Damian Thompson

Damian Thompson

Damian Thompson is an associate editor of The Spectator

The devil in footnote 351

Last week we reached the beginning of the end of the pontificate of Jorge Bergoglio — the ‘great reformer’ of the Catholic church who, it appears, has been unable to deliver the reforms that he himself favours. This despite being Pope. On Friday, he published a 200-page ‘exhortation’ entitled Amoris Laetitia, ‘The Joy of Love’

Pope Francis’s revolution has been cancelled

Here’s the beginning of the Guardian’s report on Amoris Laetitia (Joy of Love), Pope Francis’s response to the Synod on the Family: Pope Francis has called for the Catholic church to revamp its response to modern family life, striking a delicate balance between a more accepting tone towards gay people and the defence of traditional

Sins of the fathers | 23 March 2016

A feature film about priests who abuse children is being released on 25 March. Which happens to be Good Friday. Geddit? The sacrifice of the innocents. A conspiracy of religious hierarchs. Hand-washing by the secular authorities. I’m sure I can think of some more analogies if you give me time, but that’s enough to be

God’s messenger

When the Japanese conductor Masaaki Suzuki leads his forces in a performance of a Bach cantata, does he worry that the non-Christians in his audience will face the fires of Hell? That seems a bizarre question to ask any conductor of Bach’s music, especially one from Japan, where only one per cent of the population

Organic chemistry

My old Oxford college, Mansfield, isn’t a famous establishment, though its current principal, ‘Baroness Helena Kennedy’, as she incorrectly styles herself, has raised its profile by lefty networking. (Owen Jones, no less, has lectured there.) The building is pretty, however, and its nonconformist chapel splendid, so long as you avert your eyes from the gruesome

The bad book

The decline of the Church of England has been one of the most astonishing trends in modern Britain. The pews of churches in this country are emptying fast. Next week, a book was to be published about this collapse entitled That Was The Church That Was: How the Church of England Lost the English People.

Damian Thompson

Age concern | 21 January 2016

Daniel Barenboim back at the Festival Hall! Cue The Grand March of the Musical Luvvies Across Hungerford Bridge, a bustling overture by Karl Jenkins in which a trombone farts out the epigrams of Simon Callow and the violas mimic the gentle swing of David Mellor’s shoulder-length bob — modelled, I’m told, on Anna Ford’s barnet

And the Holy Smoke Lefty Bore of the Year award goes to…

…. Bonnie Greer. Which is a shame, because before Twitter she was feisty and thought-provoking. Just two years ago she came in to the Telegraph newsroom for one of our Telegram podcasts and was terrific value – just as I remember from the golden era of The Late Review (i.e. before Mark Lawson was replaced by right-on, pleased-with-herself socialist millionairess

Bored by Brahms

Brahms’s Clarinet Quintet begins, writes his biographer Jan Swafford, with ‘a gentle, dying-away roulade that raises a veil of autumnal melancholy over the whole piece: the evanescent sweet-sadness of autumn, beautiful in its dying’. This being late autumn, I listened to the quintet on Sunday to see if its ‘distillation of Brahmsian yearning’ still made

Pope vs church

[audioplayer src=”http://rss.acast.com/viewfrom22/civilwarinthecatholicchurch/media.mp3″ title=”Damian Thompson and Fraser Nelson on civil war in the Catholic church” startat=30] Listen [/audioplayer]Last Sunday, the Italian newspaper La Repubblica carried an article by Eugenio Scalfari, one of the country’s most celebrated journalists, in which he claimed that Pope Francis had just told him that ‘at the end of faster or slower