Damian Thompson is an associate editor of The Spectator
Grade: A+ Yet another double bill of Mozart’s Piano Concertos 20 and 23! There’s an online database of 185 recordings of the first of these, the brooding K466 in D minor, and the classically perfect K488 in A major isn’t far behind. Can there really be anything new to say about either of them? The
35 min listen
On this week’s Spectator Out Loud: Damian Thompson argues that Papal succession plotting is a case of life mirroring art (1:26); Paola Romero reports on Venezuela’s mix of Evita and Thatcher, Maria Corina Machado, and her chances of bringing down Nicolas Maduro (11:39); reviewing Richard Overy’s book ‘Why war?’, Stuart Jeffries reflects that war has as
The Hollywood adaptation of Conclave, Robert Harris’s thriller about a conspiracy to rig a papal election, won’t be in cinemas until November. But judging by the trailer released last week, its starry cast, crafty plot and spectacular cinematography – jets of smoke scattering cardinals as an explosion shatters the Sistine Chapel – will instantly erase
25 min listen
In this week’s Holy Smoke episode Damian Thompson welcomes back Eduard Habsburg, Hungary’s Ambassador to the Holy See and also, to give him his family title, Archduke Eduard of Austria. Last year he published The Habsburg Way: 7 Rules for Turbulent Times, which offered advice on how to live a good life based on the panoramic history of
Grade: B+ Beethoven was proud of his Triple Concerto for Violin, Cello, Piano, pointing out that no one else had attempted such an experiment. He was writing at the height of his youthful powers and the work is stuffed with earworms. Yet I can’t think of any later composers who copied that particular model, and
21 min listen
The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country’s most gifted and intellectually curious young concert pianists. It’s called Reformation, and before I’d heard a note
On 5 August, Ferruccio Busoni’s Piano Concerto will be performed at the Proms for only the second time. It should have been the third time, but a Musician’s Union strike in 1980 forced the cancellation of the concert at which Martin Jones had been booked to give the première. Jones is a fearless virtuoso, still
Grade: A- Here’s an oddly structured album of Mozart’s symphonies 35, 40 and 36 from the world’s most fashionable young Finnish conductor – and, no, it isn’t Klaus Makela, the 28-year-old maestro of the Oslo Philharmonic and Orchestre de Paris who’s taking over in Amsterdam and Chicago. It’s Tarmo Peltokoski, 24, who hasn’t yet had
31 min listen
Here’s an episode of Holy Smoke to mark the 200th anniversary of the birth of Anton Bruckner later this year. This embarrassingly eccentric genius was, perhaps, the most devoutly Catholic of all the major composers – but you don’t have to be religious to appreciate the unique consolation offered by his gigantic symphonies. On the other hand,
Grade: B- In 2022 the South Korean pianist Yunchan Lim became, at 18, the youngest winner of the Van Cliburn competition, displaying a virtuosity that stunned the judges. You could see conductor Marin Alsop’s astonishment as he bounded through the finale of Rach 3, combining accuracy and swirling fantasy at daredevil speed. It’s been viewed
35 min listen
On this week’s Spectator Out Loud: Sean Thomas worries that Paris has lost some of its charm (1:21); Kara Kennedy reports on US-style opioids arriving in Britain (8:43); Philip Hensher describes how an affair which ruined one woman would be the making of another (15:32); Damian Thompson reflects on his sobriety and his battle with British
On Saturday 12 December 1964, Harold Wilson addressed his first Labour party conference as prime minister, George Harrison was photographed with his new girlfriend in the Bahamas, Pope Paul VI told Catholics they could drink alcohol ‘in moderation’ before Midnight Mass and, according to the Mirror, ‘two strip-tease girls fought in the nude in their
It’s been 30 years this month since I last touched alcohol and I still can’t face the prospect of a social event without drinking. Other people drinking, that is. I’m terrified by the thought of going back on the sauce again, but that doesn’t mean I want to hang around with teetotallers who’ve never had
21 min listen
When did supposedly religious funerals turn into ‘celebrations of life’ that are more about entertaining the congregation than mourning the dead person – who, these days, hasn’t died but ‘passed’? In this episode of Holy Smoke I’m joined by one of my favourite American priests, Fr Joe Krupp, a self-described ‘redneck’ from Michigan who reaches
Grade: A Rejoice! A glorious symphonic cycle by a British composer has been issued as a set for the first time. George Lloyd (1913-98) was treated with lofty condescension by the musical establishment because his twelve symphonies contain barely a single dissonance. They’re sprinkled with jaunty tunes that have the feel of an Ealing Comedy
One afternoon in June 1995, I found myself trapped in the Bodhi Tree, a stucco-fronted bookstore on Melrose Avenue in West Hollywood where New Age wisdom-seekers sip herbal tea while discussing the latest ravings of Shirley MacLaine. I was freaking out because the professor I’d travelled 6,000 miles to meet had apparently stood me up.
17 min listen
In this episode of Holy Smoke, I’m joined by The Spectator’s features editor William Moore, who asks in this week’s issue of the magazine whether the Church of England is ‘apologising for Christianity’. A report by the Oversight Group, set up by the Church Commissioners to make reparations for African slavery, not only wants to see unimaginable
Grade: F At the end of his life Sviatoslav Richter decided to try his hand at the Gershwin Piano Concerto. It was a ghastly experiment, but his admirers were used to his quirkiness, knew his powers were fading and so sensibly forgot about it. Now we have Lang Lang playing Saint-Saëns. It’s an even more
16 min listen
At a press conference in Rome last week, an ex-nun claiming to have suffered ritual sex abuse at the hands of Fr Marko Rupnik turned the heat on Pope Francis. How much did he know about the stomach-turning charges levelled at the Slovenian mosaic artist, who was a Jesuit until he was thrown out of
Grade: A Pierre Boulez once called Messiaen’s giant Turangalila-Symphonie ‘brothel music’. That was mean-spirited but you knew what he meant: a typical performance comes in at just under 80 minutes, much of it consisting of the B-movie sound of an ondes Martenot wailing over lush harmonies. There’s a constant zig-zag of polyrhythms, plus great towers
