Stories and films set in stately homes continue to fascinate us, and Lissa Evans’s latest novel is likely to increase our appetite. It is 1945, and Dimperley Manor, the large, dilapidated home of the Vere-Thissetts near Aylesbury, has been almost emptied of its wartime evacuees. Only the widowed Zena Baxter (who adores Dimperley) and her
A toddler has gone missing on a council estate in London. Tom, a tabloid journalist, gets the whiff of a story that she may have been killed by another child, Lucy Green, the daughter of a young Irishwoman, Carmel. But Carmel is sunk in the misery of her first and only love affair in Waterford,
Ruth, the narrator of Susie Boyt’s seventh novel, is both the child of a single mother and a single mother herself. Intelligent, quirky and despairingly fastidious, she has tried to bring up her adored daughter in loving orderliness, but the results have been disastrous. By 15, the beautiful, gifted Eleanor is a heroin addict, living
Thanks to the Booker Prize, Richard Flanagan is probably the only Tasmanian novelist British readers are likely to have heard of. His reworking of the life of the Australian hero ‘Weary’ Dunlop, a doctor who became a prisoner of war on the notorious Burma Death Railway, in The Narrow Road to the Deep North was
Lissa Evans has been single-handedly rescuing the Hampstead novel from its reputation of being preoccupied by pretension and middle-class morality. Her original black comedy (Crooked Heart) concerned Vee, a middle-aged suburban scammer, and the prodigiously bright but orphaned Noel, who join forces in north London’s urban village during the second world war. Evans then went
Lydia and Luca are hiding in the shower room of their home while 16 members of her family are murdered. Lydia’s husband, a journalist, wrote about the latest drugs cartel in Acapulco and now, to stay alive, the mother and small son must disappear to America. Instead of the middle-class life Lydia has enjoyed as
Two years after Philip Pullman published La Belle Sauvage, the prequel to His Dark Materials trilogy, we have its long-awaited sequel, The Secret Commonwealth. Set ten years after the end of The Amber Spyglass, it follows the further adventures of Lyra, now a 21-year-old student at St Sophia’s College. Oxford. No longer a child, orphaned
Memoirs about giving birth, a subject once shrouded in mystery, have become so popular that another may seem otiose. We are all produced in variations of anxiety, pain and delight: what is the point of labouring labour? Two years ago, the novelist Francesca Segal gave birth to twins ten weeks prematurely. Her account of their
Aficionados of detective fiction have long known that the differences between the soft- and hard-boiled school are so profound that, as P.D. James observed, it seems stretching a definition to place both groups in the same category. Over here we have, or used to have, a comforting story concerned with restoring order to the mythical
Rachel Kelly, a respected former journalist on the Times, might seem the most blessed of women: five children, marriage to the banker Sebastian Grigg and a large house in Notting Hill. However, soon after her second child was born she suffered a breakdown of a most acute kind. Terrified, and in such distress that all
Frog Music begins with a crime against a young mother, committed in a tiny space. Unlike Emma Donoghue’s bestselling novel Room, however, the setting is not present-day America but that of 1876. Blanche is travelling on a train with her new friend Jenny. She hears several loud cracks and feels something hot and wet fall
Sex, spies, aristocrats and atom bombs — the Profumo affair is in the news again, thanks to the recent Andrew Lloyd Webber musical about Stephen Ward. William Nicholson has chosen to hang his seventh novel around it in Reckless, which takes place between the end of the second world war and the Cuban missile crisis.
