Deborah Ross

JT LeRoy was a teenage hustler who emerged from a childhood of abuse, drug addiction and homelessness to write about his harrowing experiences and become a literary sensation as taken up by Madonna, Bono, Winona Ryder, Carrie Fisher, Courtney Love, Lou Reed and Gus Van Sant, among many others. His back story was shocking —

From the moment this all-female reboot of Ghostbusters was announced, the fan-boy panic set in: where will it end? An all-female Top Gun? Will it make me pregnant? Who are these ‘women’? Where do they come from? Are they a recent thing? Do we know any? If it’s proved they can carry big Hollywood comedies,

Anthony Weiner is the American politician who made a comeback after a sexting scandal and stood for New York mayor. He was topping the polls, when a second sexting scandal broke, which proves what, probably, none of us had suspected all along: that thing you do where you send women pictures of your erect penis

Perhaps you have sometimes wondered: how would you even begin to make a film about going blind and being blind and what that means? How, when the subject is so profoundly and inherently uncinematic? Or maybe it’s other thoughts that keep you awake at night — such as when we all finally receive our £350

The Secret Life of Pets is the latest animation from Illumination Entertainment, which also brought us Minions and Despicable Me, but whereas they were smart, funny, charming and original, this is not that smart, not that funny, not that charming and not that original. It’s an average caper that feels familiar and suffers mightily from

Matteo Garrone’s first English-language film is a baroque fantasy based on Pentamerone (Tale of Tales), the 17th-century collection of fairy tales by the Italian poet and courtier Giambattista Basile. (It is also known as The Story of Stories, ‘Lo cunto de li cunti’, but that, I think we can all agree, travels rather less well

Every now and then, with great infrequency (alas), a film comes along that is like no other and completely knocks you for six, and that is Embrace of the Serpent. The first Colombian film to be nominated for an Oscar — it lost to Son of Saul, should you set any store by such things

Love & Friendship is based on the little-known Jane Austen epistolary novella, Lady Susan, which was not published until after Austen’s death, and was then ill received. As G.K. Chesterton declared: ‘I, for one, would have willingly left Lady Susan in the wastepaper basket.’ Knowing what I know now and having, in fact, read Lady

Heart of a Dog is a film by Laurie Anderson and it’s a meditative, free-associating rumination on life, loss, love and dogs, with particular reference to her and her late husband’s (Lou Reed, who died in 2013) beloved rat terrier, Lolabelle (who died the same year). It follows no linear logic. It’s a visual collage,

Everybody Wants Some!! is a comedy written and directed by Richard Linklater, which is the good news, but it’s set among baseball jocks at a Texas college in 1980, which may be the less good news. Your enjoyment of the film may depend not on Linklater’s abilities, which are there for all to see —

Before we turn our attention to Florence Foster Jenkins — but if you can’t wait, it’s so-so — I feel I should address the several hundred (and counting; hell’s bells) comments below my negative review of Captain America: Civil War last week, and the many pleas that I should ‘get a life!’, which seemed a

Captain America: Civil War is the 897th instalment — or something like it — in the Marvel comic franchise. This time round, the superheroes take sides, with the marketing asking if you’re #TeamCap or #TeamIronMan but not if you’re #TeamNeither, as would be most useful in my case. I swear this is the last Marvel

Jane Got a Gun is being sold as a rousing feminist Western although the truth is that it’s about as rousing and feminist as my cat, Daphne, who is 17, and now barely moves but who, back in the day, made herself available to every passing Tom. So you don’t look at Daphne and think

This Jungle Book is Disney’s remake of its animated classic of 1967, as beloved by all generations thereafter. Warner Bros also has a remake in the pipeline, directed by Andy Serkis, and due for release in 2018, so it looks as though we’ve reached peak Jungle Book remake, although I personally won’t be happy until

The big hitter this week is, of course, Batman v Superman, but if you want to learn something new, and meet characters that’ll stay with you long after, well, get yourself to Court. This is an Indian courtroom drama in which the wheels of justice grind so slowly you’ll want to scream, and now I

High-Rise is Ben Wheatley’s adaptation of J.G. Ballard’s novel, and it is deeply unpleasant, if not deeply, deeply unpleasant. (Ideally, I would wish to repeat ‘deeply’ several hundred times, but I do not have the space.) Based on the dystopian notion of tower-block residents regressing into a primitive state once societal norms and the class

Anomalisa is an animated film written by Charlie Kaufman, and while the temptation is to label it a midlife crisis movie, because labels make life so much easier, it is not that clear-cut, just as it never is with Kaufman, who has always refused to explain himself. (Asked what his films are about, his stock

The latest film from the Coen brothers is a comedy set during the ‘golden age’ of Hollywood and in some respects it is utterly delicious. George Clooney wears what is effectively a leather miniskirt throughout, which may not be ‘age-appropriate’, as they say, but is wholly pleasing. (I was personally delighted, I must confess.) And

The Benefactor is both a bad film and a thoroughly inexplicable one. It’s one of those what-were-they-thinking projects that wastes decent talents — Richard Gere and Dakota Fanning, most notably — for no discernible purpose and has you thinking throughout that whatever they were paid it wasn’t enough, and even if they’d been offered more,

The TV sitcom Dad’s Army ran on the BBC from 1968 to 1977 (nine series, 80 episodes) with repeats still running to this day (Saturday, BBC2, 8.25 p.m.) and I sometimes watch these repeats with my dad (92) and we laugh like idiots and I sometimes watch with my son (23) and we laugh like