Alien: Earth is unfriendly and brilliant
What makes the show distinctive, and will undoubtedly account for its interest over future weeks, is its marriage between human consciousness and android bodies
Alexander Larman is an author and the US books editor of The Spectator.
What makes the show distinctive, and will undoubtedly account for its interest over future weeks, is its marriage between human consciousness and android bodies
Turns out adults are still interested in more than the usual banal superhero slop
Gina Carano’s settlement with Disney may have big consequences
The Freaky Friday star has lived more in one life than most people could in ten
The septuagenarian is, somehow, hip
Hank Hill continues to age well
The American Eagle ad campaign is a societal Rorschach test
The musician-comedian spread like herpes, rather than Ebola
On the enduring appeal of conspiracies, theoretical and otherwise
There will never be another Ozzy
If Dunham was, once, the voice of her generation, that that torch has long since passed to other, more interesting talents
Hollywood could use a little anarchy
More than 60 years after his death, the Oxford literature professor and writer is everywhere
Why is it so hard to warm to him?
Americans remain rightfully suspicious
What explains the studio’s latest flop?
He avoided the most-serious charges, but his image will never recover
This looks to be one of the most clueless and misjudged attempts at romantic comedy-drama ever put on screen
Be prepared to forget virtually everything apart from the sheer sensation of being in an F1 race car traveling very, very fast indeed
In a summer full of witless, unnecessary sequels and remakes, 28 Years Later is the real thing