Deborah Ross

Deborah Ross is the chief film critic of The Spectator

What's the greatest artwork of the century so far?

15 min listen

For this week’s Spectator Out Loud, we include a compilation of submissions by our writers for their greatest artwork of the 21st century so far. Following our arts editor Igor Toronyi-Lalic, you can hear from: Graeme Thomson, Lloyd Evans, Slavoj Zizek, Damian Thompson, Richard Bratby, Liz Anderson, Deborah Ross, Calvin Po, Tanjil Rashid, James Walton,

Noah Baumbach needs to try harder: Jay Kelly reviewed

Noah Baumbach’s Jay Kelly stars George Clooney as a handsome movie star playing a handsome movie star who has an identity crisis and is forced to reflect on his life. It’s being sold as a Hollywood satire, but it’s far too affectionate to be biting, and contains moments where it drowns in schmaltz. For a

An adorable Taiwanese debut: Left-Handed Girl reviewed

Left-Handed Girl is a Taiwanese drama about a single mother who moves back to Taipei with her two daughters to run a noodle stand in the night market. It’s one of those films where the stakes don’t appear that high – will the mother make the rent this month?; will the littlest daughter settle at

Mrs Göring is far too sympathetic: Nuremberg reviewed

Nuremberg is one of those films that falls short on everything it wants to be and everything it could be. It’s a historical drama, set just before the trials, where an American psychiatrist (Rami Malek) is charged with assessing whether Hermann Göring (Russell Crowe), Hitler’s second in command, is fit to stand trial and to

Del Toro's Frankenstein offers nothing new

Guillermo del Toro’s Frankenstein stars Oscar Isaac (Baron Victor Frankenstein) and Jacob Elordi (‘the creature’) and retells the basics of Mary Shelley’s story – man creates monster, man rejects monster, monster goes off on one – with high-camp sumptuousness. Del Toro’s spin is to include a redemptive arc, plus he throws in some invented characters.

Peak wackiness: Lanthimos's Bugonia reviewed 

Bugonia is the latest film from Yorgos Lanthimos (The Favourite, The Lobster, Poor Things) and it’s about a conspiracy theorist who kidnaps a pharmaceutical boss. It’s extremely wacky – possibly in a good way, still not sure. You certainly get value for money; it smashes together several genres (absurdist comedy, sci-fi, thriller, body horror) and

The new Springsteen biopic is cringe

Springsteen: Deliver Me from Nowhere is a biopic of ‘the boss’ starring Jeremy Allen White. It is not cradle to grave and do not expect the usual crowd-pleasing beats. There isn’t a single montage. Instead, it focuses on 1981, the making of his sixth album, Nebraska, and his mental troubles at that time. This will

A Big Bold Beautiful Journey is anything but

A Big Bold Beautiful Journey is, I have to tell you, anything but. I should have trusted the trailer. When I caught this, my first thought was ‘heck, that looks bad’. Stupidly, I was not put off. The film is written by Seth Reiss (co-writer of The Menu) and directed by Kogonada (if you haven’t

I could never sit through it again: The Cut reviewed

What set this apart, I would suggest, is its deep and unremitting unpleasantness The Cut stars Orlando Bloom as a boxer who comes out of retirement for one last shot at glory. You may be wondering: how does this film about a boxer coming out of retirement for one last shot at glory differ from

Fails to outshine the original: The Roses reviewed

The Roses is a remake of The War of the Roses (1989), the diabolically funny black bitter comedy that was directed by Danny DeVito and starred Kathleen Turner and Michael Douglas as a couple who start out in love, then hate each other like poison, and once their battle is under way it’s no holds

Woody Allen without the zingers: Materialists reviewed

Celine Song’s first film, the wonderful Past Lives (2023), earned two Oscar nominations. So expectations were riding high for Materialists. Perhaps way too high. And, yes, it’s a letdown. It feels like an early Woody Allen but blunter, shallower, with no zingers, and a lead character that’s hard to care about. Dakota Johnson is our

A mafia drama like no other

The Kingdom is a mafia drama like no other. It’s directed by Julien Colonna whose father was a Corsican mob boss who died in 2006 (officially in a car crash although it’s generally believed he was ‘whacked’). And it’s told through the eyes of a young girl. Think of it as The Godfather from the

Be warned: the new Naked Gun is actually funny

As the lights went down for The Naked Gun – the ‘legacy sequel’ to the spoof cop franchise – I found myself praying: ‘Please God, let it be deliciously and relentlessly stupid or I will be heartbroken.’ I was not hopeful. I never am when it comes to a ‘legacy sequel’. What they usually mean

I watched it between my fingers: Bring Her Back reviewed

The Australian twins Danny and Michael Philippou started off as YouTubers known for their comically violent shorts – Ronald McDonald Chicken Store Massacre (2014) has accrued 67 million views. They then raised the money to make their first feature. This was the quietly disquieting Talk To Me (2022), which cost $4.5 million and made $92

Definitely the film of the week: Four Letters of Love reviewed

In the brief lull between last week’s summer blockbuster (Superman) and next week’s (Fantastic Four) you may wish to catch Four Letters of Love. Based on the internationally bestselling novel (1997) by Niall Williams, it’s a quiet, lyrical, Irish love story featuring a superb cast (Helena Bonham Carter, Pierce Brosnan, Gabriel Byrne) and no dinosaurs

Watch the 1978 version instead: Superman reviewed

My father took us to the cinema (Odeon, Leicester Square) once a year at Christmas and in 1978 the film was Superman. I remember it vividly, and I remember it as thrilling, but hadn’t seen it since so I rewatched it and it is everything a superhero movie should be, the gold standard. It has