Camilla Swift is the supplements editor of The Spectator.
As the new artistic director of the Royal Shakespeare Company, Gregory Doran might be expected to lie low as he settles into his new role. But on the contrary – Doran is full of ideas about how to develop the company, as Robert Gore-Langton finds when he interviews him in this week’s Spectator. As well
The Great British Bake Off – or ‘GBBO’, as it’s known to the more dedicated fans – is one of the breakthrough television programmes of the past few years. It started off as ‘just another’ cookery show – albeit with a reality twist. But now, as Season 4 kicks off, it has attracted a loyal
For many people, stories and story-telling formed the basis of their childhood. But there are others whose childhood is devoid of books, and it’s these children that Oxford’s new Story Museum aims to help. As Robert Gore-Langton puts it, ‘beyond [Oxford’s] dreaming spires is an urban hellhole of burning cars, despair and unemployment’, and, he
Normally, August is a rubbish time of year for films, as this week’s cinematic offerings prove. But, says Deborah Ross, there’s one release this week which is worth seeing, and that’s Kuma. An Austrian-Turkish project, it focuses on the life of Ayse, who is married off and moved to Vienna, where she finds that she’s
The simplest and best way to get straight to the heart of the Highlands from London is by sleeper. Board in Euston, have a plate of haggis and tatties (and perhaps a nip of whisky to knock you out) and before you know it, you’ll wake up the next morning as the train crosses Rannoch
In January of this year, Melissa Kite wrote our cover story about how the RSPCA has morphed from being an animal welfare charity into an animal rights group. She wrote of the ‘culture of fear at their headquarters’, and explained ‘how deeply suspicious some animal experts have become of this once-respected body’. Since then, the problems have
‘Shakespeare’s Globe’, as the theatre has been called since it was founded in 1997, is unusual for a theatre in that it makes a large annual profit, without receiving public funding. How? Its unique angle means it has no need to market itself – what’s more attractive to an American audience than Shakespeare, in London,
The Tate Britain has recently undergone a ‘sorely needed’ rehang, which Andrew Lambirth explores in this week’s Spectator. As a ‘welcome return to the great tradition of the chronological hang’ might have its detractors, but the BP Walk Through British Art is, overall, a fantastic display. Here’s the director of Tate Britain, Penelope Curtis (who was
Wadjda is the first feature-length film to come out of Saudi Arabia, and was shot by the country’s first female director – but those aren’t the only things that are great about it, says Deborah Ross. It’s also ‘fascinating, involving, moving, and an entirely excellent film in its own right’. The story might be simple,
Has the British establishment been taken over by men from the Commonwealth? What with a Canadian in charge of the Bank of England, an Aussie strategy advisor for the Tories, a South African advising the Lib Dems, and — let’s not forget — a Zimbabwean coaching our cricket team, it does seem as if alpha
This May, David Goodhart’s latest book, The British Dream: Successes and Failures of Post-war Immigration, earned him the title of ‘too hot for Hay’ when he was ‘shunned’ by the literary festival. The festival director, Peter Florence, went on to describe the book as ‘sensationalist’ and ‘not very good’. But all was not lost. As
Deborah Ross reviews two films for us this week. The first is Pacific Rim, a ‘giant monsters v. giant robots’ film, and to be perfectly honest, that’s about all she has to say on the matter. If you do want to find out more, here’s the trailer: Her second film this week is ‘The Moo
The BBC’s Proms kick off today, with the First Night of the Proms from the Royal Albert Hall delivering what they describe as ‘a surge of natural energy in sea-inspired works by Britten and Vaughan Williams’. In this week’s magazine, Kate Chisholm speaks to the director of the event, Roger Wright, about the challenges of what
The buzzword of the moment seems to be ‘rewilding’. George Monbiot, the Guardian columnist and environmentalist has a new vision for the countryside, which he wrote about in the magazine two weeks ago. Instead of covering our green and pleasant land with sheep, what we ought to be doing, he argues, is re-introducing all of
Yesterday morning, driving along the main road back to Tarbert in the Outer Hebrides, we came across a large group of people parked up by the roadside, accompanied by their cameras and waterproofs. Perhaps they’ve spotted the Sea Eagle, we thought, and went to find out. But no, it was the White-throated Needletail. This bird,
In this week’s lead feature in the Arts section, Tom Rosenthal explains just why he thinks the Lowry retrospective at Tate Britain is so long overdue. Lowry is one of our most popular artists – and it is exactly this that has been his downfall. ‘Can one disapprove of someone merely because he popular? Clearly
Sir Alfred Munnings lived his life in true bohemian style, ‘carousing with gypsies and horse-trainers, living rough and constantly on the road’. Summer in February is based on his early life living in Cornwall, with Munnings played by Dominic Cooper: ‘Irrepressible as an electric eel, and twice as dangerous’. But does the film live up
Coronation Day across the Globe was first broadcast in 1953, by the Home Service, and until last Sunday, it wasn’t broadcast again. In order to celebrate the 60th anniversary of the cororation, the BBC decided to delve into their archives and re-broadcast it. It might have been the first televised coronation, but the BBC’s radio
In April’s local elections, only one in three of those eligible to vote actually did so. What proportion of those voters were women? It’s difficult to get an exact percentage, but in most UK elections, women account for just under half of the turnout. In general elections, female turnout is just over 60 percent. Bearing
Christopher Purves began his musical career playing doo-wop and rock and roll with the band Harvey and the Wallbangers . These days however, the stages of Glyndebourne and La Scala are his new stomping ground. In this week’s magazine, Julian Flanagan chats to the baritone about his transition from pop to opera, the pivotal events of
