Andrew Lambirth

Picasso: The Mediterranean Years (1945–61) Gagosian Gallery, 6–24 Britannia Street, WC1, until 28 August The Gagosian Gallery has been remodelled for this exhibition by the architect Annabelle Selldorf, who has translated the normally looming white spaces into a succession of more sympathetic but nonetheless dramatic rooms. The expectant visitor enters via a black door to

Sargent and the Sea Royal Academy, until 26 September John Singer Sargent (1856–1925) is an artist whose name arouses hopes of dazzling technical virtuosity even when his subjects are fairly run-of-the-mill. Famed as a portrait painter, his art (at its finest) has great glamour and stylishness, backed up by exuberant brushwork which can be truly

Cornwall is looking beautiful under summer sun and outdoor pursuits beckon, but St Ives provides the perfect alternative when the beach palls or rain threatens. Besides the Tate, there are a number of commercial galleries, and chief among them is Wills Lane, which offers a stimulating variety of fine and applied art. For the summer

Alice Neel: Painted Truths Whitechapel Gallery, until 17 September Paula Rego: Oratorio Marlborough Fine Art, 6 Albemarle Street, W1, until 20 August The last time I wrote about Alice Neel (1900–84), on the occasion of an exhibition mounted six years ago by the commercial gallery Victoria Miro, a reader wrote in to correct my statement

Rude Britannia: British Comic Art Tate Britain, until 5 September If each age gets the art it deserves, it might also be said that each age gets the exhibitions it deserves. The robust tradition of British Comic Art has never looked so unfunny and anaemic as it does in this current overworked examination at Tate

The Wyeth Family: Three Generations of American Art Dulwich Picture Gallery, until 22 August There have been a number of painting dynasties in the history of art — families such as the Bruegels, the Bellinis and the Tiepolos — but fewer in recent years, British art having favoured the older brother syndrome (Paul Nash and

The Summer Exhibition Royal Academy of Arts, until 22 August The Weston Room is packed with prints as usual, but also features five display cases of artists’ books, including work by such masters of the genre as Ron King, Ken Campbell and Ian Tyson. Among the prints I particularly liked Bronwen Sleigh’s hand-coloured etching, Terry

Andrew Lambirth talks to John Richardson, biographer and friend of the artist John Richardson has spent a lifetime in the company of great art and artists, and is justly celebrated for his ability to evoke, explain and evaluate their work in beautiful prose. Best known as the biographer of Picasso, he has written about many

Another Country: London Painters in Dialogue with Modern Italian Art Estorick Collection, 39a Canonbury Square, London N1, until 20 June In recent years there has been something of a vogue for encouraging contemporary artists to respond to particular works by artists of the past, and to make paintings as part of that response. The prime

Fra Angelico to Leonardo: Italian Renaissance Drawings British Museum, until 25 July The latest exhibition in the Round Reading Room is an awe-inspiring collection of Italian Renaissance drawings, the kind of display likely to be seen only once in a lifetime. It is a large show of relatively small things, offering 100 examples of the

Maggi Hambling: Sea Sculpture, Paintings and Etchings Marlborough Fine Art, 6 Albemarle Street, W1, until 5 June  Stephen Chambers: The Four Corners Kings Place Gallery, 90 York Way, N1, until 11 June Ceri Richards: Retrospective Jonathan Clark & Co., 18 Park Walk, SW10, until 5 June For the past eight years, the sea has been

William Crozier at 80 Flowers, 82 Kingsland Road, E2, until 29 May Agnes Martin Timothy Taylor Gallery, 15 Carlos Place, W1, until 22 May William Crozier is Scottish born, but has lived much abroad, spending his formative years in Paris and Dublin, and later working in Spain and America, though always keeping a foothold in

John Tunnard: Inner Space to Outer Space until 6 June St Ives and Beyond until 31 May Pallant House Gallery, Chichester John Tunnard (1900–71) is one of that shamefully extensive body of distinguished 20th-century British artists whose work is largely unfamiliar today. For reasons best known to itself, the Tate doesn’t see it as its

Paul Sandby: Picturing Britain, a Bicentenary Exhibition Royal Academy, until 13 June As Paul Sandby’s dates 1731—1809 suggest, last year was his bicentenary, when this exhibition started out in Nottingham. Sandby lived in that illustrious city before heading north to Edinburgh, when he was appointed draughtsman to the Military Survey of North Britain in 1747.

Arshile Gorky: A Retrospective Tate Modern, until 3 May Van Doesburg and the International Avant-Garde: Constructing a New World Tate Modern, until 16 May Arshile Gorky (1904–48) was a great and versatile painter, either the last major surrealist or the first Abstract Expressionist. In truth, he was a bit of each, an Armenian who fled

Richard Hamilton: Modern Moral Matters Serpentine Gallery, until 25 April This year is the 40th anniversary of the Serpentine Gallery, that most welcoming of exhibition venues — the gallery in the park — with its wide views and well-appointed rooms. Expectation rises as the visitor walks through gardens burgeoning with spring, even if it is

Andrew Lambirth on how a powerful Easter message can be found in images of the Crucifixion Easter is not just a time for bonnets and bunnies, but also for reexamining the fundamentals of life and faith. In the self-denial of Lent, whether we’ve given up chocolate or alcohol, or something even more difficult, we are