Deborah Ross is the chief film critic of The Spectator
Ghost Town 12A, Nationwide Ghost Town stars Ricky Gervais in his first leading Hollywood role, and how much you like this film will probably depend on how much you like Gervais — what? You expected him to turn in a Daniel Day-Lewis-type performance? — and how much Gervais you can take at one sitting; the
Burn After Reading 15, Nationwide Burn After Reading, a ‘comedy thriller’, is the latest Coen brothers movie, their first after No Country for Old Men, and it is a very, very hard film to like. I wanted to like it, I tried to like it, I strained to like it with all the fibres of
Gomorrah 15, Nationwide Gomorrah is a mafia film and while we are well used to mafia films and even like some of them — for example, and if I recall rightly, The Godfather was quite good; do catch it if you can — this is not that sort of mafia film. There are no big
How to Lose Friends and Alienate People 15, Nationwide How to Lose Friends and Alienate People is based on Toby Young’s best-selling memoir of the same name and, already, I know what you are thinking. You are thinking: what, a film based on Toby’s book? Well, he kept that very quiet, the sly old devil.
Taken 15, Nationwide Taken is the latest film from the French film-maker Luc Besson and is about American, ex-CIA agent Bryan Mills (Liam Neeson) who turns Paris upside down — ‘I’ll tear down the Eiffel Tower if I have to!’ — in his search for his abducted, 17-year-old daughter, Kim, although, personally, I wouldn’t have
Tropic Thunder 15, Nationwide Unrelated 15, Selected Cinemas Tropic Thunder is an action comedy which stars Ben Stiller, is produced by Ben Stiller and is directed by Ben Stiller, from a story by Ben Stiller and a screenplay by Justin Theroux…and Ben Stiller. So if, after this movie, you don’t feel properly Stiller-ed, I can’t
Pineapple Express 15, Nationwide Pineapple Express is a ‘stoner’ comedy from the seemingly inexhaustible, super-producer Judd Apatow and, in its defence, probably wasn’t made with a middle-aged housewife such as myself in mind. As it is, I’ve only ever done pot once and did not like it (my knees went). Apatow was, of course, also
The Duchess 12A, Nationwide The Duchess is probably no more than a most handsomely mounted costume drama which is no bad thing if you happen to like handsomely mounted costume dramas, and I do, I do, I do! Lavishly directed by Saul Dibb, whose previous work (the gritty London film Bullet Boy; the TV drama
Ben X 15, Key cities August is a hopeless month for movies — it’s when the big studios dump their worst films on us, pretty much — and so there is very little worth seeing, let alone reviewing. I did think about seeing the new Will Ferrell comedy, Step Brothers, but after catching the tail
Elegy 15, London and Key Cities Elegy is about an ageing professor (Ben Kingsley) and a beautiful young woman (Penelope Cruz), and it is based on the Philip Roth novel The Dying Animal, which, in turn, takes its title from Yeats’s ‘Sailing to Byzantium’, in which the poet describes his soul as ‘sick with desire/and
The X-Files: I Want to Believe 15, Nationwide OK, straight to the point, because we are busy people, right? And when we are not busy we are pretending to be busy, right? So, The X-Files: I Want to Believe, worth your time? No. As it is, it’s 104 minutes that I won’t be getting back.
Angus, Thongs and Perfect Snogging 12A, Nationwide Angus, Thongs and Perfect Snogging is a teen movie as may be rather obvious from the title — come on, it was hardly going to explore the terrible reality of Bosnia’s post-war traumas; get a grip — and we are all for teen movies, aren’t we? A teen
It’s easy to see the way opera Inszenierung is going. We are in for a spate of US-located productions, just as we emerge from 19th-century industrial locations and nondescript car parks. Hollywood, Las Vegas, the prairies, Texas oilfields and the omnipresence of TV, something we are hardly likely to forget, are where Poppea, Giulio Cesare,
WALL.E, the latest CGI animation from Pixar in collaboration with Disney, has already been hailed as a ‘modern masterpiece’ — in America, at least — but I’m not so sure. It has a cracking, enthralling, wonderfully dystopian first half, but after that it appears mostly concerned with hurtling towards one of those predictable endings that
Mamma Mia PG, Nationwide Mamma Mia has to be the most fun you can have with your clothes on. Or is it off? When you get to my age, it’s such a struggle to remember. Either way, though, if you are now expecting this review to be subtly and cleverly interweaved with punning ABBA song
The Edge of Love 15, Nationwide The Edge of Love, which is based loosely on real events, explores the ménage à quatre that existed for a few years between the Welsh poet Dylan Thomas (Matthew Rhys), his wife Caitlin (Sienna Miller), his childhood friend Vera Phillips (Keira Knightley) and her eventual husband, William Killick (Cillian
Irina Palm 15, Barbican and key cities The big film this week is, I suppose, The Incredible Hulk but I chose not to see it because, aside from anything else, isn’t this the second Hulk film in about ten minutes? When was the Ang Lee one? I have no idea why it’s come round again
Mongol 15, Nationwide Mongol traces the early years of the legendary warrior Genghis Khan and does not feature, at any point, the world’s greatest adventurer/archaeologist or four fortysomething women living and loving in New York. Yes, it is probably safe to come out now. They’re all gone! However, having said that, the other morning when
Sex and the City 15, Nationwide I do know that not everyone gets Sex and the City. Bubbles, for example, does not get Sex and the City. ‘I don’t know what you see in this crap,’ he would say, whenever I watched it on television, and before going off to do something pointedly manly in
Indiana Jones and the Kingdom of the Crystal Skull 12A, Nationwide After a 19-year break, Indiana Jones, the world’s greatest adventurer and probably the world’s worst ever archaeologist — listen, even I know you can’t go around ripping open ancient mummies whenever you so fancy — is back. He is back because he has to