Damian Thompson is an associate editor of The Spectator
30 min listen
The US presidential election looks as if it’s coming down to the wire in a handful of battleground states. Neither Kamala Harris nor Donald Trump has established a clear lead, and that raises the question of whether, even in today’s increasingly secular America, evangelical Christians could give former president Trump a crucial advantage in the
At the BBC Proms this year, an Icelandic pianist dressed like a Wall Street broker played a slow movement from a Bach organ sonata that had the audience first gasping and then stamping their feet. This was an encore to a performance of the Schumann Piano Concerto that neither milked the poetry nor romped thrillingly
In April 1967 Tony Scotland, a cub reporter for Australia’s ABC television news, drove with a cameraman from Hobart to a sheep station in Fingal to interview Lord Talbot de Malahide, an Anglo-Irish aristocrat who had edited a book about Tasmanian flora. This was a delicate assignment. Lord Talbot was a retired British ambassador to
Grade: B+ Anton Bruckner wrote 11 symphonies – Numbers One to Nine plus a student exercise and the formidable rejected symphony endearingly known as ‘Number 0’, actually finished between the First and Second. So why does this 200th anniversary cycle conducted by Markus Poschner, divided between the Bruckner Orchester Linz and the Vienna Radio Symphony
18 min listen
In the winter of 1951 shots from a Colt revolver rang out in St Paul’s Cathedral in an experiment designed to solve the mystery of how architecture shapes sound. In this episode of Holy Smoke, Damian Thompson talks to Dr Fiona Smyth, author of a new book on the subject, and choral musician Philip Fryer,
At a Hollywood party in the 1940s, the garrulous socialite Elsa Maxwell spotted Arnold Schoenberg, then teaching music at UCLA, looking miserable. So she pushed him towards the piano with the words: ‘Come on, Professor, give us a tune!’ I couldn’t help thinking of those words on Friday night, when we heard the first Proms
25 min listen
In this week’s copy of The Spectator, Dan Hitchens argues that a lesser reported aspect of Labour’s decision to impose VAT on private schools is who it could hit hardest: faith schools. Hundreds of independent religious schools charge modest, means-tested fees. Could a hike in costs make these schools unviable? And, with uncertainty about how ideological
23 min listen
Writer Guy Stagg threw in his job to undertake a pilgrimage to Jerusalem via Rome – choosing a hazardous medieval route across the Alps. It nearly killed him: at one stage, trying to cross a broken bridge in Switzerland, he ended up partially submerged in the water, held up only by his rucksack. On this
Grade: A- One of the best one-liners attributed to Sir Thomas Beecham refers to the stridently avant-garde Karlheinz Stockhausen: ‘I’ve never conducted his music, but I once trod in some.’ It’s almost certainly apocryphal, but the implied verdict is widely shared. Stockhausen played up to the caricature of the self-obsessed ‘squeaky gate’ composer, though his
Grade: A+ Yet another double bill of Mozart’s Piano Concertos 20 and 23! There’s an online database of 185 recordings of the first of these, the brooding K466 in D minor, and the classically perfect K488 in A major isn’t far behind. Can there really be anything new to say about either of them? The
35 min listen
On this week’s Spectator Out Loud: Damian Thompson argues that Papal succession plotting is a case of life mirroring art (1:26); Paola Romero reports on Venezuela’s mix of Evita and Thatcher, Maria Corina Machado, and her chances of bringing down Nicolas Maduro (11:39); reviewing Richard Overy’s book ‘Why war?’, Stuart Jeffries reflects that war has as
The Hollywood adaptation of Conclave, Robert Harris’s thriller about a conspiracy to rig a papal election, won’t be in cinemas until November. But judging by the trailer released last week, its starry cast, crafty plot and spectacular cinematography – jets of smoke scattering cardinals as an explosion shatters the Sistine Chapel – will instantly erase
25 min listen
In this week’s Holy Smoke episode Damian Thompson welcomes back Eduard Habsburg, Hungary’s Ambassador to the Holy See and also, to give him his family title, Archduke Eduard of Austria. Last year he published The Habsburg Way: 7 Rules for Turbulent Times, which offered advice on how to live a good life based on the panoramic history of
Grade: B+ Beethoven was proud of his Triple Concerto for Violin, Cello, Piano, pointing out that no one else had attempted such an experiment. He was writing at the height of his youthful powers and the work is stuffed with earworms. Yet I can’t think of any later composers who copied that particular model, and
21 min listen
The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country’s most gifted and intellectually curious young concert pianists. It’s called Reformation, and before I’d heard a note
On 5 August, Ferruccio Busoni’s Piano Concerto will be performed at the Proms for only the second time. It should have been the third time, but a Musician’s Union strike in 1980 forced the cancellation of the concert at which Martin Jones had been booked to give the première. Jones is a fearless virtuoso, still
Grade: A- Here’s an oddly structured album of Mozart’s symphonies 35, 40 and 36 from the world’s most fashionable young Finnish conductor – and, no, it isn’t Klaus Makela, the 28-year-old maestro of the Oslo Philharmonic and Orchestre de Paris who’s taking over in Amsterdam and Chicago. It’s Tarmo Peltokoski, 24, who hasn’t yet had
31 min listen
Here’s an episode of Holy Smoke to mark the 200th anniversary of the birth of Anton Bruckner later this year. This embarrassingly eccentric genius was, perhaps, the most devoutly Catholic of all the major composers – but you don’t have to be religious to appreciate the unique consolation offered by his gigantic symphonies. On the other hand,
Grade: B- In 2022 the South Korean pianist Yunchan Lim became, at 18, the youngest winner of the Van Cliburn competition, displaying a virtuosity that stunned the judges. You could see conductor Marin Alsop’s astonishment as he bounded through the finale of Rach 3, combining accuracy and swirling fantasy at daredevil speed. It’s been viewed
35 min listen
On this week’s Spectator Out Loud: Sean Thomas worries that Paris has lost some of its charm (1:21); Kara Kennedy reports on US-style opioids arriving in Britain (8:43); Philip Hensher describes how an affair which ruined one woman would be the making of another (15:32); Damian Thompson reflects on his sobriety and his battle with British
