Deborah Ross is the chief film critic of The Spectator
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Everlasting Moments 15, Key Cities Awaydays 18, Nationwide Oh, what heaven, what joy, and if you don’t bother to see Everlasting Moments, then you are a bigger fool than I thought you were. (If it were possible.) It’s a Swedish period drama, set around 1900, and is full of simple yet rich, old-fashioned pleasures and
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Angels & Demons 12A, Nationwide Angels & Demons is based on the book by Dan ‘Da Vinci Code’ Brown and is directed by Ron Howard and stars Tom Hanks and all I can really say about it is this: if there is one movie you don’t see this year, do make it this one. Or,
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Star Trek: The Future Begins 12A, Nationwide Listen, I’m no Trekkie, I don’t speak Klingon, I’ve never boldly been anywhere in the least bit exciting — my fear of motorways has always hampered me horribly in this respect — and I don’t like action epics but Star Trek: The Future Begins is quite fun. I’m
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Is Anybody There? 12A, Nationwide Is Anybody There? stars Michael Caine as a grumpy old fella who, begrudgingly, goes to live in an old people’s home where his fellow residents are played by Rosemary Harris, Elizabeth Spriggs, Peter Vaughan, Thelma Barlow, Sylvia Syms and Leslie Phillips but not Peter O’Toole, who appears to be the
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State of Play 12A, Nationwide State of Play is a thriller based on the six-part BBC series shown on television in 2003 and which, I confess, I did not see. Probably, it was because What Not To Wear was on the other side and, I’m sorry, I just wouldn’t have had the confidence to know
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In the Loop 15, Nationwide Love it, love it, love it and for those of you who are a bit slow — I know who you are; don’t think I don’t — I loved this film. It’s great. It’s fast, it’s funny and it’s so on the money about self-interested politicians, clueless aides, dodgy dossiers
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Tony Manero 18, Key Cities This is a Chilean film of the kind that is probably only showing at an independent cinema quite far from you until last Thursday but that is life, so get over it. Also, the only Easter alternative seemed to be a big action flick starring Vin Diesel whom I have
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The Boat That Rocked 15, Nationwide Now, although it has always been fashionable to take a bit of a pop at Richard Curtis and his ‘feel good’ movies (Four Weddings, Notting Hill, Love Actually) and I’ve been as guilty as anyone — I am just naturally bitchy, I’m afraid — I do think it is
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The Damned United 15, Nationwide The Damned United is, I suppose, a football film but if you don’t like football don’t let this put you off. (If you do, I’ll hear about it, and then you’ll be in trouble.) I liked it enormously even though football bores me stiff and I don’t know the first
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Lesbian Vampire Killers 15, Nationwide There really isn’t a lot to say about Lesbian Vampire Killers apart from this: don’t go anywhere near it. Just don’t see it. Do something else instead. Do anything else instead. Catch up with your ironing. In fact, if you don’t mind me saying, last time I came round and
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Marley & Me PG, Nationwide Marley & Me is based on American journalist John Grogan’s best-selling memoir about his young family and their Labrador — ‘the world’s worst dog’ — and it all sounds horribly cloying and lame, I know, but don’t rush to judge unless you simply can’t help yourself, in which case do
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The Young Victoria PG, Nationwide The Young Victoria stars Emily Blunt and is based, apparently, on an idea first pitched by Sarah Ferguson, Duchess of York: ‘I know! Let’s do a film about Queen Victoria, but when she was young, and call it “The Young Victoria!”.’ She is listed as a producer as is, bizarrely,
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The International 15, Nationwide The Class 15, Key Cities The International is a big-budget action-espionage thriller starring Clive Owen as an Interpol agent determined to bring down a nasty bank called IBBC. Aside from doing the usual evil things banks do — like, I assume, having only one person behind the counter during the busiest
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Gran Torino 15, Nationwide Gran Torino is a Clint Eastwood film — what, he’s still alive? — and it’s about a grouchy old fella who is hard-core racist but then gets involved with the Asian family next door and, would you believe it, discovers they are quite decent, really. This is probably not a very
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Vicky Cristina Barcelona 12A, Nationwide In Vicky Cristina Barcelona, Woody Allen’s latest film, a character asks in an opening, theme-setting scene: ‘Why is love so hard to define?’ which is daft, really, because as anyone who knows anything about cinema knows and has known since 1970: love means never having to say you’re sorry. What,
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The Curious Case of Benjamin Button 12A, Nationwide The most curious thing about The Curious Case of Benjamin Button is that it could receive 13 Oscar nominations when it is such tedious schmaltz, and not just any tedious schmaltz. This is the worst kind of tedious schmaltz; the kind that doesn’t even have the decency
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Revolutionary Road 15, Nationwide Revolutionary Road is Sam Mendes’s adaptation of the celebrated 1961 novel by Richard Yates and it may be too faithful to the book — big chunks of dialogue have been directly lifted — although, on the other hand, if it were less faithful then everyone would say it isn’t faithful enough,
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Frost/Nixon 15, Nationwide Frost/Nixon is a properly terrific, dramatised account of the television interview between David Frost and disgraced former American President Richard Nixon which, broadcast in the summer of 1977, achieved the largest audience ever for a news programme in the history of American TV with 45 million viewers. As I don’t remember much
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The Wrestler 15, Nationwide The Wrestler is Mickey Rourke’s big comeback movie in which he plays Randy ‘The Ram’ Robinson, a professional wrestler of the kind so popular in the Eighties when they all had names like ‘The Ram’ or ‘Rock’ or ‘Bad Blood’ or ‘The Hulk’ or ‘Ayatollah’ and fought under the WWF banner,
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Slumdog Millionaire 15, Nationwide From the wonderful things I’d already heard about Danny Boyle’s latest film Slumdog Millionaire I was fully poised to fall madly in love with it, and perhaps even run off with it although I would not have its babies — I’m through with having babies; I had one once, a boy,