As The Hemlock Cup is released in paperback, Daisy Dunn engages in some Socratic Dialogue with its author, historian and broadcaster Bettany Hughes I get the impression from your book that Socrates must have been quite aware of his own eccentricity, or oddness. Do you think he knew he was doomed from the start? In
It was 70 years ago yesterday that Winston Churchill and Franklin D. Roosevelt, floating perilously across a sea of U-boats, signed the declaration of wartime aims that came to be known as the Atlantic Charter. The maps preserved at the Churchill War Rooms (CWR), Churchill’s former Westminster bunker, are heavily speckled by pinholes, not least
“I’ve never had boundaries. They’re not interesting. I don’t need anyone to tell me this is art, this is architecture. This is it. Do you like it? Enjoy it? Suffer from it? Does it excite you?” Israeli-born Ron Arad, famous as much for his adjustable Bookworm shelf and Rover Chair (1981) as for his architecturally
Writer Giles Milton talks to Daisy Dunn about the relative who inspired both his family’s artistic passions and the narrative of his most recent book, Wolfram: The Boy who went to War, reviewed in the Spectator last month by Hester Vaizey. You note that the book grew out of many hours of interviews. How long
The resident ravens of the Tower of London seem to croak a little louder these days. A few yards from their gathering spot, a golden eagle, traditional symbol of power and kingship, perches on a military standard, keeping watch. It is one of several exhibits on display at the newly refurbished Fusilier Museum in the
‘Hollywood was different back then.’ For a start, the Awards ceremonies of the ‘60’s weren’t dominated by ‘very small young men who had just been in a vampire film’. Soirees brimmed with the gravitas of Beverley Hills’ most statuesque, those around whom a youthful Michael Caine gawped and assimilated anecdotes until, all of a sudden,