Daisy Dunn

Ninety per cent of the population of Florence is Roman Catholic. Apparently that’s common knowledge, but sometimes it’s the little things that hammer home the big statistics. In my case it was a recent tour of the city’s bookshops, which reveal far more besides about Florentine reading habits relative to British ones. Many of the

‘How we perceive the past, what we see in it and what we ignore, depends on our current perspective’, writes Faramerz Dabhoiwala at the end of his hotly-anticipated The Origins of Sex. Well, quite. In seeking words to describe Dabhoiwala’s history of sex, though, none could be more appropriate. The book resounds with sundry modern

While the V&A is ever the place to move with the times, it values its traditions and knows what it does best. The museum’s major forthcoming Autumn exhibition, Hollywood Costume, promises to be a crowd pleaser. In many ways it will hark back to the groundbreaking 1979 V&A exhibition, The Art of Hollywood, which focused

The dowdy Queen Anne is back in fashion. Anne Somerset’s new biography of Queen Anne, that most enigmatic of monarchs, is published today. It is nearly 300 years since Anne’s death, and a popular account of her life is well overdue. She assumed the throne of a frankly second-rate power and left it a dominant

The English National Ballet’s performance of the Nutcracker was especially enchanting this year, but I left wondering what the story’s original author, E.T.A. Hoffmann would have made of it all.   Hoffmann was long dead when his short story, Nussknacker und Mausekönig (The Nutcracker and the Mouse King) (1816) came to inspire the ballet a

‘Castrati were even said to know the ‘secret des Lesbiennes’ when it came to giving women sexual pleasure, cheerfully making up for their cruel loss with improvised dildos made of wax.’ Helen Berry’s The Castrato and His Wife, a broadly biographical study of a castrated Italian opera singer named Giusto Ferdinando Tenducci, describes the sexual

Sir Henry Raeburn’s exquisite nineteenth-century portrait of Sir Walter Scott hangs — magisterial, but unfamiliar — in an ordered sea of Scottish portraits, of Scottish subjects, in the renascent Scottish National Portrait Gallery. As the stock picture question of University Challenge well attests, putting a face to a famous name, especially that of a writer

It took ten attempts, nine rejections, one brave publisher, but ultimately only a handful of revisions before the late Sir William Golding finally saw his debut novel, Lord of the Flies, in print in 1954. To mark the centenary of Golding’s birth the Bodleian Library in Oxford recently unveiled the original manuscript. The book’s text,

As Leonardo da Vinci: Painter at the Court of Milan opens at the National Gallery, Daisy Dunn looks at his famous Renaissance biographer, Giorgio Vasari. Giorgio Vasari’s book The Lives of the Most Eminent Artists, Sculptors, and Architects, commonly abbreviated to The Lives is not what one might expect of a history, or a biography,

This clip, about a Luddite monk’s discovery of the book, has been circulating YouTube. How do you use it? If you close this ‘book’, will all the text inside be saved, or will it just disappear? Plus ça change…  On a separate but related point, there was a particularly well-documented case of a vanishing text in 2009. Following

Oh what a tangled web she weaves! Victoria Hislop’s third novel, the appropriately titled The Thread, is pleasingly complex. The story traces several generations of a fictional Greek family called Komninos against the historical backdrop of the rise and fall of Greece’s second city, Thessaloniki, in the 20th century. To make things even knottier, most

‘They were afraid. Brave men are always afraid. Courage isn’t the absence of fear, it’s the willingness to face fear. They faced their fears.’ The words are familiar. Euripides rehearsed them, Seneca upheld them, Mark Twain perpetuated them. But never have they seemed as relevant as when former SOE [Special Operations Executive] agent Noreen Riols

As part of the Guildford Book Festival, Lynne Truss spoke last Saturday evening to an audience gathered in Watts Gallery – the spectacular space once owned by the Victorian artist G.F. Watts that now houses the largest collection of his works. Truss was discussing her novel, Tennyson’s Gift, which imagines what it could have been

It is Guildford’s turn to pick up the literary baton and kick off its 10-day Book Festival. Here is the first of our dispatches from Surrey. At the summit of the sprawling city of Guildford, with its cobbled streets and quaint hideaways, looms the Cathedral famed for featuring in The Omen.  Last night its bells

At face value, Asti Hustvedt’s Medical Muses is rather a niche tome, a faultlessly researched history of three female hysterics living in eighteenth-century Paris.  However, it actually provides a broad and fascinating insight into the interwoven development of the arts and sciences during La Belle Époque – an age of rapid technological, medical and artistic

As The Hemlock Cup is released in paperback, Daisy Dunn engages in some Socratic Dialogue with its author, historian and broadcaster Bettany Hughes I get the impression from your book that Socrates must have been quite aware of his own eccentricity, or oddness.  Do you think he knew he was doomed from the start? In

It was 70 years ago yesterday that Winston Churchill and Franklin D. Roosevelt, floating perilously across a sea of U-boats, signed the declaration of wartime aims that came to be known as the Atlantic Charter.   The maps preserved at the Churchill War Rooms (CWR), Churchill’s former Westminster bunker, are heavily speckled by pinholes, not least

Writer Giles Milton talks to Daisy Dunn about the relative who inspired both his family’s artistic passions and the narrative of his most recent book, Wolfram: The Boy who went to War, reviewed in the Spectator last month by Hester Vaizey. You note that the book grew out of many hours of interviews.  How long