Boyd Tonkin

‘In dreams begins responsibility,’ wrote W.B. Yeats. In the near-future America imagined by Laila Lalami, culpability starts there, too. Charged with the prevention of potential crimes, the Risk Assessment Administration monitors not just every aspect of citizens’ behaviour but, via tiny ‘neuroprosthetics’, the hidden drives revealed in sleep. As an RAA agent insists: ‘Every murder

‘We don’t want a James Bond adventure here,’ warns a jumpy spymaster as he grapples with an anti-state conspiracy in Oromay. Among other strands, that’s precisely what this fabled Ethiopian novel of 1983 delivers. Which is remarkable, given that Baalu Girma’s semi-autobiographical thriller of rebellion and repression, love and war, has been translated from Amharic.

‘Nothing escape’s the wolf’s fangs,’ thinks the narrator of Katerina. Through an outlandish sequence of chances and choices, somehow its author did just that. Aharon Appelfeld, a child of assimilated parents, lived in the old Jewish heartland of Bukovina. In 1940, short-lived Soviet occupation gave way to Nazi control. His mother was murdered and his

Imagine a society, a high-minded psychologist tells his curmudgeonly father, ‘in which people are like cars. They have to go in for inspection once a year’ in order to assess their emotional fitness for the shared highway of life. As for the ‘psychopathic percentage’ whose ‘moral disorders’ lead them to fail this spiritual MoT, never

Whatever happened to the likely lads and lasses of the East London art scene at the high noon of Cool Britannia? Hari Kunzru’s seventh novel, Blue Ruin, loads much else on to its ideas-rich plate – not least a pandemic yarn set in the panic-stricken spring of 2020. At its core, however, his plot traces

Scarlett Thomas likes islands: either literal sea-girt territories or closed enclaves where this wickedly inventive novelist practises her richly enjoyable experiments in plot and form. If her recent Oligarchy found its sour-sweet spot in a grisly girls’ boarding school, The Sleepwalkers creates another insular possession: the Greek island of ‘Kathos’, which almost resembles Samos. Here,

Bad historical novelists assume that people always live at the spearhead of their age. Good ones, like Francesca Kay in her fourth book, know that even when the world spins ‘faster than a weathervane in a gale’, most hearts and minds will tarry in the past, behind events. The Book of Days unfolds in a

You should feel thoroughly ashamed of reading this infamous rag. Or else you might decide to revel, shamelessly, in its critics’ prim disapproval. From political squalls to global wars, David Keen argues that a ‘spiral of shame’ and shamelessness now traps individuals and societies in arid cycles of pain, rage and revenge. Manipulative actors –

‘Is this all that these modern ladies’ novels are to be about? People?’ So asks the bewildered author of Old St Paul’s, The Lancashire Witches, The Tower of London and three dozen other forgotten blockbusters stacked with costumed folderol. In Zadie Smith’s sixth novel, William Harrison Ainsworth disapproves, in 1871, of hiscousin-housekeeper, Eliza Touchet, reading

Like light from faraway stars, fiction from outside the Anglosphere may take decades to reach English-language readers. This sinister, indeed sulphurous, novella by a Belarus-born author was first published in Russian in 1991, and won major awards. Ilona Yazhbin Chavasse’s English translation, as creepily compelling as the book deserves, appears long after the contemporary hook

The plot sounds like an airport thriller – or a Netflix mini-series pitch. In a proud and staid riverside town in north-west Spain, where ‘each individual played the role assigned to him’, live three women. One is a merciless terrorist killer: Magdalena Orúe, or Maddy O’Dea, half-Spanish, half-Northern Irish, a warrior on long-term loan from

Talking animals – as anyone who has watched a Studio Ghibli animated film will know – are big in Japan. But not always cute. The snooty hawk, for instance, looks down on the ugly but peaceable nighthawk (‘quite harmless to other birds’), who half-shares his macho name despite a deplorable lack of raptor credentials. Just

Welcome to Mingheria, ‘pearl of the Levant’. On a spring day, as the 20th century dawns, you disembark at this ‘calm and charming island’ south of Rhodes from a comfortable steamer after sailing from Smyrna, Piraeus or Alexandria. A crew of Greek or Muslim boatmen will row you to the picturesque harbour of Arkaz, flanked

We’ve all met the sort of facetious oaf who orders any non-giggling woman to ‘Cheer up, love, it might never happen’. As Timothy Hampton grasps, enforced cheeriness feels about as much fun as compulsory games. His invigorating book about the quest for true cheerfulness in literature and philosophy dismantles the various ‘prosthetic or counterfeit’ versions

Reviewers who make fancy claims for genre novels tend to sound like needy show-offs or hard-of-thinking dolts. So be it: here’s mine. Anyone who tries to understand modern Britain through its fiction but overlooks Mick Herron’s satirical thrillers merits a punishment posting to the critics’ version of Slough House. That noxious midden of a building

Professor David Damrosch, the director of Harvard’s Institute for World Literature, fell in love with ‘a fictional realm that I’d never imagined’ in 1968. His English teacher, Miss Staats, gave him Laurence Sterne’s Tristram Shandy. This horizon-stretching Manhattan educator turns up again in another light towards the end of this book. A long-term girlfriend of

One of the best episodes in Wole Soyinka’s third novel (his first since 1973) takes place not in Nigeria but in Salzburg. An engineer-turned-entrepreneur has died in hospital there after a bomb attack back home. His grasping clan descends from Lagos to parade their last respects — and stake their claims. The drive to the

No one ever raised a statue to a translator, disgruntled adepts of that art sometimes complain. I beg to differ, since I’ve seen one: the handsome monument to the 12th-century scholar-physician Judah ibn Tibbon, ‘patriarch of translators’, beneath the Alhambra in Granada. But if the brokers between languages and cultures still lack many bronze or

Mircea Cartarescu likens his native Romania to a Latin American country stranded in eastern Europe. Certainly, his writing delivers not the pared-down parables and ironies of his self-exiled compatriot (and Nobel laureate) Herta Müller, but a rainbow-hued riot of fantasy, imagination and invention. The gender-switching narrator of ‘The Twins’ — one of five linked tales