Deborah Ross

Deborah Ross is the chief film critic of The Spectator

You’ve lost that loving feeling

From our UK edition

A United Kingdom is based on the greatest love story you probably didn’t have a clue about. I know I didn’t. It’s based on the true story of Seretse Khama, heir to the African kingdom of Bechuanaland (now Botswana), and Ruth Williams, a typist, who fell in love in 1940s London and married despite everyone

About a boy | 17 November 2016

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Indignation is an adaptation of Philip Roth’s 2008 novel and amazingly, for an adaptation of a Philip Roth novel — see the recent dog’s dinner that was American Pastoral, for example — it may even be worth two hours of your time. (Depending on what you would otherwise be doing with that time; I wouldn’t

Tongue twister

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Arrival is a big budget sci-fi film with a smaller, more pensive, cleverer film trying to get out, which has to be an improvement on a dumb film with an even dumber film trying to get out, as in the manner of Interstellar, say. So we have that to be thankful for, at least. The

Loach at his most Loach

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I, Daniel Blake is a Ken Loach film about a Newcastle joiner who can’t work but faces a welfare bureaucracy that won’t listen, humiliates him, grinds him down, so it’s fun, fun, fun all the way. Yes, it is that Ken Loach film, but as that Ken Loach film is more powerful than most other

Going nowhere fast – and loud

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As a general rule, I would not wish to spend nearly three hours in a mini-van with young people who turn up the music real loud. As a general rule, being the age I am, I would go to any lengths to avoid such an experience. But American Honey is a film by Andrea Arnold

Wrong side of the tracks

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You will surely have seen the posters for The Girl on the Train with Emily Blunt staring from a train window beneath the question: ‘What did she see?’ I don’t know …buddleia? Bindweed? The occasional abandoned supermarket trolley? That is all most of us see from trains and while it’s true that buddleia, bindweed and

White Knight

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Free State of Jones is an American Civil War drama ‘inspired’ by the life of Newton Knight, who led an armed rebellion against the Confederacy in Jones County, Mississippi, and one rather wishes that that was all it was about. Directed by Gary Ross (Seabiscuit, The Hunger Games), and starring a whiskery, leathery Matthew McConaughey,

No fear

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I can’t say I care for zombies particularly or even understand them — OK, they’re the living dead, but what do they have against the living living? Why do they always want to bite their faces off? — and I can’t say I cared for The Girl With All the Gifts either. This is an

A Bridge too far?

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Bridget Jones’s Baby is the third outing for our heroine as played by Renée Zellweger, whose cosmetic work to face has received more media attention than the film itself, but we will try to counteract that here. So, on this occasion, Bridget finds herself pregnant but does not know if the father is our old

Business as usual | 18 August 2016

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I should probably nail my colours to the mast and state that The Office is possibly my favourite TV sitcom of all time (bar My Family, which surely goes without saying), but some comedies that have ended should simply stay ended, as no one has ever said, but should have. (Or maybe John Cleese has

Oven-ready

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Todd Solondz’s Wiener-Dog is billed as a ‘dark comedy’ although it is far more dark than comic. If pressed to put a number on it, I’d say that, despite the film’s poster, which shows a cute dachshund’s butt, and leads you into thinking cute dachshund thoughts, this is 98 per cent dark, and the sort

Corn again

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The Carer is a Hungarian-British co-production about a cantankerous old thesp (Brian Cox) and the young Hungarian woman (Coco König) who is dispatched to look after him, much against his wishes, and whom he’ll eventually throw out on her ear. I’m joshing you. She wins him over, naturally, and mutual respect develops, naturally, and a

The lying game | 28 July 2016

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JT LeRoy was a teenage hustler who emerged from a childhood of abuse, drug addiction and homelessness to write about his harrowing experiences and become a literary sensation as taken up by Madonna, Bono, Winona Ryder, Carrie Fisher, Courtney Love, Lou Reed and Gus Van Sant, among many others. His back story was shocking —

Girls v. ghosts

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From the moment this all-female reboot of Ghostbusters was announced, the fan-boy panic set in: where will it end? An all-female Top Gun? Will it make me pregnant? Who are these ‘women’? Where do they come from? Are they a recent thing? Do we know any? If it’s proved they can carry big Hollywood comedies,

Erectile dysfunction

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Anthony Weiner is the American politician who made a comeback after a sexting scandal and stood for New York mayor. He was topping the polls, when a second sexting scandal broke, which proves what, probably, none of us had suspected all along: that thing you do where you send women pictures of your erect penis

Darkness visible

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Perhaps you have sometimes wondered: how would you even begin to make a film about going blind and being blind and what that means? How, when the subject is so profoundly and inherently uncinematic? Or maybe it’s other thoughts that keep you awake at night — such as when we all finally receive our £350

Home alone

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The Secret Life of Pets is the latest animation from Illumination Entertainment, which also brought us Minions and Despicable Me, but whereas they were smart, funny, charming and original, this is not that smart, not that funny, not that charming and not that original. It’s an average caper that feels familiar and suffers mightily from

Highly illogical

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Matteo Garrone’s first English-language film is a baroque fantasy based on Pentamerone (Tale of Tales), the 17th-century collection of fairy tales by the Italian poet and courtier Giambattista Basile. (It is also known as The Story of Stories, ‘Lo cunto de li cunti’, but that, I think we can all agree, travels rather less well

The lost world

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Every now and then, with great infrequency (alas), a film comes along that is like no other and completely knocks you for six, and that is Embrace of the Serpent. The first Colombian film to be nominated for an Oscar — it lost to Son of Saul, should you set any store by such things

Jane Austen on speed

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Love & Friendship is based on the little-known Jane Austen epistolary novella, Lady Susan, which was not published until after Austen’s death, and was then ill received. As G.K. Chesterton declared: ‘I, for one, would have willingly left Lady Susan in the wastepaper basket.’ Knowing what I know now and having, in fact, read Lady