Deborah Ross

Deborah Ross is the chief film critic of The Spectator

Still life | 12 February 2011

I didn’t go and see the Coen brothers’ remake of True Grit this week because I couldn’t get excited about it and don’t like westerns anyhow. I didn’t go and see the Coen brothers’ remake of True Grit this week because I couldn’t get excited about it and don’t like westerns anyhow. I don’t think

Second sight

Although I can’t generally get too worked up about remakes, just as I can’t get too worked up about most things these days — too old; too tired; too long in what teeth I still have left (four, I think) — I suppose this Brighton Rock does have its work cut out. Although I can’t

Leaden mess

Hereafter is directed by Clint Eastwood, produced by Clint Eastwood and Steven Spielberg, and written by Peter Morgan, although what would attract one of these big names to such a project, let alone three, is anyone’s guess. Hereafter is directed by Clint Eastwood, produced by Clint Eastwood and Steven Spielberg, and written by Peter Morgan,

Steps to destruction

I have always suspected that, if you look for the black swan within yourself, it will end in tears, and now Darren Aronofsky has proved me right. It will end in tears, as well as bloody gashes, horrors glimpsed in mirrors, warped hallucinations of a sexual nature and breaking your mother’s hand in a door

Neither here nor there

Conviction is yet another film based on ‘an inspirational true story’ because, I’m assuming, Hollywood has now run out of made-up stories. Conviction is yet another film based on ‘an inspirational true story’ because, I’m assuming, Hollywood has now run out of made-up stories. (There isn’t a limitless supply, you know; it’s not as if

Film: Farewell to arm

Unless you’ve been living under a rock — in which case, keep it to yourself; I’m done with rocks — you’ll have already heard about 127 Hours. Unless you’ve been living under a rock — in which case, keep it to yourself; I’m done with rocks — you’ll have already heard about 127 Hours. It’s

Right royal triumph

The King’s Speech is a joy, and I adore it. The King’s Speech is a joy, and I adore it. In fact, I love it so much that, if I could, I would take it home and put it down for a good school and wrap it up warm in the cold and, should it

The long march

Peter Weir’s The Way Back tells the story of a group of escapees from a 1940 Siberian gulag who walked across Siberia, Mongolia, Tibet and the Himalayas to freedom in British India, a journey of 12 months and 4,000 miles, and a journey that will bring into sharp focus the domitability of your own crappy

All the lonely people

Whereas Sofia Coppola’s directorial breakthrough, Lost in Translation, featured two lonely souls rattling about in a Tokyo hotel, her latest film, Somewhere, features one lonely soul holed up in a Californian hotel, and isn’t half so good. Whereas Sofia Coppola’s directorial breakthrough, Lost in Translation, featured two lonely souls rattling about in a Tokyo hotel,

Incredible journey

Monsters is a sci-fi alien film and is being promoted as a sci-fi alien film but it’s not really a sci-fi alien film as it’s a love story with a beautiful and unexpected ending. Monsters is a sci-fi alien film and is being promoted as a sci-fi alien film but it’s not really a sci-fi

Catching up with Clooney

There are quite a few reasons to like The American. It is an action film with almost no action, making it a non-action action film which, I now know, is my favourite kind of action film. It stars George Clooney, and while I have tried to imagine Mr Clooney doing something uncharismatically — rinsing out

Deathly dull

By the time a film franchise arrives at its seventh and penultimate instalment, you probably know if it is something you enjoy or not, or at least I would hope so. Generally, Harry Potter is not something I’ve enjoyed over the years so, by the same logic, I shouldn’t have bothered with this but, having

Trouble ahead

This is, I should confess, not a film I meant to see. I meant to see Harry Potter, but turned up for the screening in the right place at the wrong time — a week early, I’m such a schmuck — and had to take what was showing, which was You Again, with the tag

Life’s losers

Mike Leigh’s latest film feels cruel and is uncomfortable to watch which isn’t necessarily a bad thing — you can’t expect cinema to offer only comfort and warmth, my dears; cinema is not like the lobby of a country-house hotel — but it does make it a rather horrible experience. Mike Leigh’s latest film feels

Gang of four

Red is not a very good film and neither does it try to be. It puts in very little effort and, instead, relies almost entirely on the pulling power of its all-star line up: Bruce Willis, Helen Mirren, John Malkovich, Morgan Freeman, Richard Dreyfuss, Brian Cox and a cameo from Ernest Borgnine, who is now

Nice work, Zuck!

The Social Network 12A, Nationwide The Social Network is a brilliantly entertaining and fascinating film about a subject in which I have absolutely no interest: Facebook. I could be no more surprised if, say, someone were to make a brilliantly entertaining and fascinating film about fish-gutting or car-tuning or being put on hold by the

Enough is enough

Really? This was necessary? Why? What’s the point? OK, I suppose revisiting Wall Street all these years later is timely, given the banking crisis and resultant global meltdown. Really? This was necessary? Why? What’s the point? OK, I suppose revisiting Wall Street all these years later is timely, given the banking crisis and resultant global

Women on top | 2 October 2010

Although Made in Dagenham is far from perfect and has a particular fondness for those impromptu speeches which turn out to be stirringly spot-on, it is so warm-hearted and affectionate it wouldn’t be right to take against it. Although Made in Dagenham is far from perfect and has a particular fondness for those impromptu speeches

Identity crisis

Astonishingly, I enjoyed The Town even though it is a heist movie with set-piece shoot-outs and car chases and even though it doesn’t break any new ground, which is just such a faff anyhow. Astonishingly, I enjoyed The Town even though it is a heist movie with set-piece shoot-outs and car chases and even though

Over the top

The Kid is based on a true story and the book by Kevin Lewis, who had an horrific childhood taking in abuse, violence, poverty, starvation and abandonment by the social services. These books are called ‘misery memoirs’ and sell by the bucketload so I’ve even had a go myself. Now, I know what you’re thinking.