Listing page content here As a genre, perhaps the most important question that the thriller asks is this: do we care sufficiently about the hero to want him (or, of course, her) to survive? In this case the hero is Nick Atkins, who in 1989 is just down from Cambridge. On the brink of law
Val McDermid is probably best known for her series of sharply contemporary thrillers featuring a criminal profiler. But some of her standalone novels, in particular the superb A Place of Execution and The Distant Echo, have narrative sections that hark back to a generation earlier; and their plots turn upon the long shadows thrown forward
According to George Orwell, even homicide had its golden age. In his 1946 essay, ‘Decline of the English Murder’, he discusses what he calls ‘our great period in murder’, which was roughly from 1850 to 1925. He holds up nine murders (and ten murderers) whose reputations, he says, have stood the test of time. Jack
Like revolution, fame has a nasty habit of eating its children. On one level Lunar Park explores the perils that an author faces when subjected to the sort of celebrity usually reserved for rock stars and supermodels. It’s not just any old author, either, but Bret Easton Ellis himself. Or is it? The narrator of
At the heart of this novel is the notion that a sexual predator can find natural cover for his activities in a war zone. Its title is taken from a Turkish phrase meaning a woman who unwittingly arouses a man’s sexual interest. The narrator, Connie Burns, is a foreign correspondent, born in Zimbabwe, educated at
It is always interesting to see what happens when a literary novelist turns to genre fiction. Swan Song is the third novel of Robert Edric’s trilogy about Leo Rivers, a private investigator based in modern Hull. The format is instantly familiar because Rivers is a modernised and home-grown Philip Marlowe — detective, knight-errant and laconic
More than any other literary form, perhaps, the thriller is at the mercy of history — especially that branch of the genre that deals with the rise and fall of empires, the clash of ideologies and the dirty secrets of nations. In the past, most thriller writers, from Buchan to Fleming and beyond, dealt with
Joan Brady’s previous books include Theory of War, a powerful historical novel which won the Whitbread Book of the Year prize. Now she has written a thriller. It is set in Springfield, Illinois, once the home of Abraham Lincoln and now a prosperous city overshadowed by an unholy alliance of politicians, cops, lawyers and bankers.
At the centre of Michael Chabon’s earlier novel, The Amazing Adventures of Kavalier and Clay, was a comic book hero known as the Escapist. That book weighed in at a portly 656 pages. The Final Solution revolves around Sherlock Holmes and is a mere stripling by comparison, scarcely more than a novella illustrated with stiff
I live in a city of the dead surrounded by a city of the living. The great cemetery of Kensal Vale is a privately owned metropolis of grass and stone, of trees and rusting iron. At night, the security men scour away the drug addicts and the drunks; they expel the lost, the lonely and