of the red carpet, when Covid restrictions saw stars accepting gongs from their sofas via Zoom, glitzy prizegivings as we (used to) know them are back. Last night’s BAFTA ceremony, from the Royal Albert Hall, marked the opening salvo of a two-week run-in of the biggies, as
Last week, the nominations for the BAFTA film awards were announced and very swiftly afterwards the annual chorus of lamentation started up. For whatever poor old BAFTA does, a vocal segment of film fans and critics alike will declare themselves unhappy. BAFTAs-bashing, it can often seem, is how those in cultural circles like to keep
October plays host to one of my very favourite jamborees across the entire spectrum of the arts, namely the London Film Festival. One of the myriad joys of an arts festival is the tantalising opportunity it offers to deviate from our cultural strait and narrow and try something out of the ordinary. We can rest easy
34 min listen
On this week’s episode: should animal lives be considered as valuable as human lives? It’s often said that Britain is a country of animal lovers, but have we taken it too far? Pen Farthing’s evacuation has shown how some people value animal lives more than human lives. William Moore writes our cover piece this week,
I always knew that I didn’t want children, but also always knew that I wanted godchildren. Lots of them. One of the less-discussed aspects of the decline of the church in our secular age is the fact that this precious relationship, more than a millennium old, is increasingly scarce. Previously godparents were there to ensure
24 min listen
On this week’s episode, Fraser Nelson starts by reading our leading article: the Prime Minister promised ‘data, not dates’, so should we reopen before 21 June? (01:15) Fiona Mountford is on next, saying she’s had enough of corporate faux-friendliness. (07:20) Laurie Graham reads her piece afterwards, wondering what to put in her Covid time capsule.
Have you noticed it? The slide towards faux-friendliness and fake sincerity from the companies with whom we used to have an impersonal and transactional relationship. The deal used to be simple: we paid them, they did things or provided stuff, thank you and goodbye. If something went awry, we told them and, with luck, they
It might seem counterintuitive to say this about such a chatty medium, but what I have missed most about the theatre during its long year in the Covid wilderness is silence. More specifically, the two distinct types of silence unique to this artform, the silences that top and tail a production of import, a piece
23 min listen
On this episode, author and journalist Ian Williams starts by looks at how China is using tech to expand its reach. (00:45) Then, Fiona Mountford reflects on how to deal with grief. (12:00) Finally, Deborah Ross reviews the Oscar-nominated Promising Young Woman, ‘a wonderfully clever, darkly funny, stomach-knotting’ revenge-thriller. (18:10)
37 min listen
In this week’s podcast, Katy Balls expands on her cover story, analysing Number 10’s hopes for November’s COP26 summit in Glasgow (01:10). She’s joined by Boris Johnson’s former advisor and co-author of the last Conservative election manifesto, Rachel Wolf and together, they ponder whether the much-anticipated green jamboree signposts a supercharged boost not only for
No one can say that, over the course of the past year, we have not had the opportunity as a country to practise the grim arts of grief and mourning. We all know the figures — 127,000 Covid deaths and counting — but I wonder if, in the face of this onslaught, we have lost
Last month there occurred an event so culturally seismic that it made, well, a barely perceptible dent on the news headlines. Not just one but two actual women were nominated for the Best Director Award at the Oscars, a category that has for many years now been open to five nominees. It was the first
42 min listen
Is Keir Starmer becoming irrelevant? (00:50) Do the Oscars really celebrate the best that film has to offer? (15:55) Jordon Peterson is back with his new book, Beyond Order, but is it beyond readable? (25:40) With the Spectator‘s political editor James Forsyth; broadcaster and former Labour adviser Ayesha Hazarika; writer Fiona Mountford; the Spectator‘s arts
