Damian Thompson

Damian Thompson

Damian Thompson is an associate editor of The Spectator

Losing their religion | 21 July 2016

From our UK edition

Scriabin once suggested that the audiences for his music should be segregated according to their degree of personal enlightenment, with the ‘least spiritually advanced’ in the worst seats. Unsurprisingly it didn’t happen. But perhaps the Southbank Centre should take up the challenge. For its 2016–17 season, the centre has devised a series of concerts and

Doing bird

From our UK edition

A decade ago, the French pianist and poly-math Pierre-Laurent Aimard announced that he was ‘very bored to live in a world that contains so much music that wants to please the masses’. It was a remark that might have dropped from the lips of the late Pierre Boulez, the part-pseud, part-genius who presided over an

Pope used Argentinian ‘ghostwriter’ for controversial document on the family, claims Vatican expert

From our UK edition

The leading Vatican commentator Sandro Magister – a conservative Catholic detested by the Pope’s entourage – this morning published an article that will severely embarrass Francis as he tries to clear up confusion over the Church’s teaching on Communion for the divorced and remarried. Magister, stripped of his Vatican accreditation last year after leaking a draft of the Pope’s encyclical

Catholic bishops split over Brexit as Archbishop accuses Osborne of ‘ludicrous’ scaremongering

From our UK edition

Archbishop Peter Smith, the Catholic Archbishop of Southwark – whose diocese covers all of London south of the Thames – has accused George Osborne of ‘ludicrous’ scaremongering in the EU referendum. The Archbishop, talking to Vatican radio, does not explicitly say that he supports Brexit. His line is that he is ‘undecided how to vote’. But according

Unsung hero | 12 May 2016

From our UK edition

One of the greatest choral symphonies of the 20th century, entitled Das Siegeslied (Psalm of Victory), has been heard only three times since it was composed in 1933. The last performance took place in Bratislava in 1997. The text is a German translation of words from Psalm 68: ‘…as wax melteth before the fire, so

Thetans under threat

From our UK edition

At last! It has taken over two years, but a British publisher has summoned up the nerve to bring out Going Clear, an astonishing exposé of the Church of Scientology by Lawrence Wright of the New Yorker. Wright — who won the Pulitzer Prize for The Looming Tower, his investigation of 9/11 — is the

The devil in footnote 351

From our UK edition

Last week we reached the beginning of the end of the pontificate of Jorge Bergoglio — the ‘great reformer’ of the Catholic church who, it appears, has been unable to deliver the reforms that he himself favours. This despite being Pope. On Friday, he published a 200-page ‘exhortation’ entitled Amoris Laetitia, ‘The Joy of Love’

Pope Francis’s revolution has been cancelled

From our UK edition

Here’s the beginning of the Guardian’s report on Amoris Laetitia (Joy of Love), Pope Francis’s response to the Synod on the Family: Pope Francis has called for the Catholic church to revamp its response to modern family life, striking a delicate balance between a more accepting tone towards gay people and the defence of traditional

Sins of the fathers | 23 March 2016

From our UK edition

A feature film about priests who abuse children is being released on 25 March. Which happens to be Good Friday. Geddit? The sacrifice of the innocents. A conspiracy of religious hierarchs. Hand-washing by the secular authorities. I’m sure I can think of some more analogies if you give me time, but that’s enough to be

God’s messenger

From our UK edition

When the Japanese conductor Masaaki Suzuki leads his forces in a performance of a Bach cantata, does he worry that the non-Christians in his audience will face the fires of Hell? That seems a bizarre question to ask any conductor of Bach’s music, especially one from Japan, where only one per cent of the population

Organic chemistry

From our UK edition

My old Oxford college, Mansfield, isn’t a famous establishment, though its current principal, ‘Baroness Helena Kennedy’, as she incorrectly styles herself, has raised its profile by lefty networking. (Owen Jones, no less, has lectured there.) The building is pretty, however, and its nonconformist chapel splendid, so long as you avert your eyes from the gruesome

The bad book

From our UK edition

The decline of the Church of England has been one of the most astonishing trends in modern Britain. The pews of churches in this country are emptying fast. Next week, a book was to be published about this collapse entitled That Was The Church That Was: How the Church of England Lost the English People.

Age concern | 21 January 2016

From our UK edition

Daniel Barenboim back at the Festival Hall! Cue The Grand March of the Musical Luvvies Across Hungerford Bridge, a bustling overture by Karl Jenkins in which a trombone farts out the epigrams of Simon Callow and the violas mimic the gentle swing of David Mellor’s shoulder-length bob — modelled, I’m told, on Anna Ford’s barnet

And the Holy Smoke Lefty Bore of the Year award goes to…

From our UK edition

…. Bonnie Greer. Which is a shame, because before Twitter she was feisty and thought-provoking. Just two years ago she came in to the Telegraph newsroom for one of our Telegram podcasts and was terrific value – just as I remember from the golden era of The Late Review (i.e. before Mark Lawson was replaced by right-on, pleased-with-herself socialist millionairess

Pope Francis condemns Catholic ‘fundamentalists’ and hints at support for use of condoms against Aids

From our UK edition

Pope Francis has used another mid-flight press conference to make a statement of significance to millions of Catholics. Asked if the Church should drop its opposition to the use of condoms to stop the spread of Aids (a teaching already modified by Benedict XVI), he effectively declared that the debate was a waste of time. He referred to Jesus’s practice –

Bored by Brahms

From our UK edition

Brahms’s Clarinet Quintet begins, writes his biographer Jan Swafford, with ‘a gentle, dying-away roulade that raises a veil of autumnal melancholy over the whole piece: the evanescent sweet-sadness of autumn, beautiful in its dying’. This being late autumn, I listened to the quintet on Sunday to see if its ‘distillation of Brahmsian yearning’ still made